A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
In AD 922, Arab courtier Ahmad Ibn Fadlan accompanies a party of Vikings to the barbaric North. Ibn Fadlan is appalled by the Vikings customs-- their wanton sexuality, their disregard for cleanliness, their cold-blooded human sacrifices. And then he learns the horrifying truth: he has been enlisted to combat a terror that slaughters the Vikings and devours their flesh. Written by
Since Michael Crichton published his novel "Eaters of the Dead" in 1976, the basis of this film, it has become regarded as one of the most notorious hoaxes in Librarianship Circles. The Ahmad Tusi Manuscript that Crichton referenced in his bibliography as being the source of this story, is completely made up. The name of the translator Fraus Dolus is in fact two Latin words meaning both 'hoax' and 'fraud'. The University of Oslo, where this manuscript is supposed to be kept, have (since the book was published), on an annual basis had to send out letters telling enquirers that they have been the victim of a hoax. See more »
The saber Ibn Fahdlan makes is a curved sword which is exclusively Turkish. Arabs at that time used straight swords similar to western broadswords. An Arab nobleman wouldn't know how to make one even if he had an anachronistic/exotic taste for Turkish cavalry sabers. Turkish style curved swords became fashionable in the Middle-East after large groups of Central Asian Turks began to be enlisted by Islamic armies later. See more »
Good enough for what it is, fascinating for what it could have been.
This is an extremely well crafted film, but a poorly edited one. Much like The Ghost and the Darkness it has such a winning historical concept that it is easy to forgive a little narrative incoherency from time to time. This film is a bit muddled when it comes to plot and characterization but hits all the right notes in terms of creating an adventurous spirit and thrilling action sequences. Jerry Goldsmith's score is a real high point, as is the cinematography. This is an absolutely wonderful film to get all caught up in on a lonely night because it makes you feel as if you are on the journey with Banderas' character. It is an action thriller that is actually...thrilling. In particular the scene with the "fire dragon" is one of the more memorable battle sequences I have seen in any movie, and I really mean that. The only negative aspects of the film are the feeling that a lot of scenes were left on the editing room floor, which is true, and if there was ever a film that really deserved a director's cut this is certainly one of them so long as Jerry Goldsmith's music (the soul of the picture) remains in. (Greame Revell composed a score for the unreleased longer version, which I have heard and in no way compares to Goldsmith's thunderous adventure music). The lavish costumes, set designs, memorable characters, and brilliant camera work somehow allow this film to overcome its editorial handicaps. All being said, this is a film well worth watching.
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