A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
Robert dean is a mild-mannered lawyer who works in Washington D.C. He is on the trail of a kingpin named Pintero. Meanwhile, a politician named Thomas Reynolds is negotiating with Congressman Phillip Hammersley about a new surveillance system with satellites. But, Hammersley declines, that is when Reynolds had Hammersley killed, but this murder was caught on tape, and this person was being chased by Reynolds' team of NSA agents, the guy must ditch the tape, so he plants it on Dean (unbeknownst to Dean). Then, the NSA decides to get into Dean's life. That is when Dean's life began to fall apart all around him, with his wife and job both gone. Dean wants to find out what is going on. Then, he meets a man named "Brill" who tells him that Dean has something that the government wants. That is when Dean and Brill formulate a plan to get Dean's life back and turn the Tables on Reynolds. Written by
During the chase scene in the rail yard, the full size Ford Bronco rolls several times. Toward the end of the roll, it is no longer a Bronco, but a pick-up truck as you can see the truck bed and roll bar in the back. See more »
I don't know how I missed this in theaters, but I watched it for the first time tonight. I almost gave it a 10, because this is as good as the suspense/action drama gets. Somebody on the DVD special features called it "...a combination of Crimson Tide, The French Connection, and 3 Days of the Condor." From my list of favorites I'd also say it has aspects of Marathon Man, The Fugitive, and The Firm. Will Smith, whose work does not thrill me 100% of the time, is terrific, and Gene Hackman could not have been better. They also receive support from some great character actors, many of them UNCREDITED (a fact which blew me away).
My enjoyment was enhanced by being familiar with Hackman's The Conversation, in which he plays Harry Caul, one of the world's greatest audio surveillance men. His hideout/office in Enemy is reminiscent of Caul's digs, and the photograph which the bad guys have on file for him is of his character from The Conversation. I sort of wish they'd named the new character Caul, giving long-term continuity to the story.
I'm running off at the fingers here, so I won't elaborate on the location, direction, etcetera, but will end with SEE THIS FILM!
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