A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
During the reign of the Vikings, Kainan, a man from a far-off world, crash lands on Earth, bringing with him an alien predator known as the Moorwen. Though both man and monster are seeking revenge for violence committed against them, Kainan leads the alliance to kill the Moorwen by fusing his advanced technology with the Viking's Iron Age weaponry.
Sheikh ahmed ibn fadlan leads a group of savants from Baghdad according to the caliph's request to meet the demand of the Bulgarian's king, Almash Yaltwar, who asked to learn about the Islamic religion to find explanation for the most important question: how can this religion, which comes from the heart of the desert, create the biggest empire in the world?
In accordance with the book, John McTiernan's version of the Wendol's mother was an old woman, which was filmed with veteran actress Susan Willis. When Michael Crichton took over and did the reshoots, it was decided that brutally killing off an old lady did not reflect very well on the heroes. Crichton decided after the fact to make her younger, sleeker and tougher. In the final released film, Wendol's mother is played by actress Kristen Cloke (uncredited), but the final credits still list Susan Willis as the Wendol's mother (although she is nowhere to be seen in the final cut). See more »
Right after Herger says to Ahmed Ibn Fahdlan, "Relax, little brother, there are more", Ibn runs his sword through a monster. The sword seems to be sticking out of the monster's back but if you look closely you'll see that he is only holding the sword under his armpit. See more »
Good enough for what it is, fascinating for what it could have been.
This is an extremely well crafted film, but a poorly edited one. Much like The Ghost and the Darkness it has such a winning historical concept that it is easy to forgive a little narrative incoherency from time to time. This film is a bit muddled when it comes to plot and characterization but hits all the right notes in terms of creating an adventurous spirit and thrilling action sequences. Jerry Goldsmith's score is a real high point, as is the cinematography. This is an absolutely wonderful film to get all caught up in on a lonely night because it makes you feel as if you are on the journey with Banderas' character. It is an action thriller that is actually...thrilling. In particular the scene with the "fire dragon" is one of the more memorable battle sequences I have seen in any movie, and I really mean that. The only negative aspects of the film are the feeling that a lot of scenes were left on the editing room floor, which is true, and if there was ever a film that really deserved a director's cut this is certainly one of them so long as Jerry Goldsmith's music (the soul of the picture) remains in. (Greame Revell composed a score for the unreleased longer version, which I have heard and in no way compares to Goldsmith's thunderous adventure music). The lavish costumes, set designs, memorable characters, and brilliant camera work somehow allow this film to overcome its editorial handicaps. All being said, this is a film well worth watching.
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