When his secret bride is executed for assaulting an English soldier who tried to rape her, William Wallce begins a revolt and leads Scottish warriors against the cruel English tyrant who rules Scotland with an iron fist.
Stephen King's original novel 'The Green Mile' was published in 100-page paperback installments between March and August of 1996. He had begun developing the story while writing Desperation, and needed to finish that novel but still wanted to see where his death row story would go. Ralph Vicinanza, a friend of King's who sells foreign publication rights, had recently had a discussion with another friend in England about Charles Dickens, in which he learned that Dickens often published his novels in installments in newspapers and magazines, and it had been suggested that, in the U.S., someone like Stephen King could try writing a book that way. Vicinanza was under the impression that no recent novels had been written this way. He was in fact mistaken. Tom Wolfe had published his first draft of The Bonfire of the Vanities (1990) in installments in Rolling Stone. Both that novel and this one were turned into films starring Tom Hanks. This also ended up not being Stephen King's only story published in installments: his Dark Tower series spanned seven full-length books, published over the course of 22 years, from 1982 until 2004. See more »
When Del finally dies his jaw is slack, but when it shows his body on the gurney his teeth are clenched tight. See more »
--The story to the film on the outside appears astoundingly simple, though once inside the film and into the plot, there is a lot more to the eye than what appears. Death Row in the olden days might sound like a boring setting for a film, but there are many intricate webs of storyline and a number of surprises and twists along the way, many which had me gasping aloud.
--"The Green Mile" is easily one of the most dramatic films I've ever seen. It's because we care so much for these characters (even a mouse!) that the events of the film are so affecting. I cared about everyone (who's not a bastard) so much and I was enthralled to see how the film would be resolved. Mix this with a number of absolutely tear-inducing scenes (the final 15 minutes especially) and you have what is nothing less than a masterfully constructed drama.
--Death Row is the setting for this film, and death row is not a place where bunnies dance around singing happy-happy joy-joy. Darabont knows the audience is aware of this, and makes the old death row set gritty and atmospheric, dripping with dread just as it should. The execution sequences are not taken lightly either, in fact many will find them extremely hard to watch, as they are very graphic.
--Characterisations and performances are a definite good point of this film, a lot of the time the performances are what drives the story. Tom Hanks is terrific as usual, injecting a lot of emotion into the character. I especially liked the way he played his character's silent suffering with God's judgement of his life. David Morse was very underrated for his performance here, personally I thought he was extremely effective and added a little something to many scenes. Patricia Clarkson was moving, Bonnie Hunt was lovely, James Cromwell was good as always.but there's no secret that the real revelation here is within Michael Clarke Duncan's absolutely fascinating performance as John Coffey (like the drink, only not spelt the same). His child-like manners are so touching to watch, the character is so sweet, but Duncan makes him so much more memorable. He does more than just cry in the film, he transfixes you with every glance as the gentle giant John. Damn, if it weren't for Haley Joel, Duncan would easily be my favourite supporting actor performance of 1999.
--This movie just proves how much director Frank Darabont can do with such little setting. For example, how many neat camera angles and cinematography techniques can you think of for the setting of death row? Not many.but Darabont utilises his setting and pulls off some truly wonderful cinematography that catches the sometimes magical and at others truly horrific feeling of the green mile. The performances by the cast also show how much effect a great director can project on a performance, or several.
--At just over 3 hours, "The Green Mile" is a little over-long, and you get the feeling a few scenes could've been cut down to make the film run a little smoother pace-wise.
9/10 - Frank Darabont's second outing is a profoundly moving film experience.
IF YOU LIKED THIS MOVIE I RECOMMEND:
Forrest Gump (10/10) Frailty (9/10) The Hurricane (9/10) Monster's Ball (9/10) The Shawshank Redemption (10/10)
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