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Gods and Monsters (1998)

7.5
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Ratings: 7.5/10 from 23,101 users   Metascore: 74/100
Reviews: 225 user | 124 critic | 32 from Metacritic.com

The last days of Frankenstein director James Whale are explored.

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(novel), (screenplay)
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Title: Gods and Monsters (1998)

Gods and Monsters (1998) on IMDb 7.5/10

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Won 1 Oscar. Another 40 wins & 26 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Betty
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David Lewis
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Harry
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Dwight
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Edmund Kay
Rosalind Ayres ...
Elsa Lanchester
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Colin Clive
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Leonard Barnett
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Young Whale
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Sarah Whale
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Storyline

The story of James Whale, the director of Frankenstein (1931) and The Bride of Frankenstein (1935), in the time period following the Korean War. Whale is homosexual and develops a friendship with his gardener, an ex-Marine. Written by James Fortman <sydb1367@rocketmail.com>

Plot Summary | Plot Synopsis

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for sexual material and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

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Release Date:

4 November 1998 (USA)  »

Also Known As:

The Father of Frankenstein  »

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

£59,834 (UK) (26 March 1999)

Gross:

$6,390,032 (USA) (21 May 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

As of 2007, one of only three films since the advent of the Best Adapted Screenplay Oscar to win the award without receiving a Best Picture nomination as well. The first was The Bad and the Beautiful (1952), the second was Sling Blade (1996). See more »

Goofs

The Fiesta disc pitcher used by Hanna in the studio is the post-1986 yellow not the original yellow that would have existed in 1957. See more »

Quotes

[first lines]
Hannah: [whispering] She was ugly when I brought her. I not like her. Mr. Jimmy not like her. Better you indicate, Mr. David.
David Lewis: Stop.
Hannah: Shhh.
See more »

Crazy Credits

The format of the end cast credits, headlined "A Great Cast is Worth Repeating," mirrors the way Universal gave their closing credits when James Whale was directing his horror classics. See more »


Soundtracks

Bride of Frankenstein
Written by Franz Waxman
Published by EMI Robbins/Fidelio Music Publishing
See more »

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User Reviews

 
Humans and Humans
30 December 1999 | by (Oakland, California) – See all my reviews

Truth be told, it's not easy to write a film review as disconnected as I am from the underlying inspirations and principals of the movie in tow: Gods and Monsters. I knew little about James Whale and the Frankenstein franchise, possessed virtually zilch experience with Bill Condon (aside from the trivial baggage that his previous _and first_ feature film was the Direct-To-Oblivion sequel to the Scariest-Movie-Of-All-Time-When-I-Was-Fourteen, Candyman.), and unceremoniously avoided anything to do with Brendan Fraser. So, there's not much I can say about historical accuracy, era juxtapositions, or tour-de-force performances. All I know comes from the ninety-eight or so minutes I had with the film.

Which were pretty splendid, to say the least. What more, I was pleased by how little the film seemed to hit me over the head. Not with a lengthy diatribe over the political progressions of societal acceptance of diverse sexual orientations, not with any sort of disgusted expose of Hollywood's miscreants. Instead, I found a minimal but simplistically acceptable plot moved along by wonderful acting, vivid portrayals of what it's really like, beneath the typical distractions, gimmicks, and veils, to be a human being. Ian McKellan astounded me. Fact or fiction, he wasn't necessarily James Whale, but a complicated, reserved, and often misunderstood director who found a glimmer of intrigue and desire for his new gardener, Clayton Boone, played impeccably by Brendan Fraser. From their initial meeting with Whale indulging in staring at Boone hard-driving an edger, I was struck by a remarkable sense of kinship between the two, which only got better as the film unfolded. And, with Hanna--the third vertice of the bizarre love triangle--the edgy buffer between the men, I felt incredibly comfortable just watching three very different people open up to each other and to me. The irony of the title, Gods and Monsters, is that whether someone or something is considered a 'God' or 'Monster' is largely due to perception...human perception. We invent our gods and our monsters daily, and they are usually people we know, love, hate, or admire. I spent a very good ninety-eight minutes, mostly from being in the company of those three fellow humans.


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Brendan Frasier did a horrible job. unlimiteddevotion
100 Things I Learned from 'Gods and Monsters.' Tiki_Barfly
Cucumber sandwiches Lemmingrocker1311
Who are the 141 people who voted 1 for this film? terrypeters_01
Gay subtext? BillyFisher
Anyone who watched the movie, help me.. neo-zombie
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