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A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Director:
Julian Schnabel
Stars:
Olatz López Garmendia,
Giovanni Florido,
Javier Bardem
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Director:
Julian Schnabel
Stars:
Jeffrey Wright,
Michael Wincott,
Benicio Del Toro
The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official.
The first time Clayton Boone drinks iced tea with James Whale, Clayton drinks most of his glass at once. The next time we see Clayton, his glass is almost full again. See more »
Originally, I thought this would be a film of gay man versus straight man. It is. But much more than that, it is a film that speaks of human strengths and weaknesses, one that studies with quirky charm and quiet strength the scenario of man versus man.
Without getting maudlin or preachy, "Gods and Monsters" goes about telling its story about ignorance, frailty, and unconditional love, the very themes that ran throughout most of James Whale's life and films.
Bill Condon has created a poetic masterpiece, a wonderful answer to the question "Can't we all just get along?". Ian McKellen as James Whale is fascinating and absorbing, his facial expressions and body movements mesmerizing. He does not give a stereotypical "queen" performance. Rather, his James Whale is a dignified, yet tortured man. Lynn Redgrave is comical for the most part as Whale's maid, though she does lend a certain down to earth quality. It is Brendan Fraser, though, who steals this film. As Clay Boone, Fraser holds his own in McKellen's formidibal shadow. He does not provide a stereotypical performance either. Boone prooves to be as dignified and monstrous as Whale.
The few problems I had with the film where two gimmicky scenes, one showing Boone's surrender to a request of Whale's that he pose "like a statue", the other a dream sequence that has Whale walking among his fallen comrades in the trenches of World War one, and one flashback on the set of "Bride of Frankenstein", a scene tainted by Arthur Dignam's awful portrayal of Ernest Thesiger.
Eventually, "Gods and Monsters' proves two things: that we are all at once superhuman and sub-human, and that Hollywood can still show this in a beautiful way.
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Originally, I thought this would be a film of gay man versus straight man. It is. But much more than that, it is a film that speaks of human strengths and weaknesses, one that studies with quirky charm and quiet strength the scenario of man versus man.
Without getting maudlin or preachy, "Gods and Monsters" goes about telling its story about ignorance, frailty, and unconditional love, the very themes that ran throughout most of James Whale's life and films.
Bill Condon has created a poetic masterpiece, a wonderful answer to the question "Can't we all just get along?". Ian McKellen as James Whale is fascinating and absorbing, his facial expressions and body movements mesmerizing. He does not give a stereotypical "queen" performance. Rather, his James Whale is a dignified, yet tortured man. Lynn Redgrave is comical for the most part as Whale's maid, though she does lend a certain down to earth quality. It is Brendan Fraser, though, who steals this film. As Clay Boone, Fraser holds his own in McKellen's formidibal shadow. He does not provide a stereotypical performance either. Boone prooves to be as dignified and monstrous as Whale.
The few problems I had with the film where two gimmicky scenes, one showing Boone's surrender to a request of Whale's that he pose "like a statue", the other a dream sequence that has Whale walking among his fallen comrades in the trenches of World War one, and one flashback on the set of "Bride of Frankenstein", a scene tainted by Arthur Dignam's awful portrayal of Ernest Thesiger.
Eventually, "Gods and Monsters' proves two things: that we are all at once superhuman and sub-human, and that Hollywood can still show this in a beautiful way.