An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loop-hole and reenter Heaven.

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Cast

Cast overview, first billed only:
...
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Stygian Triplet (as Barrett Hackney)
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Stygian Triplet
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Stygian Triplet
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Grant Hicks (as Brian Christopher O'Halloran)
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Nun
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Dan Etheridge ...
Priest at St. Stephen's
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Derek Milosavljevic ...
Kissing Couple
Lesley Braden ...
Kissing Couple
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Clinic Girl (scenes deleted) (as MarieElena O'Brien)
...
Liz
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Storyline

An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by Jerel Parenton <J.W.Parenton@student.tcu.edu>

Plot Summary | Plot Synopsis

Taglines:

Get 'touched' by an angel. See more »


Motion Picture Rating (MPAA)

Rated R for strong language including sex-related dialogue, violence, crude humor and some drug content | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

12 November 1999 (USA)  »

Also Known As:

Bearclaw  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$8,669,945 (USA) (12 November 1999)

Gross:

$30,651,422 (USA) (24 March 2000)
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Company Credits

Production Co:

,  »
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Technical Specs

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Kevin Smith pursued Robert Rodriguez to direct the film. Rodriguez enjoyed the script but, in seeing how personal the story was, insisted that Smith himself direct. See more »

Goofs

When Metatron first visits Bethany in her room it is clearly nighttime. Shortly after she turns on her lamp and stands next to her window, there are obvious times when the light is clearly coming from outside and others when it again appears to be dark outside again. See more »

Quotes

[first lines]
Announcer: Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Cardinal Glick: Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
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Crazy Credits

Read the further adventure of Jay and Silent Bob in Oni Press Comics. Find Jay and Silent Bob whoring their image on t-shirts, action figures, and other fine products produced exclusively by Graphitti Designs. And when you're in Red Bank, drop a few bucks on comics, toys, and cool "Dogma" swag (all featuring Jay and Silent Bob) at Jay & Silent Bob's Secret Stash, 35 Broad St. Hey, man - I've got a kid I'm going to have to put through college one day, alright? See more »

Connections

References Pretty in Pink (1986) See more »

Soundtracks

Love Is Strange
Written by Sylvia Robinson & Mickey Baker (as M. Black)
Performed by Mickey & Sylvia
Used by permission of Ben Ghazi Inc. (BMI) & Twenty-Nine Black Music Inc. (BMI)
Courtesy of The RCA Records Label of BMG Entertainment
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Frequently Asked Questions

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User Reviews

 
simply fabulous--kevin smith rocks!
15 May 2001 | by (Claremont, CA) – See all my reviews

While both funny and frightening, this film is more than just a comedy with gratuitous violence and (bad)-language. It's a theological reflection...and a call to the Church to focus on things that matter (like living life to the fullest, helping those in need, honoring and respecting all, expecting respect in return) rather than those that don't (like...well, dogma [doctrines/church laws] or any belief that causes us to "draw a line in the sand," condemning to hell or perdition any who disagree with us). As I watched it (the first and all subsequent times), I felt sure that the movie was written by someone who really loves his church -- but is smart and aware enough to recognize its shortcomings, its blindspots, even its failures and hypocrisies. Rather than simply leaving or ignoring or dismissing it, Smith chooses to enter into dialogue with it, using the potent medium of film to do so. One can only hope that the church--not just Roman Catholic but all branches of it-- takes him up on his call to conversation.

Not to be missed in the film, on a lighter note, are the introductory disclaimer and the "Thank Yous" at the end. Smith thanks Elaine Pagels, for God's sake -- who knew anyone in Hollywood read contemporary, feminist theology? What a welcome revelation....


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