Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
When podcaster Wallace Bryton goes missing in the backwoods of Manitoba while interviewing a mysterious seafarer named Howard Howe, his best friend Teddy and girlfriend Allison team with an ex-cop to look for him.
Haley Joel Osment
Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
The Mooby restaurant's playground was created especially for the movie - it's shaped like a giant meat grinder. See more »
In the airport, Bartleby reveals an envelope with an address written on it. When he draws it, the envelope is facing away from him, at the camera. In the next shot, the address is facing Bartleby. See more »
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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The director would like to thank: God - whose idea it was to make both this film and me Scott - the most spiritual agnostic I know Jenny - who gives me strength, love, and major booty Mom and Dad - who raised me Catholic, more or less Affleck - a pimp with passion Gordon - our honorary Catholic Jew Harvey - our man on the Inside, who didn't let us dangle The Folks at Lions Gate - who saved us from oblivion Mewes - see? sober living paid off Yeoman - for raising that visual bar Howard - for that sweet Shore score Sloss - the long arm of the Law Phil - for making that cold-call Kim - for holding down the fort Gina and Tony - for the full-court press Bry and Walt - for no end of support and amusement Laura and Monica - for keeping us on time, on budget, and keeping Mosier happy (professionally and otherwise) The Cast - for genius work at shameful rates The Crew - for long hours and even more shameful rates Tom Elliot and Shore Fire Studios - because I forgot to thank them in the "Amy" credits and Harley Quinn - for giving me the opportunity to raise my own little Catholic See more »
Written by Buddy G. DeSylva (as B.G. DeSylva), Bud Green & Ray Henderson
Performed by Ray Charles
Used by permission of Shapiro, Bernstein & Co., Inc.; Stephen Ballentine Pub. Co. & Holiday Publications c/o The Songwriter's Guild of America,
Bienstock publishing Co. o/b/o Redwood Music Ltd. c/o Carlin Music; & Henderson Music
Courtesy of Ray Charles Enterprises, Inc. See more »
Another vote from a cradle Catholic who was not remotely offended by this movie. Not that some of the negatives mentioned by other posters here aren't true -- yes, a lot of the humor is gross, yes, the F-word is overused, yes, its criticism of organized religion is less stinging that you'd expect (though that in itself is a slightly foolish expectation, given that the writer/director is himself an active member of an organized religion). And yes, if you're not Catholic, much of the movie is a little foggy, under-explained, and not very engaging. That last one I definitely agree with; I seriously doubt whether I'd recommend the film to a non-Catholic at all.
But, oh, God, I LOVED it, serious flaws and all! It's a huge chaotic mess with about sixty different trains of thought and philosophy, from the ecstatic to the scatological, slugging it out for dominance, and in its very sloppiness there's a sense of anarchic, exultant wonder I've never seen in a movie before. The only two things like it that I can think of are Thornton Wilder's play "Skin of Our Teeth" and G.K. Chesterton's amazing joyous fever dream of a novel "The Man Who Was Thursday", both of which are works by people who may or may not have faith but who definitely have a good idea. Or several dozen of them, and who just run with them wherever they go. These works are big chaotic messes, but in that way they are mirrors of Creation, the mother of all big chaotic messes. In all these works, just as in the real world, love and joy and beauty and filth and cruelty and despair are constantly tumbling over and bleeding into each other; the one universal rule is that everything is absurd, that the human race is the most absurd thing of all, and that this absurdity can be the catalyst to either suffocating grief or a kind of hilarious wonder.
If you go into "Dogma" expecting a trim and tidy theological comedy of manners, you'll be sorely disappointed. If you're looking for something with the same filthy gorgeous lunacy of existence itself, this is it.
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