Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
On the train when Silent Bob grabs Bartleby, he yells, Schueler Bob? I'll get you for this Schueler Bob! Ben Affleck ad-libbed the line, much to the amusement of the cast and crew, intending it to be Silent Bob in German. Kevin Smith left it in even though Schueler is actually German for pupil. See more »
When Bartleby mentions all the Mooby establishments and merchandise in front of the Mooby Inc board, he and the board never mention the fast-food restaurant seen earlier in the movie. See more »
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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The director would like to thank: God - whose idea it was to make both this film and me Scott - the most spiritual agnostic I know Jenny - who gives me strength, love, and major booty Mom and Dad - who raised me Catholic, more or less Affleck - a pimp with passion Gordon - our honorary Catholic Jew Harvey - our man on the Inside, who didn't let us dangle The Folks at Lions Gate - who saved us from oblivion Mewes - see? sober living paid off Yeoman - for raising that visual bar Howard - for that sweet Shore score Sloss - the long arm of the Law Phil - for making that cold-call Kim - for holding down the fort Gina and Tony - for the full-court press Bry and Walt - for no end of support and amusement Laura and Monica - for keeping us on time, on budget, and keeping Mosier happy (professionally and otherwise) The Cast - for genius work at shameful rates The Crew - for long hours and even more shameful rates Tom Elliot and Shore Fire Studios - because I forgot to thank them in the "Amy" credits and Harley Quinn - for giving me the opportunity to raise my own little Catholic See more »
Written by Maurice Starr & Michael Johnson (as Michael Jonzun)
Performed by New Edition
Used by permission of EMI April Music Inc., Colgems-EMI Music Inc. (ASCAP) & ARL Music, Inc. (ASCAP)
Courtesy of Warlock Records, Inc. See more »
While both funny and frightening, this film is more than just a comedy with gratuitous violence and (bad)-language. It's a theological reflection...and a call to the Church to focus on things that matter (like living life to the fullest, helping those in need, honoring and respecting all, expecting respect in return) rather than those that don't (like...well, dogma [doctrines/church laws] or any belief that causes us to "draw a line in the sand," condemning to hell or perdition any who disagree with us). As I watched it (the first and all subsequent times), I felt sure that the movie was written by someone who really loves his church -- but is smart and aware enough to recognize its shortcomings, its blindspots, even its failures and hypocrisies. Rather than simply leaving or ignoring or dismissing it, Smith chooses to enter into dialogue with it, using the potent medium of film to do so. One can only hope that the church--not just Roman Catholic but all branches of it-- takes him up on his call to conversation.
Not to be missed in the film, on a lighter note, are the introductory disclaimer and the "Thank Yous" at the end. Smith thanks Elaine Pagels, for God's sake -- who knew anyone in Hollywood read contemporary, feminist theology? What a welcome revelation....
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