The infamous story of Benjamin Barker, a.k.a. Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
In one scene while leaving the hotel room at the Flamingo the numbers on the door clearly read 2075. In a later scene when Duke and Gonzo are leaving the room the numbers on the door say 2073. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
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The credits literally scroll up the freeway. See more »
When the hitchhiker bailed out of the convertible early on, I wondered if it wasn't so much to get away from the two doped-out characters or to escape the agony of watching this movie for another hour and forty minutes.
I really could not see what the point of this movie was. It looks like it was to see how stoned the main characters could get on various controlled substances, how stupid they could act and how much property damage they could inflict in the process.
I would have liked to see the two main characters be sober for part of the movie to compare and contrast their thoughts, feelings, and behavior between when they were high and when they were sober.
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