Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
Bob Schreck, Joe Nozemack and Jim Mahfood all make cameos as Church parishioners. They all worked with Kevin Smith in comics with Mahfood illustrating the Clerks comics , Schreck as editor on Kevin's Green Arrow run and Schreck and Nozemack as co-publishers of his Clerks and Jay and Silent Bob Comics at Oni Press. See more »
When Bartleby is holding Serendipity by the throat the metallic object that holds his wings in place is revealed. See more »
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
See more »
After the end credits, Jay's line "So... does that mean Bethany's... part black?" line is repeated. See more »
Never on Sunday
Written by Manos Hatzidakis (as Manos Hadjidakis) & Billy Towne
Performed by The Chordettes
Used by permission of EMI Unart Catalog Inc. (BMI)
Courtesy of Barnaby Record, Inc.
By Arrangement with Celebrity Licensing Inc. See more »
While held back from being truly stunning by some pacing issues and some minor script awkwardnesses, Dogma is an enjoyable trip from beginning to end. Smith plays textures like a cardshark - from action sequences to philosophical debates to stoned one-liners to dramatic monologues, the action flows remarkably smoothly for all of the twists that are thrown at it. I was also extremely impressed by the tasteful execution of the more violent scenes, where the graphic aftermath may be shown, but the action happens off-camera. One rough point was that a great deal of dialogue came of as expostiory - there was simply such a massive back-story (2000 years of religious history...go fig...) that it seemed at times that the plot had to fight its way through the background information. One particular shot also irked me - in the Bethany/Metatron scene in the cafe, every time the camera cut back to Bethany, she seemed to be in the exact same pose, and break it in a very similar way. I wonder if this was intentional, or if it was a continuity issue? The casting of God was simply inspired - her appearance was actually one of the highlights of the film. Towards the very end, there were some surprisingly touching moments (of course rendered through Smith's unique style), and the closing scene felt like something right out of a good ol' 80's movie (that's a good thing!). Issues and all, a truly enjoyable film!
49 of 82 people found this review helpful.
Was this review helpful to you?