The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
Terry Gilliam, 'Tony Grisoni (I)', Alex Cox and Tod Davies are credited for the film's screenplay. Gilliam and Grisoni adapted the novel by Hunter S. Thompson and used their script for the film; however, a nasty arbitration wrangle at the Writers Guild of America found that Cox and Davies had written an earlier screenplay that had also adapted Thompson's novel, with a number of similarities to Gilliam and Grisoni's screenplay, and should therefore receive credit for the finished work instead of Gilliam and Grisoni (who the Guild claimed did not contribute enough new material to their script). After Gilliam appealed this decision, a shared credit for all four of the writer was permitted. To this date, both Alex Cox and Terry Gilliam claim to have been wronged in this. See more »
At the start of the Mint 400, there are motorcycles from the early '80s, while the race is set in 1971. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
[...] See more »
The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
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