The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
When Raoul Duke is calling his attorney about a new assignment, there is a poster on the back wall of Dr. Gonzo's office. It has an two-thumbed fist clutching a peyote button inside a sheriff's star. This is actually a political poster from Hunter S. Thompson's campaign for sheriff of Aspen. He ran on the Freak Power party ticket, a political party he made up himself. The 'gonzo fist' symbol can also be seen in the bathtub scene, written on the wall behind Duke in shaving cream. See more »
White SUV visible in opening scene: in the opening convertible scene, just after picking up the hitchhiker and around the point where Duke narrates "...when my attorney starts screaming about bats..." in the closeup shot of the hitchhiker. Just before the shot changes, an out-of-place white SUV can be spotted the far right of the screen behind the hitchhiker, parked along the desert highway. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
[...] See more »
The credits literally scroll up the freeway. See more »
One Toke Over The Line
Written by Michael Brewer and Tom Shipley
Published by Careers-BMG Music Publishing, Inc.
Performed by Brewer & Shipley (as Brewer and Shipley)
Courtesy of BMG Entertainment International See more »
'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.
Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.
These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.
Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.
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