David Lewis is affected by the death of his wife Gillian, who fell from the mast pole of their boat on a sailing trip two years ago. David deals with his grief by continuing his romance ... See full summary »
Dallas housewife Lurene Hallett's life revolves around the doings of Jacqueline Kennedy. She is devastated when President Kennedy is shot a few hours after she sees him arrive at Love Field... See full summary »
A different ending was filmed which tested poorly with audiences who felt it was too grim. Despite being the original ending of the book, not to mention producer Michelle Pfeiffer's preferred ending, the studio opted for the more conventional happy ending. See more »
When Beth arrives at the hotel, she is wearing boots and socks when she exits the car, but inside the hotel she is wearing sandals See more »
Remember Cecile Lockhart?
You mean, star of STAGE, SCREEN, and now SOAP COMMERICAL, that Cecile Lockhart. Oh my God, there she is.
Remember the first time she got laid.
Oh, I can't imagine going a month without it!
[Not realizing her kids are listening]
She means pizza, guys.
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Beth Cappadora (Michelle Pfeiffer) is at her high school reunion when her 3-year-old son disappears from his brother's care. The little boy never turns up, and the family has to deal with the devastating guilt and grief that goes along with it. Nine years later, the family has relocated to Chicago. By a sheer fluke, the kid turns up, living no more than two blocks away. The authorities swoop down and return the kid to his biological parents, but things are far from being that simple. The boy grew up around what he has called his father, while his new family are strangers to him; the older son, now a teenager, has brushes with the law and behavioral problems. His adjustment to his lost brother is complicated by normal teenage churlishness, and the dad (Treat Williams) seems to expect everything to fall into place as though the family had been intact all along. It's a tightrope routine for actors in a story like this, being careful not to chew the scenery while at the same time not being too flaccid or understated. For the most part, the members of the cast deal well with the emotional complexity of their roles. Though the story stretches credulity, weirder things do happen in the real world. The family's pain for the first half of the film is certainly credible, though the second half almost seems like a different movie. Whoopi Goldberg plays the detective assigned to the case; casting her is a bit of a stretch, but she makes it work. All in all, a decent three-honky movie in the vein of Ordinary People.
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