The big-screen version of Hunter S. Thompson's seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the "American dream"... they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark. Written by
Bruce Robinson, director of Withnail & I (1987), was asked by Johnny Depp to write and direct this movie. Robinson turned the offer down, saying he couldn't see "how you could get that one on the screen." Conversely, Robinson later accepted an offer to write and direct a screen adaptation of Thompson's novel The Rum Diary (2011). See more »
At the Mint Bar, Gonzo has his sunglasses on, but then in one shot Duke turns to Gonzo when he's mumbling, and he has his sunglasses off. Then it switches back to Duke, then back to Gonzo, and he has his sunglasses back on. See more »
We were somewhere around Barstow, on the edge of the desert, when the drugs began to take hold. I remember saying something like:
I feel a bit lightheaded. Maybe you should drive.
Suddenly, there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, and a voice was screaming:
Holy Jesus. What are these goddamn animals?
[swatting the air]
Huh! Huh! Huh! Fucking pigs.
Did you ...
[...] See more »
The Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end. See more »
Written by Burt Bacharach and Hal David
Published by Famous Music Corporation, Casa David and New Hidden Valley Music
Performed by Perry Como
Courtesy of The RCA Records Label of BMG Entertainment See more »
I think the people who reviewed this film are a bit warped for thinking of it as anything less than a masterpiece. This film comes from the glorious days of Johnny Depp taking obscure roles in films and totally immersing himself in the character. Benecio Del Toro's performance was second to none, and I cannot for the life of me comprehend why someone would think this to be the "worst movie ever". God save us that we actually have to think a little when we sit in those awful theatre seats. Heaven forbid we're required to use our imagination a little bit and not have it handed to us in the form of Hollywood mindless pap. The film, del toro, Depp, and of course, Gilliam are all brilliant. I pity the fools who gave this movie a negative review and fail miserably in articulating their reasoning.
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