The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
Raoul Duke's typewriter has the words "OFF THE PIGS" written on the top. See more »
In a few shots taking place in the Chevy's interior, you can see the car has white vinyl door panels from a 1973 or 74 Impala (or Caprice convertible), while the main "Red Shark" is actually a 1971 Impala convertible. The Impala had slightly different door panels for 71/72 than the 73/74, but was essentially the same car overall. Apparently another car was fixed up for use in the movie as a backup or secondary vehicle and used for some shots from the inside. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
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The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »
An excellent literary adaptation - and sooo much more...
This movie polarizes the audience like few before: while of course, there's people who like it and people who don't like it for any movie, 'Fear and Loathing in Las Vegas' either excites or almost repulses it's critics, and I dare to say that most of the negative responses are based on ignorance, or even fear, of introducing psychedelic experiences into mainstream culture.
Personally, i regard 'Fear and Loathing in Las Vegas' as one of my absolute favorites, definitely in my top 10, and possibly even top 3. One of the many outstanding characteristics, besides a flawless performance from its main actors, excellent direction, and maybe the greatest achievement, one of the few literary adaptations that don't have you leave the cinema with disappointment, is the visual interpretation of the influence of LSD and other psychedelica. Though it has been tried many times, in 'Fear and Loathing in Las Vegas' it has been done in a way that in my opinion deserves an Academy Award like 'Best Visual Interpretation', were there one like that (btw, number 2 in my psychedelic charts is, interestingly, a scene from 'The Simpsons', episode 809, 'El Viaje de Nuestro Jomer (The Mysterious Voyage of Homer)', where Homer eats super-spicy chili made from Guatemalan chili peppers grown by mental patients- that causing him an incredibly accuratel realized 'trip').
Well, I guess up until now you, the reader, can guess that I am one of those that loved the movie, and think it to be a mile stone in cinematographic history, along with 'Apocalypse Now', 'Pulp Fiction' or 'The Matrix'.
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