CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
Phil Alden Robinson
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
Robert dean is a mild-mannered lawyer who works in Washington D.C. He is on the trail of a kingpin named Pintero. Meanwhile, a politician named Thomas Reynolds is negotiating with Congressman Phillip Hammersley about a new surveillance system with satellites. But, Hammersley declines, that is when Reynolds had Hammersley killed, but this murder was caught on tape, and this person was being chased by Reynolds' team of NSA agents, the guy must ditch the tape, so he plants it on Dean (unbeknownst to Dean). Then, the NSA decides to get into Dean's life. That is when Dean's life began to fall apart all around him, with his wife and job both gone. Dean wants to find out what is going on. Then, he meets a man named "Brill" who tells him that Dean has something that the government wants. That is when Dean and Brill formulate a plan to get Dean's life back and turn the Tables on Reynolds. Written by
When Dean sees the article in the paper indicating that he's being investigated by the FBI, he says "They have NO Sullivan protection for this." He's referring to the Supreme Court case New York Times v. Sullivan, which set the standard for defamation cases brought against media companies. See more »
At the beginning of the scene where Dean meets and talks to his wife in the garage, the caption reads "Dean Residence 0715 hrs" but right after, the video surveillance feed from the kitchen is time stamped 12:43 - while it's possible that the video feeds simply count hours, minutes and seconds, unrelated to actual time, there is no practical reason for this, and recalculating time stamps on footage recorded from the feeds to actual time would be an unnecessary complication. See more »
I like this one, also beeing somewhat realistic (not in every detail of course).
Well, I like this one. I like the cast, the visuals are well done, but what is more important is the plot that I like really much. It's not the most sophisticated plot of all times, but I think it's quite good, and to some degree, realistic. Of course it's not possible to move sattelites that quickly, or zoom in on a videotape that much and still have crystal-clear visual, but quite some technology seen is realistic today, or in the near future. This is an hollywood flick, all right, so they have quite much action and everything looks very easy, steering a sattelite seems to be no harder than playing a video game, what makes it all seem a bit unrealistic/sci-fi-like, but today's technical posibilities are quite large, and continue to grow, so informing oneself about the issue (I mean the real world issue) is not a bad idea.
To give you some points to think:
It's routine for the credid card companies to document every transaction
made with the cards, go figure who gets the docs if police is investigating.
Every call / fax done is documented for billing, go figure, who...
At least for your ISP it's possible to read every unencrypted email you
send or receive, go figure ...
Today there are MANY cameras in public areas in Great Britain, with
numbers still growing.
Face recognition software is already being used in combination with some
Dictation software that can interpret your spoken word and convert it
into written text is being sold to you today, maybe some organisations have much better versions at their hands ...
The list could go on, but what I want to say is that one should think about the posibilities and listen to what the politicians say, and what they want to allow the federal organisations.
You want to be able to still _enjoy_ the movie in some years time, not thinking of it as being somewhat normal just as everyday life, all right?
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