Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
On Halloween in 1963, Michael Myers murdered his sister, Judith. In 1978, he broke out to kill his other sister, Laurie Strode. He killed all of her friends, but she escaped. A few years later, she faked her death so he couldn't find her. But now, in 1998, Michael has returned and found all the papers he needs to find her. He tracks her down to a private school where she has gone under a new name with her son, John. And now, Laurie must do what she should have done a long time ago and finally decided to hunt down the evil one last time. Written by
No official soundtrack was ever released for the film, but a compilation album by John Ottman was released in the United States and Germany under the Varese Sarabande label and includes the original score by Ottman and numerous other cuts. See more »
(at around 1h 16 mins) When Laurie is driving the van with "Michael" in it, notice in the long shots the road is solid pavement or concrete, a very "beaten path," however inside the van if you look outside the back window you can see the road is in excellent condition and has the yellow stripe down the middle separating the lanes. See more »
[about shoplifting a bottle of alcoholic drink]
I can't believe we're doing this.
It's harmless and expected.
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"Halloween: H20" makes an obvious effort to return to the franchise's roots and recapture the qualities that made the first one so good. It doesn't come close to succeeding, but it does manage to become, in my opinion, the second best of the series, though that's pretty faint praise.
There are some creepy scenes early on in this film (the one in the deserted rest stop bathroom, most notably), but this movie really exists for the sole purpose of having Jamie Lee Curtis kick Michael Myers's ass, and the catharsis in watching her do so is worth the price of admission. There are some obligatory killings, but they go for gruesome rather than frightening, which was not John Carpenter's approach. But when Laurie Strode takes matters into her own hands and comes after Michael with guns blazing (so to speak), hold on to yourselves--violent tendencies seem to run in this family.
The producers of this movie use a bigger budget to add some modern "scary" sound effects for atmosphere and fill out John Carpenter's original score with a sweeping orchestra--it's like John Williams' version of the Halloween theme. The whole thing feels like it's running on an I.V. drip of pure adrenaline. But fans of the series, or at least of the first two films, should enjoy it.
LL Cool J is totally wasted in the token black character role, and Janet Leigh makes a pointless appearance as well, but listen for the brief strain of Bernard Herrman's "Psycho" score in one scene with her.
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