A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After his wife Alice tells him about her sexual fantasies, William Harford sets out for a night of sexual adventure. After several less than successful encounters he meets an old friend, Nick Nightingale - now a musician - who tells him of strange sex parties when he he required to play the piano blindfolded. All the men at the party are costumed and wear masks while the women areal young and beautiful. Harford manages to find an appropriate costume and heads out to the party. Once there however he is warned by someone who recognizes him, despite the mask, that he is in great danger. He manages to extricate himself but the threats prove to be quite real and sinister. Written by
Blame It on My Youth
Performed by Brad Mehldau
Courtesy of Warner Bros. Records Inc.
By Arrangement with Warner Special Products
Music by Oscar Levant
Lyrics Edward Heyman
Published by Polygram International Publishing Inc. See more »
I admit that I'm part of the Kubrick cult(people that follow his movies like a religion), and I was first in line to see this movie. Being a huge movie fan I've seen a wide variety of movies, and have walked away from them with a wide variety of emotions. This was the first movie to put me in a trance, or dream, like state. The way the movie was shot, lighted, and so on gave the feel of a dream (to me at least). I believe that this feel is just what was needed and what Kubrick wanted. Everyone has to admit to thinking about the dark side of sex, and I believe that in this movie we see that a person can explore the buried desires of their sexual id and still come away a good person.
I'm guessing that this was a very personal movie for Kubrick. He seemed to take Cruise's character to places that he, personally, wished he could explore. Places, like a prostitute or an orgy, that he'd like to visit, but not want to stay at very long.
Praise has to go to Cruise and Kidman for their performances. Cruise was able to strip away his movie star veneer that seems to protect him in all of his other movies, and bring through the clouded, tormented, and unsure heart of a jealous man. Kidman must have known that part of her role was to be eye candy, but she fought through that and gave the movie's best performance.
To anyone out there thinking about seeing the movie.....I say go. Some will hate it and others will love it, but half the fun of the movie lies in the discussions that will blossom from this great movie experience.
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