A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Prominent lawyer Charlie Deegan has almost everything he has ever wanted. He has an important, prosperous law practice, a beautiful secretary as his lover, and the chance to be appointed to... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
As of 2007, one of only three films since the advent of the Best Adapted Screenplay Oscar to win the award without receiving a Best Picture nomination as well. The first was The Bad and the Beautiful (1952), the second was Sling Blade (1996). See more »
When Hanna stands up to turn the TV off, she throws her napkin/towel on the small table in front of her. It covers most of the table, and also part of her plate (on the right side of the table). When she has turned the TV off and looks back at James, we see the towel lying neatly on the left side of the table. See more »
She was ugly when I brought her. I not like her. Mr. Jimmy not like her. Better you indicate, Mr. David.
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The format of the end cast credits, headlined "A Great Cast is Worth Repeating," mirrors the way Universal gave their closing credits when James Whale was directing his horror classics. See more »
Originally, I thought this would be a film of gay man versus straight man. It is. But much more than that, it is a film that speaks of human strengths and weaknesses, one that studies with quirky charm and quiet strength the scenario of man versus man.
Without getting maudlin or preachy, "Gods and Monsters" goes about telling its story about ignorance, frailty, and unconditional love, the very themes that ran throughout most of James Whale's life and films.
Bill Condon has created a poetic masterpiece, a wonderful answer to the question "Can't we all just get along?". Ian McKellen as James Whale is fascinating and absorbing, his facial expressions and body movements mesmerizing. He does not give a stereotypical "queen" performance. Rather, his James Whale is a dignified, yet tortured man. Lynn Redgrave is comical for the most part as Whale's maid, though she does lend a certain down to earth quality. It is Brendan Fraser, though, who steals this film. As Clay Boone, Fraser holds his own in McKellen's formidibal shadow. He does not provide a stereotypical performance either. Boone prooves to be as dignified and monstrous as Whale.
The few problems I had with the film where two gimmicky scenes, one showing Boone's surrender to a request of Whale's that he pose "like a statue", the other a dream sequence that has Whale walking among his fallen comrades in the trenches of World War one, and one flashback on the set of "Bride of Frankenstein", a scene tainted by Arthur Dignam's awful portrayal of Ernest Thesiger.
Eventually, "Gods and Monsters' proves two things: that we are all at once superhuman and sub-human, and that Hollywood can still show this in a beautiful way.
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