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Fear and Loathing in Las Vegas (1998)

An oddball journalist and his psychopathic lawyer travel to Las Vegas for a series of psychedelic escapades.

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(book), (screenplay) | 3 more credits »
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1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Lee Gogin ...
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Brian Le Baron ...
Parking Attendant (as Brian LeBaron)
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Tyde Kierney ...
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Ransom Gates ...
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Storyline

The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by Laurence Mixson

Plot Summary | Plot Synopsis

Taglines:

Buy the ticket, take the ride. See more »


Motion Picture Rating (MPAA)

Rated R for pervasive extreme drug use and related bizarre behavior, strong language, and brief nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 May 1998 (USA)  »

Also Known As:

Angst und Schrecken in Las Vegas  »

Box Office

Budget:

$18,500,000 (estimated)

Opening Weekend:

$4,335,095 (USA) (22 May 1998)

Gross:

$10,562,387 (USA) (17 July 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Cork Hubbert appears uncredited as the bell hop who delivers the telephone at the Beverly Hotel; Hubbert previously played a bell hop in the other Hunter S. Thompson film WHERE THE BUFFALO ROAM. See more »

Goofs

When Duke and Dr. Gonzo sniff the ether, Duke throws out his lit cigarette. A moment later, he has the ether soaked flag to his face and a new lit cigarette in his hand. For a drug connoisseur like Duke, it's highly doubtful he'd be smoking around ether fumes, especially since he had just earlier thrown out his cigarette to sniff. See more »

Quotes

[first lines]
Raoul Duke: [narrating] We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
Raoul Duke: I feel a bit lightheaded. Maybe you should drive.
Raoul Duke: [narrating] Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Raoul Duke: Holy Jesus. What are these goddamn animals?
[swatting the air]
Raoul Duke: Huh! Huh! Huh! Fucking pigs.
Dr. Gonzo: Did you ...
[...]
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Crazy Credits

The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »

Connections

Referenced in Elokuu (2011) See more »

Soundtracks

My Love, Forgive Me (Amore Scusami)
Written by Vito Pallavicini, Sydney Lee, and Gino Mescoli
Published by Gil Music Corp.
Performed by Robert Goulet
Courtesy of Columbia Records
by arrangement with Sony Music Licensing
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Frequently Asked Questions

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User Reviews

Genius + Genius = ...
19 May 2004 | by (Sydney, Australia) – See all my reviews

'Fear and Loathing in Las Vegas' was originally an Article published in two parts in Rolling Stone Magazine. It was written by Hunter S. Thompson. It tells the story of a journalist reporting on the Mint 500 in Las Vegas.

Terry Gilliam (the Director) is an accomplished film maker who began his career as one of the members of Monty Python. He did all of their animations.

These two men on their own are incredibly clever and gifted artists in their chosen medium. What we get from this combination is one of the best films ever made. It is a more or less true story. It is a wonderful view on the warped nature of American 'Culture' from a completely askew angle. Drugs, drugs and more drugs, but instead of preaching their evils or telling you how fabulous life is when you're on acid, you get a very unbiased experienced approach to their use and abuse.

Visually the film is amazing and both Johnny Depp and Benizio Del Toro are true to the book. I couldn't possibly recommend this film more highly.


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