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Fear and Loathing in Las Vegas (1998)

An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.

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(book), (screenplay) | 3 more credits »
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1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Lee Gogin ...
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Brian Le Baron ...
Parking Attendant (as Brian LeBaron)
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Tyde Kierney ...
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Ransom Gates ...
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Storyline

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by Laurence Mixson

Plot Summary | Plot Synopsis

Taglines:

Four Days, Three nights, Two Convertibles, One City See more »


Motion Picture Rating (MPAA)

Rated R for pervasive extreme drug use and related bizarre behavior, strong language, and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 May 1998 (USA)  »

Also Known As:

Angst und Schrecken in Las Vegas  »

Box Office

Budget:

$18,500,000 (estimated)

Opening Weekend:

$4,335,095 (USA) (22 May 1998)

Gross:

$10,562,387 (USA) (17 July 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Raoul Duke is calling his attorney about a new assignment, there is a poster on the back wall of Dr. Gonzo's office. It has an two-thumbed fist clutching a peyote button inside a sheriff's star. This is actually a political poster from Hunter S. Thompson's campaign for sheriff of Aspen. He ran on the Freak Power party ticket, a political party he made up himself. The 'gonzo fist' symbol can also be seen in the bathtub scene, written on the wall behind Duke in shaving cream. See more »

Goofs

White SUV visible in opening scene: in the opening convertible scene, just after picking up the hitchhiker and around the point where Duke narrates "...when my attorney starts screaming about bats..." in the closeup shot of the hitchhiker. Just before the shot changes, an out-of-place white SUV can be spotted the far right of the screen behind the hitchhiker, parked along the desert highway. See more »

Quotes

[first lines]
Raoul Duke: [narrating] We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
Raoul Duke: I feel a bit lightheaded. Maybe you should drive.
Raoul Duke: [narrating] Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Raoul Duke: Holy Jesus. What are these goddamn animals?
[swatting the air]
Raoul Duke: Huh! Huh! Huh! Fucking pigs.
Dr. Gonzo: Did you ...
[...]
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Crazy Credits

The credits literally scroll up the freeway. See more »

Connections

Referenced in Nostalgia Critic: Theodore Rex (2010) See more »

Soundtracks

One Toke Over The Line
Written by Michael Brewer and Tom Shipley
Published by Careers-BMG Music Publishing, Inc.
Performed by Brewer & Shipley (as Brewer and Shipley)
Courtesy of BMG Entertainment International
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Frequently Asked Questions

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User Reviews

Genius + Genius = ...
19 May 2004 | by (Sydney, Australia) – See all my reviews

'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.

Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.

These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.

Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.


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