An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and re-enter Heaven.
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Private Joe Bauers, the definition of "average American", is selected by the Pentagon to be the guinea pig for a top-secret hibernation program. Forgotten, he awakes 500 years in the future. He discovers a society so incredibly dumbed-down that he's easily the most intelligent person alive.
When a massive fire kills their parents, three children are delivered to the custody of cousin and stage actor Count Olaf, who is secretly plotting to steal their parents' vast fortune.
Will and Jake Grimm are traveling con-artists who encounter a genuine fairy-tale curse which requires true courage instead of their usual bogus exorcisms.
Martin Lawrence plays Jamal, an employee in Medieval World amusement park. After sustaining a blow to the head, he awakens to find himself in 14th century England.
Director:
Gil Junger
Stars:
Martin Lawrence,
Marsha Thomason,
Tom Wilkinson
An abortion clinic worker with a special heritage is enlisted to prevent two angels from reentering Heaven and thus undoing the fabric of the universe. Along the way, she is aided by two prophets, Jay and Silent Bob. With the help of Rufus, the 13th Apostle, they must stop those who stand in their way and prevent the angels from entering Heaven. Written by
Jerel Parenton <J.W.Parenton@student.tcu.edu>
The character of Gov. Dalton - played by a different actress - was originally in the original version of Kevin Smith's Mallrats, but was cut from that movie. See more »
Goofs
The amount of Rufus' "Egg A Mooby Muffin" changes inconsistently between shots when he, Bethany, Jay and Silent Bob are eating breakfast. See more »
Quotes
[first lines]
Announcer:
Ladies and Gentlemen, the driving force behind Catholicism WOW, Cardinal Glick.
Cardinal Glick:
Thank you, thank you, thank you. Now we all know how the majority and the media in this country view the Catholic church. They think of us as a passe, archaic institution. People find the Bible obtuse... even hokey. Now in an effort to disprove all that the church has appointed this year as a time of renewal... both of faith and of style. For example, the crucifix. While it has been a time honored ...
See more »
Crazy Credits
Jay and Silent Bob will return in "Clerks 2: Hardly Clerkin'" See more »
"It's Like That"
Written by Larry K. Smith (as L. Smith), Joseph Simmons (as J. Simmons) & Darryl McDaniels (as D. McDaniels)
Performed by Run-D.M.C. (as RUN-DMC)
Used by permission of Protoons, Inc. (ASCAP)/Rush-Groove Music (ASCAP)
Courtesy of Arista/Profile Records See more »
"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.
14 of 18 people found this review helpful.
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"Dogma" isn't the kind of comedy that most people will find themselves holding onto their guts during. It's more the second-long "ha!" kind of comedy.
That simply means Kevin Smith's writing is clever enough to the point where you will be pleasantly shocked by some of the conversations and events of the film and think it all rather amusing and humorous. It's not hilarious, it's just clever and a bit funny.
The premise is rather interesting and surprisingly from a more fantasy-esquire genre than Smith traditionally dabbles with. Loki (Matt Damon) and Bartleby (Ben Affleck) are more or less fallen angels that have found a way back into heaven. They must be stopped or the world will come to a screeching halt, so a seemingly random protagonist named Bethany gets charged by God to stop them. Simple, but the slick, nonchalant approach to religion keeps the satire rampant.
The film does spend a lot of its time explaining itself, which isn't too bad considering Smith keeps the explanations to-the-point and allows the characters to stay interesting in the process. Chris Rock, who plays an apostle, and Alan Rickman, who plays God's messenger/ voice are two of these characters that are both good in the film and Smith has allowed to maintain their character's edge despite lines upon lines of explanation.
Getting from point A to point B and so on is not the film's strength. The physical events that take place are ultimately boring and unexciting. It's the moments along the way, the conversations and the philosophy that come about, that make it successful. Affleck's character raises a lot of interesting religious questions about humanity and his conversation with the protagonist on the train is rather insightful. In general, Smith has used Bethany as a way to keep the viewers skepticism of the plot active in the film. She keeps it from getting preposterous. In general, the whole cast is very talented and their characters well written, which keeps the film interesting.
It's not the funniest or most interesting comedy in terms of plot and the sequence of events, but "Dogma" is a smart concept that ultimately results in a sharp satire and some great thoughts that scrutinize religion in a way that never seems too out of line.