The reason Stephen King serialized "The Green Mile" was because it was a deliberate response to fans who flipped to the end of his books, something his mother used to do. The fans would have to wait for the last installment to find out the ending. King wrote each one with its own miniature climax, but even he admitted he did not have a clue how the story would end. See more »
In the execution scenes, the victims of Old Sparky convulse as if in a severe seizure as the electricity is rolled through them, however, in real life, this would not and does not happen. The constant flow of electricity causes all of the victim's muscles in his/her body to contract until the electricity is stopped. Additionally, the kind of screaming heard would be impossible because of this, as the screaming heard is the kind made with a fully opened mouth, not a neutrally positioned jaw that would come as a result of the contraction of both the jaw opening and closing muscles produced by the electricity. See more »
Gettin' to my knees. Prayin'. Lord in Heaven, sorry for all the bad shit I've done, all the people I've trampled on, I hope they forgive me, I won't do it again, that's for sure.
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There are no opening credits after the title has been shown, followed by the opening scene for place of film. Although it is now commonplace for films to not have opening credits, in 1999 it was somewhat rather unusually and it was considered for a trademark of director Frank Darabont. See more »
This movie is a real gem. It is hard to find fault with it. Hanks is excellent in a role that clearly calls for him to suppress his natural slant toward humor. He is Paul Edgecomb; Tom Hanks is nowhere to be found. Yet he gives Edgecomb just the right flavor. One cannot find a single weak cast member! Michael Jeter should have got an Oscar. Michael Clark Duncan put just the right shading on his huge character to make him vulnerable and sympathetic.
Flawlessly shot on perfect period sets, the whole production binds together to bring the extraordinary story into the realm of a believable and compelling study of human injustice and charity.
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