The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate ... See full summary »
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Jan Schlichtmann, a tenacious lawyer, is addressed by a group of families. When investigating the seemingly non-profiting case, he finds it to be a major environmental issue that has a lot of impact potential. A leather production company could be responsible for several deadly cases of leukemia, but also is the main employer for the area. Schlichtmann and his three colleagues set out to have the company forced to decontaminate the affected areas, and of course to sue for a major sum of compensation. But the lawyers of the leather company's mother company are not easy to get to, and soon Schlichtmann and his friends find themselves in a battle of mere survival. Written by
Julian Reischl <email@example.com>
Jan races his Porsche toward Woburn to meet with the families for the first time. He zooms along one distinctive stretch of road and in the next scene he is being given a speeding ticket on a bridge. When he leaves Woburn, he is seen racing along the same stretch of road, only to be stopped again on the same bridge. The bridge has moved from being after the stretch of road heading into Woburn, to being after the same stretch when driving away from Woburn. See more »
It's like this. A dead plaintiff is rarely worth as much as a living, severely-maimed plaintiff. However, if it's a long slow agonizing death, as opposed to a quick drowning or car wreck, the value can rise considerably. A dead adult in his 20s is generally worth less than one who is middle aged. A dead woman less than a dead man. A single adult less than one who's married. Black less than white. Poor less than rich. The perfect victim is a white male professional, 40 ...
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The producers wish to thank the people of Boston, Waltham, Northbridge, Charlestown, Dedham, Brimfield and Palmer, MA. See more »
Personal injury lawyer Jan Schlichtmann is approached by a group of families who believe they are being poisoned by a toxic waste dump near their water supply as many of their children have developed leukemia. Two of America's biggest law firms defend the case which stretches over 9 years and threatens to bankrupt Schlichtmann's firm and all it's staff.
I approached this film with firm expectations. I work as an environmental consultant and in part of my law training I was advised to read the book as it was a good case study (albeit a 500 page case study) on a environmental case. The book was fascinating if a little heavy in detail. For the film I knew that much of it was going to be trimmed but I didn't realize how much. The `trimmed' bit is the whole case! There is none of the trial instead any court room scenes are more focused on the characters than the case.
As a film this still plays well and is entertaining if not enlightening or interesting. It still carries the mantle of being `true' but without any of the book's case detail it is never more than a Grisham-esque drama despite having a better ending.
The cast are great easily turning out for a worthy film and they are rewarded because the characters get much better treatment than the facts. Travolta does well but doesn't manage to be as real as the book's portrayal of Schlichtmann. Duvall is good while the rest of the cast are very much support but manage to be deep. When names like William H Macy, Shalhoub, John Lithgow, Kathleen Quinlan, Stephen Fry, Dan Hedaya and James Gandolfini are all in support then you rightly expect it to be a very worthy film.
Overall this is a good film that is entertaining. There is a more powerful, more interesting and moving captivating story at it's heart anyone wanting that story should read the book.
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