A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
On Halloween in 1963, Michael Myers murdered his sister, Judith. In 1978, he broke out to kill his other sister, Laurie Strode. He killed all of her friends, but she escaped. A few years later, she faked her death so he couldn't find her. But now, in 1998, Michael has returned and found all the papers he needs to find her. He tracks her down to a private school where she has gone under a new name with her son, John. And now, Laurie must do what she should have done a long time ago and finally decided to hunt down the evil one last time. Written by
Don't ask me why but I couldn't help being involved in the pre title sequence of H20 . I mean how many times have we seen a madman stalking his victims in a dark house ? Too many you say ? I couldn't agree more but director Steve Miner has managed to make this sequence tense and exciting
The story is held up slightly after this as we're introduced to the characters . Jamie Lee Curtis returns as Laurie Strode who having survived the previous encounter with Michael Myers now has a drinking problem . Perhaps not the most radical or original example of character development but character development of a sort . Obviously Michael Myers is just as you'd expect him to be . He says nothing and goes around killing horny teenagers
Interestingly enough while horny teenagers having sex are expected to be bumped off in this type of movie there is no on screen sex in this movie and there's nothing to indicate that none of these teenagers have lost their virginity . They're no angels but they're not promiscuous sex pigs either . Deliberate post modernism on the part of the writers ? Possibly since we see two teenage girls watching a clip from SCREAM on TV so make up your own mind and it's good to see a horror film with some lighter moments which come from a performance by LL Cool J as a cop while at the same time the humour never becomes OTT
By no means a classic example of cinema H20 is a fairly impressive movie for what it is - Yet another sequel in a horror franchise but one that kept this sometimes demanding viewer entertained
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