A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
Ian McKellen said that he felt very comfortable playing the role of James Whale. For, like Whale, McKellan is a homosexual British actor who spent his early career in the theater and ultimately started a career in Hollywood. See more »
Before starting his line about James Whale wanting "to draw him like a statue" Clayton tosses away his towel. James turns from the window and Clayton punctuates the end of his line by tossing his towel away again. See more »
She was ugly when I brought her. I not like her. Mr. Jimmy not like her. Better you indicate, Mr. David.
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The story of this motion picture is based upon certain, actual events and persons. However, some of the characters, incidents and names are fictionized. See more »
From the opening credits to the (mostly) predictable climax, Bill Condon's film is a technical masterpiece and an excellent bit of arthouse fodder to boot.
The title, which comes from James Whale's classic film Bride Of Frankenstein, refers to the gods and monsters living in our lives and vicariously in our close associates' lives.
Condon has done a remarkable job editing in flashbacks, and the sketchy oblique, often contrasted shots pay great homage to Whale's early Universal pictures.
The story is a simple one: James Whale (Ian MacKellan), famed director, has had a stroke and is slowly dying. He is a lonely man in need of companionship and inner peace. He tries to find this solace in Clay Boone (Brendan Fraser, in a rare serious role), his yardman. The blossoming relationship between the two is the plot focus of the film.
Carter Burwell's score is wonderful as always, and Lynn Redgrave's role as Whale's housemaid is superbly put on. A great movie for any fans of the late Whale, or anyone looking for a true human drama.
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