In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
Hunter S. Thompson's tribute to Oscar as he boards the plane was actually taken from "The Banshee Screams for Buffalo Meat: Fear and Loathing in the Graveyard of the Weird," and was later added to the forward of Acosta's autobiography. The forward is little more than a quote, while the original article is a fascinating eulogy on the mysterious disappearance of his friend Oscar. The article is reprinted in its entirety in "The Great Shark Hunt", Hunter S. Thompson. See more »
During the restaurant scene in north Vegas, the lighting outside changes four times. Most noticeably right at the end when Duke is leaving. Its dark outside while he stands at the door, but when after returning the plate, it is much lighter. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
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The credits literally scroll up the freeway. See more »
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
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