In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
CIA analyst Jack Ryan must thwart the plans of a terrorist faction that threatens to induce a catastrophic conflict between the United States and Russia's newly elected president by detonating a nuclear weapon at a football game in Baltimore.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
With stolen top-secret technology, terrorists have created a next-generation Universal Soldier - an elite fighter genetically altered into a programmable killing machine. With this "UniSol"... See full summary »
Jean-Claude Van Damme,
Journalist Jenny Lerner is assigned to look into the background of Secretary Alan Rittenhouse who abruptly resigned from government citing his wife's ill health. She learns from his secretary that Rittenhouse was having an affair with someone named Ellie but when she confronts him, his strange reaction leads her to reconsider her story. In fact, a meteor, discovered the previous year by high school student Leo Biederman and astronomer Dr. Marcus Wolf, is on a collision course with the Earth, an Extinction Level Event. A joint US-Russian team is sent to destroy the meteor but should it fail, special measures are to be put in place to secure the future of mankind. As the space mission progresses, many individuals deal with their fears and ponder their future. Written by
The story revolves around Leo (Elijah Wood), Spurgeon (Robert Duvall), and Jenny (Téa Leoni). Jenny has two scenes with the President, but Leo doesn't have a scene with either of them. In the script Leo was supposed to have a scene in the White House watching the launch of Atlantis with the President. See more »
When the Messiah is approaching the comet to land on it and Jenny Lerner is reporting on the ship's progress, she mentions that the ship will be entering the comet's "tail, or coma" (implying that the tail and coma are the same thing). In fact, the coma of a comet, along with the nucleus, actually form the head of the comet. The coma and the tail are two completely different parts. See more »
Having seen such films as Armageddon and The Day After Tomorrow, I really expected this film to be basically an effects demo reel. Most disaster films fit into this category: their plot is loosely tied together with some major event; humanity is threatened, a group of heroes is sent to try to save the world, and mankind prevails over nature. The rest of the film is essentially nifty visual effects that don't do much to enhance the plot.
So when I saw the first half of Deep Impact, I was amazed. Apart from a brief montage of special effects in the opening sequence (a car crash that simply screams "big budget"), the movie is one of the first disaster movies I've seen that actually focuses more on the human side of the drama rather than the awesome visual effects that computers can accomplish.
Many times during the film, especially during the latter half, I felt myself touched by the realism that the actors and actresses convey. There are moments when you realize how fragile and precious life is, and that's saying something for a film of this budget.
While the visual effects are indeed impressive, there are other features that make Deep Impact a necessary film to watch. James Horner's music is strikingly similar to his previous "Titanic" and "Apollo 13" scores, but it is still hauntingly beautiful and fits the tone of the movie perfectly. Tea Leoni does a good job of portraying a newscaster attempting to cover the events surrounding her while dealing with her own personal emotions, which is undoubtedly a hard act to pull off. Elijah Wood shows his skill years before "Lord of the Rings" hit theaters. The other actors and actresses are very realistic and emotional, and the movie flows smoothly with their presence.
All in all, this movie is not one to be missed. Keep an open mind while watching this movie: don't watch it with the misconception that it's just going to be another one of those big-budget dull blockbuster films that gets churned out every summer. This one dares to avoid the seemingly standard clichés set by other films of the genre, which makes it a truly unique film to experience.
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