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An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loop-hole and reenter Heaven.

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8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stygian Triplet (as Barrett Hackney)
Jared Pfennigwerth ...
Stygian Triplet
...
Stygian Triplet
...
...
Grant Hicks (as Brian Christopher O'Halloran)
...
Nun
...
...
Dan Etheridge ...
Priest at St. Stephen's
...
Derek Milosavljevic ...
Kissing Couple
Lesley Braden ...
Kissing Couple
...
Clinic Girl (scenes deleted) (as MarieElena O'Brien)
...
Liz
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Storyline

An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by Jerel Parenton <J.W.Parenton@student.tcu.edu>

Plot Summary | Plot Synopsis

Taglines:

It Can Be Hell Getting Into Heaven See more »


Motion Picture Rating (MPAA)

Rated R for strong language including sex-related dialogue, violence, crude humor and some drug content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

12 November 1999 (USA)  »

Also Known As:

Bearclaw  »

Filming Locations:

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$8,669,945 (USA) (12 November 1999)

Gross:

$30,651,422 (USA) (24 March 2000)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Silent Bob is seen reading USA Today. Kevin Smith met his wife while she was interviewing him for an article she was writing for USA Today. See more »

Goofs

The puddle in front of Bethany's car keys after the Stygian Triplets knock her down appears and disappears in between shots. See more »

Quotes

[first lines]
Announcer: Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Cardinal Glick: Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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Crazy Credits

A good number of the credits are not the typical label-and-name, but are instead complete sentences (although without a period). One example is 'The Visual Effects Supervisor was Richard "Dickie" Payne' . See more »

Connections

References Indiana Jones and the Last Crusade (1989) See more »

Soundtracks

It's Like That
Written by Larry K. Smith (as L. Smith), Joseph Simmons (as J. Simmons) & Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as RUN-DMC)
Used by permission of Protoons, Inc. (ASCAP)/Rush-Groove Music (ASCAP)
Courtesy of Arista/Profile Records
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Surprising!
1 December 1999 | by (Hazelhurst, Wisconsin) – See all my reviews

While held back from being truly stunning by some pacing issues and some minor script awkwardnesses, Dogma is an enjoyable trip from beginning to end. Smith plays textures like a cardshark - from action sequences to philosophical debates to stoned one-liners to dramatic monologues, the action flows remarkably smoothly for all of the twists that are thrown at it. I was also extremely impressed by the tasteful execution of the more violent scenes, where the graphic aftermath may be shown, but the action happens off-camera. One rough point was that a great deal of dialogue came of as expostiory - there was simply such a massive back-story (2000 years of religious history...go fig...) that it seemed at times that the plot had to fight its way through the background information. One particular shot also irked me - in the Bethany/Metatron scene in the cafe, every time the camera cut back to Bethany, she seemed to be in the exact same pose, and break it in a very similar way. I wonder if this was intentional, or if it was a continuity issue? The casting of God was simply inspired - her appearance was actually one of the highlights of the film. Towards the very end, there were some surprisingly touching moments (of course rendered through Smith's unique style), and the closing scene felt like something right out of a good ol' 80's movie (that's a good thing!). Issues and all, a truly enjoyable film!


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