| Photos (see all 34 | slideshow) | Videos (see all 2) |
| John Travolta | ... | Jan Schlichtmann | |
| Robert Duvall | ... | Jerome Facher | |
| Tony Shalhoub | ... | Kevin Conway | |
| William H. Macy | ... | James Gordon | |
| Zeljko Ivanek | ... | Bill Crowley | |
| Bruce Norris | ... | William Cheeseman | |
| John Lithgow | ... | Judge Walter J. Skinner | |
| Kathleen Quinlan | ... | Anne Anderson | |
| Peter Jacobson | ... | Neil Jacobs | |
| Mary Mara | ... | Kathy Boyer | |
| James Gandolfini | ... | Al Love | |
| Stephen Fry | ... | Pinder | |
| Dan Hedaya | ... | John Riley | |
| David Thornton | ... | Richard Aufiero | |
| Sydney Pollack | ... | Al Eustis | |
| Ned Eisenberg | ... | Uncle Pete | |
| Margot Rose | ... | Donna Robbins | |
| Daniel von Bargen | ... | Mr. Granger (as Daniel Von Bargen) | |
| Caroline Carrigan | ... | Evelyn Love | |
| Paul Desmond | ... | Paul Shalline | |
| Michael P. Byrne | ... | Tommy Barbas | |
| Tracy Miller | ... | Grace Worker | |
| Paul Hewitt | ... | Grace Worker | |
| Clayton Landey | ... | Grace Worker | |
| Paul Ben-Victor | ... | Bobby Pasqueriella | |
| Elizabeth Burnette | ... | Lauren Aufiero | |
| Alan Wilder | ... | Insurance Lawyer | |
| Gregg Joseph Monk | ... | Insurance Lawyer | |
| Harout Beshlian | ... | Insurance Lawyer | |
| Josh Pais | ... | Law Clerk | |
| Haskell V. Anderson III | ... | Courtroom #7 Clerk (as Haskell Vaughn Anderson III) | |
| Kaiulani Lee | ... | Mrs. Granger | |
| Howie Carr | ... | Radio Talk Show Host | |
| Denise Dowse | ... | Judge Constance Mullen | |
| Pearline Fergerson | ... | Court Clerk | |
| Scott Weintraub | ... | PI Lawyers | |
| Robert Cicchini | ... | PI Lawyers | |
| Christopher Stevenson | ... | Insurance Plaintiff | |
| Kevin Fry | ... | Waiter | |
| Brian Turk | ... | Mover | |
| Rikki Klieman | ... | TV Reporter | |
| Charlie Stavola | ... | Detective | |
| David Barrett | ... | Teenager on Property | |
| Ryan Janis | ... | Teenager on Property | |
| Rob McElhenney | ... | Teenager on Property | |
| Michael Biase | ... | Market Clerk (as Mike Biase) | |
| Richard Calnan | ... | Woburn Traffic Cop | |
| Gene Wolande | ... | Hotel Clerk | |
| Sam Travolta | ... | Grace Attorney | |
| Gregg Shawzin | ... | Reporter | |
| Juliana Donald | ... | Reporter (as Juli Donald) | |
| Sayda Alan | ... | Reporter | |
| Catherine Leahan | ... | Reporter | |
| Bruce Holman | ... | Federal Marshall | |
| John Lafayette | ... | Geologist (as John La Fayette) | |
| Charles Levin | ... | Geologist | |
| Byron Jennings | ... | Geologist | |
| Jay Patterson | ... | Geologist | |
| Taylor Bernard | ... | Trustee's Assistant | |
| rest of cast listed alphabetically: | |||
| Kathy Bates | ... | Bankruptcy Judge (uncredited) | |
| Melissa Calheno | ... | Girl Dancing with Jan Schlichtmann (uncredited) | |
| Tom Cutler | ... | Lawyer (uncredited) | |
| Lana Ford | ... | Francine Conway (uncredited) | |
| Bryan Greenberg | ... | Firecracker Kid (uncredited) | |
| Phil Hawn | ... | Attorney in Courtroom Gallery (uncredited) | |
| Aaron Henry | ... | Al Love's Son (uncredited) | |
| Edward Herrmann | ... | (uncredited) (unconfirmed) | |
| Richie LaMontagne | ... | (uncredited) (unconfirmed) | |
| Blake Neitzel | ... | Boy in Classroom (uncredited) | |
| Collin Pelton | ... | Sports Fan (uncredited) | |
| Rocco Salata | ... | Diner Patron (uncredited) | |
| Racheal Seymour | ... | Car Accident Woman (uncredited) | |
| Harry Dean Stanton | ... | Land Watcher (uncredited) | |
Directed by | |||
| Steven Zaillian | |||
Writing credits(WGA) | ||
| Jonathan Harr | (book) | |
| Steven Zaillian | (screenplay) | |
Original Music by | |||
| Danny Elfman | |||
Cinematography by | |||
| Conrad L. Hall | |||
Film Editing by | |||
| Wayne Wahrman | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| David Gropman | |||
Set Decoration by | |||
| Tracey A. Doyle | |||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Michelle Bühler | .... | makeup artist: Mr. Travolta, Los Angeles | |
| Hallie D'Amore | .... | makeup artist: Ms. Quinlan, Los Angeles | |
| Whitney James | .... | chief makeup artist: Los Angeles (as Whitney L. James) | |
| Susan V. Kalinowski | .... | hair stylist: Mr. Travolta, Los Angeles | |
| Cheryl Ann Nick | .... | key makeup artist: Los Angeles (as Cheryl Nick) | |
| Arturo Rojas | .... | key hair stylist: Los Angeles | |
| Martin Samuel | .... | chief hair stylist: Los Angeles | |
| Courtney Corvan | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Katherine E. Beyda | .... | production supervisor | |
| David Wisnievitz | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michael Amundson | .... | first assistant director: second unit | |
| Timothy Grant Engle | .... | second second assistant director: Los Angeles (as Timothy Engle) | |
| Stephen E. Hagen | .... | second assistant director (as Stephen Hagen) | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Alejandro Aguilar | .... | labor foreman: Los Angeles | |
| John Bettencourt | .... | assistant greensman: Boston | |
| Jennifer Blair | .... | art department coordinator: Los Angeles | |
| David J. Bomba | .... | art director: Los Angeles | |
| Larry Clark | .... | head painter: Los Angeles | |
| Larry A. Cornick | .... | leadman: Los Angeles | |
| Daniel J. Courchaine | .... | paint foreman: Boston (as Daniel Courchaine) | |
| Ronald Cox | .... | propmaker foreman: Los Angeles (as Ronald W. Cox) | |
| Lee Cunningham | .... | assistant set decorator: Los Angeles | |
| Ken Doyle | .... | assistant greensman: Boston (as Kenneth J. Doyle Jr.) | |
| Tracey A. Doyle | .... | set decorator: Los Angeles | |
| Jennifer Engel | .... | property assistant: Boston | |
| Kyra Friedman | .... | assistant set decorator: Boston | |
| Michael Gastaldo | .... | assistant property master: Los Angeles | |
| Raymond Ginther | .... | head plasterer: Los Angeles | |
| Carmine Goglia | .... | stand-by painter: Los Angeles | |
| Paul W. Gorfine | .... | scenic artist: Boston | |
| Wylie Griffin | .... | art department administrator: Boston (as Wylie Young Griffin) | |
| Caroline Irons | .... | scenic artist: Boston | |
| John R. Jensen | .... | art director: Boston | |
| William C. Jones | .... | construction foreman: Los Angeles | |
| Dean Lakoff | .... | set dresser: Los Angeles | |
| Loren Lyons | .... | on-set dresser: Los Angeles | |
| Randy Manion | .... | art department assistant: Boston | |
| Robin L. Miller | .... | property master: Los Angeles | |
| Chris Pascuzzo | .... | set dresser: Los Angeles (as Christopher Pascuzzo) | |
| Susan Peterson | .... | scenic artist: Boston | |
| Frank Piercy | .... | painter foreman: Los Angeles (as Franklin Piercy) | |
| Alan L. Porter | .... | set dresser: Los Angeles | |
| Ron Resch | .... | construction medic: Los Angeles | |
| Paul Richards | .... | leadman: Boston | |
| Anne Roesch | .... | art department assistant: Los Angeles | |
| Catherine Rooney | .... | assistant greensman: Boston | |
| Lori Rowbotham | .... | assistant art director: Boston | |
| Lee Runnels | .... | head greensman: Los Angeles | |
| John H. Samson | .... | construction coordinator: Los Angeles (as John Samson) | |
| Rob Simons | .... | assistant art director: Los Angeles | |
| Kurt Smith | .... | construction coordinator: Boston | |
| Linda Stelling | .... | construction medic: Los Angeles | |
| John H. Storey | .... | scenic artist: Boston | |
| Peter A. Tullo | .... | prop assistant: Los Angeles | |
| Doug Crawford | .... | propmaker: Los Angeles (uncredited) | |
| Joe Elvington | .... | labor foreman: reshoot (uncredited) | |
| Timothy Joliat | .... | carpenter: Boston (uncredited) | |
| Jim Magdaleno | .... | storyboard artist (uncredited) | |
| Luigi Mugavero | .... | lead man (uncredited) | |
| Timothy O'Brien | .... | carpenter (uncredited) | |
| Jack O'Neil | .... | carpenter (uncredited) | |
| Kathleen Rosen | .... | buyer (uncredited) | |
| Ahmed Saker | .... | construction medic (uncredited) | |
| Kenneth Salter | .... | carpenter gang boss (uncredited) | |
| Theodore Suchecki | .... | set dresser (uncredited) | |
Sound Department | |||
| David W. Alstadter | .... | foley mixer: Los Angeles | |
| Christopher Assells | .... | sound effects editor: Los Angeles | |
| Gary C. Bourgeois | .... | sound re-recording mixer: Los Angeles (as Gary Bourgeois) | |
| Bryan Bowen | .... | sound effects editor: Los Angeles | |
| Bob Bowman | .... | first assistant sound editor: Los Angeles | |
| Perry Dodgson | .... | utility sound: Los Angeles (as Perry Dodgeson) | |
| Richard Dwan Jr. | .... | dialogue editor: Los Angeles (as Richard Dwan) | |
| Robert Fernandez | .... | choir recordist: Los Angeles | |
| Paul Flinchbaugh | .... | digital sound assistant: Los Angeles | |
| Hector C. Gika | .... | sound effects editor: Los Angeles | |
| Dan Hegeman | .... | foley editor: Los Angeles | |
| Chris Hogan | .... | dialogue editor: Los Angeles (as Christopher W. Hogan) | |
| Craig S. Jaeger | .... | foley editor: Los Angeles | |
| Chris Jargo | .... | adr supervisor: Los Angeles | |
| Constance A. Kazmer | .... | adr editor: Los Angeles | |
| Randy Kelley | .... | sound effects editor: Los Angeles (as Randy Kelly) | |
| Ariel Kemp | .... | additional sound: Los Angeles | |
| Larry Kemp | .... | supervising sound editor: Los Angeles | |
| Daniel R. Kerr | .... | additional sound: Los Angeles | |
| Lee W. Lebaigue | .... | additional sound: Los Angeles (as Lee Lebaigue) | |
| Julie Lucas | .... | foley recordist: Los Angeles (as Julie C. Lucas) | |
| David MacMillan | .... | production sound mixer: Los Angeles (as David Macmillan) | |
| Harrison D. Marsh | .... | boom operator: Los Angeles | |
| James Moriana | .... | foley artist: Los Angeles | |
| Tony Negrete | .... | assistant sound editor: Los Angeles (as Tony R. Negrete) | |
| Mark Ormandy | .... | additional sound: Los Angeles | |
| Michelle Pazer | .... | assistant adr editor: Los Angeles | |
| Dan M. Rich | .... | dialogue editor: Los Angeles (as Dan Rich) | |
| Alison Sanford | .... | sound recordist: Los Angeles | |
| Brad Sherman | .... | sound re-recording mixer: Los Angeles | |
| Mary Ruth Smith | .... | adr editor: Los Angeles | |
| Wylie Stateman | .... | additional sound: Los Angeles | |
| Jeffrey Wilhoit | .... | foley artist: Los Angeles | |
Special Effects by | |||
| Guy Clayton Jr. | .... | special effects coordinator: Los Angeles (as Guy Clayton) | |
| Guy Faria | .... | special effects foreman: Los Angeles (as Guy Fario) | |
| William 'Billy Jack' Jakielaszek | .... | special effects assistant: Boston (as William Jakielaszek) | |
| Gary L. King | .... | special effects assistant: Boston | |
| John W. Noble | .... | special effects assistant: Boston | |
| Brian Ricci | .... | special effects foreman: Boston | |
| Ed Ricci | .... | special effects assistant: Boston (as Edward P. Ricci) | |
| Gary D. Woodworth | .... | special effects assistant: Boston | |
Visual Effects by | |||
| Mike Wassel | .... | matte artist: Illusion Arts (uncredited) | |
Stunts | |||
| Joey Box | .... | stunt performer | |
| Doc D. Charbonneau | .... | stunt performer | |
| Bryan Greenberg | .... | stunt performer | |
| Dustin Meier | .... | stunt performer (as Dustin J. Meier) | |
| Mark Riccardi | .... | stunt coordinator | |
| Mario Roberts | .... | stunt performer | |
| David Barrett | .... | stunt performer (uncredited) | |
| Mark Riccardi | .... | stunt double: John Travolta (uncredited) | |
Casting Department | |||
| Caroline Carrigan | .... | casting assistant: Los Angeles | |
| Julie Lichter | .... | casting associate: Los Angeles | |
| Matt Bouldry | .... | location casting assistant: Boston (uncredited) | |
| Kevin Fennessy | .... | casting associate: Boston (uncredited) | |
| Carolyn Pickman | .... | casting: Boston (uncredited) | |
| Jodi Purdy-Quinlan | .... | extras casting assistant (uncredited) | |
| Franklyn Warren | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| James P. Cullen | .... | costumer: Mr. Travolta, Los Angeles (as Jim Cullen) | |
| Roberta Frankel | .... | costumer: Boston | |
| Barbara Marko | .... | costumer: Los Angeles | |
| Robert Q. Mathews | .... | costume supervisor: Los Angeles | |
| Austin Myers | .... | assistant costume designer: Los Angeles | |
| David Page | .... | lead costumer: men, Los Angeles | |
| Eva Prappas | .... | lead costumer: women, Los Angeles | |
| Rachelle Anthony | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Bill Babington | .... | assistant editor: Los Angeles | |
| Tori Capezza | .... | post-production assistant: Boston | |
| Phil Hetos | .... | color timer: Los Angeles | |
| Sara Hyoun | .... | assistant editor: avid, Los Angeles | |
| Xin Ling | .... | post-production assistant: Los Angeles | |
| Theresa Repola Mohammed | .... | negative cutter: Los Angeles | |
| Alexis Seymour | .... | second assistant editor: Los Angeles | |
| Bambi Sickafoose | .... | first assistant editor: Los Angeles | |
Music Department | |||
| Steve Bartek | .... | conductor: choir, Los Angeles | |
| Steve Bartek | .... | orchestrator: Los Angeles | |
| Julian Bratolyubov | .... | music preparation: Los Angeles | |
| Daniel Allan Carlin | .... | orchestra conductor: Los Angeles (as Dan Carlin Jr.) | |
| Danny Elfman | .... | score producer: Los Angeles | |
| Tod Holcomb | .... | assistant music editor: Los Angeles | |
| Artie Kane | .... | orchestra conductor: Los Angeles | |
| Shawn Murphy | .... | score mixer: Los Angeles | |
| Shawn Murphy | .... | score recordist: Los Angeles | |
| Kathy Nelson | .... | executive in charge of music: Buena Vista Motion Pictures Group, Los Angeles | |
| Ellen Segal | .... | music editor: Los Angeles | |
| Edgardo Simone | .... | additional orchestrator: Los Angeles | |
| Patti Zimmitti | .... | orchestra contractor: Los Angeles | |
| Paul Wertheimer | .... | music recordist (uncredited) | |
Transportation Department | |||
| Richard Abate | .... | transportation captain: Boston | |
| William O'Brien | .... | transportation coordinator: Boston (as Billy O'Brien) | |
| Ken Peterson | .... | transportation coordinator: Los Angeles (as Kenneth Peterson) | |
| Kristen Redd-Ginchereau | .... | transportation captain: Los Angeles (as Kris Redd-Ginchereau) | |
| Bobby Anderson | .... | picture car coordinator: Los Angeles (uncredited) | |
| Michael Avallon | .... | driver (uncredited) | |
| Ken Farnell | .... | driver (uncredited) | |
| Dennis Lally | .... | driver (uncredited) | |
| Tina Peterson | .... | driver (uncredited) | |
| Alana Stelling | .... | driver (uncredited) | |
| Larry Stelling | .... | picture car coordinator (uncredited) | |
Thanks | |||
| Paul Cellucci | .... | the producers wish to thank (as Governor Paul Cellucci) | |
| Robin Dawson | .... | the producers wish to thank | |
| Marshall Goldberg | .... | the producers wish to thank | |
| Joe Mooney | .... | the producers wish to thank | |
| Gretchen Muench | .... | the producers wish to thank: United States Environmental Protection Agency | |
| Tom Stoppard | .... | the producers wish to thank | |
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| Michael Clayton | Erin Brockovich | Boy A | Anatomy of a Murder | Karakter |
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I'm usually put off by courtroom films simply because I associate them with either the tendency for pompous and ornate speech-making a la "A Few Good Men," or cheap audience-manipulation a la "Primal Fear." Yes, they are entertaining, usually with great actors and fine performances - thinking man's thrillers. But generally they remain nothing more than that - a well-done conversation piece.
"A Civil Action" was a pleasant surprise because it is not only like neither of those films, but also because it is a good film starring John Travolta. While he had his moments in the spotlight for good reason (think: "Pulp Fiction") his movies are generally not that great. But that's just a personal opinion and I may be wrong.
Still, "A Civil Action" is a great courtroom film. For one, it's a true story (which doesn't necessarily say much), and it is told with restraint, quietness and respect for the characters involved (which should be saying a lot). It takes the best from "Silkwood" and "Verdict" and it gives us people who are real and who engage in battle the way we imagine real people would. They don't have dramatic moments in the courtroom upon which an unreal stillness descends so as to be shattered at the end of the speech by the thunderous sound of unanimous, emotionally-fraught clapping.
John Travolta is great here and so is the rest of the cast, among them William H. Macy, Kathleen Quinlan, Sydney Pollack, John Lithgow, Stephen Fry (in a small cameo role), Kathy Bates (in an even smaller cameo role) and the great Robert Duvall. In the end, it is Duvall who steals the show in his quiet, unemotional musings, advice-givings and deliberations with Travolta. He embodies the restraint for which the film strives.
"A Civil Action" is quiet in its proceedings and, consequently real. It tells the story of a lawyer who reluctantly accepts a case having to do with the contamination of water and the deaths of many children in a small town and becomes obsessed with it to the point of going bankrupt. His obsession mirrors the self-destructiveness of Paul Newman's lawyer in "Verdict," and it has real results. His adversaries are not evil people, per se (think Jack Nicholson in "A Few Good Men"), but people who are simply doing their jobs damn well, defending their interests. We shouldn't expect them to cave in to pretty speech-making, nor should the jury.
And watching "A Civil Action" we don't and it doesn't. The personalities clash, personal tragedy is pitted against financial burdens of the legal process, and it yields startling conclusions about the American Justice system. And that is what "A Civil Action" chooses to focus on more so than the true story it tells (though it doesn't ignore it either). The film shows the price of justice and how justice is understood in the legal process. In fact, it draws a very fine dichotomy between non-legal justice and legal justice and shows how hard it is to get "justice" in a legal setting. Needless to say, it becomes a very expensive ordeal full of re-interpretations of the law and annoying manipulations of it. What we can gather from the story, however, is that we should be grateful for people who are willing to go to extreme lengths, at great personal cost, to define justice on their own terms and to fight for it.