Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
A masked killer begins murdering teenagers in a small town, and as the body count rises, one girl and her friends contemplate the "rules" of horror films as they find themselves living in a real-life one.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
Tom returns to his hometown on the tenth anniversary of the Valentine's night massacre that claimed the lives of 22 people. Instead of a homecoming, however, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one will believes he's innocent.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
It is 1888 in London, and the unfortunate poor lead horrifying lives in the city's deadliest slum, Whitechapel. Harassed by gangs and forced to walk the streets for a living, Mary Kelly and her small group of companions trudge on through this daily misery, their only consolation being that things can't get any worse. Yet things somehow do when their friend Ann is kidnapped and they are drawn into a conspiracy with links higher up than they could possibly imagine. The kidnapping is soon followed by the gruesome murder of another woman, Polly, and it becomes apparent that they are being hunted down, one by one. Sinister even by Whitechapel standards, the murder grabs the attention of Inspector Fred Abberline, a brilliant yet troubled man whose police work is often aided by his psychic abilities. Abberline becomes deeply involved with the case, which takes on personal meaning to him when he and Mary begin to fall in love. But as he gets closer to the truth Whitechapel becomes more and ... Written by
In the movie George Lusk arrives with half a kidney and the infamous 'From Hell' letter after only 2 of the canonical 5 victims have been killed, suggested the kidney was from Annie Chapman. In reality this did not occur until much later and was believed to have come from the 4th victim Katherine Eddowes. See more »
When Abberline takes out a gun and points it at Gull, Ben Kidney hits him from Abberline's front-right side. In such a large room with plenty of empty space to his right, there's no way Abberline would have not seen Kidney coming at him (in the kind of distance covered by him from the Fire to Gull) See more »
Jack the Ripper:
Why have you called me here, Netley.
Netley, the Coachman:
It's just... you say only three more have to be killed. I don't know if I can do it anymore. It's in all the papers. I'm just a simple chap, sir. I'm not a great man like you. I just don't know where I am anymore.
Jack the Ripper:
There, there Netley. I shall tell you where we are. We're in the darkest region of the human brain, a radiant abyss where men go to find themselves.
Netley, the Coachman:
I don't understand, sir.
Jack the Ripper:
Hell, Netley. We are in hell.
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I wasn't expecting much from this movie. The critics passed it over rather quickly, saying a few kind words but without a strong recommendation. The couple of people I knew who saw this said that it was "good," but never cared to say much more than that and have never brought it up again. As I sat down to watch it, I thought it looked nice but moved too fast, was a little dumb. But by the end, I was astounded. I think it's one of the best films of 2001. Sure, it's a triumph of style over substance, but I think we need a couple of good films like this every year. I love style.
I would compare From Hell most closely to Alex Proyas' 1997 triumph Dark City, which, like From Hell, made almost nothing at the box office. I hope, like Dark City, that From Hell will win a larger audience on video. It's not as intelligent as Dark City, which was brilliant in nearly every way, but From Hell equals it in visual virtuosity. Its story, while sometimes lapsing into silliness, is enormously gripping. It's also one of the few horror films to succeed at inducing a sense of dread in the audience. A Scotland Yard detective (played well by Johnny Depp) is on the case of Jack the Ripper, who is himself on the trail of a group of five prostitutes. On the way, Depp discovers that the ritualistic murders are part of a larger conspiracy. The film is full of great twists, the biggest one being simply hilarious in its level of audacity. The end is quite unpredictable (although the climax is a little too predictable).
There are several minor flaws in the film. It does go a bit too fast, but its breathless pace ends up paying off well in the end. Many people will be turned off at the level of gore in the film. Seriously, avoid it at all costs if you have a weak stomach. But if you could take it in Silence of the Lambs, Se7en, or Sleepy Hollow, you'll be fine. I actually felt that those three particular films flaunted their gore and were tremendously ineffective in their horror. Yes, even (and perhaps especially) Silence of the Lambs. I don't know why, but I didn't feel that way about From Hell. 10/10.
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