Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
Jan Schlichtmann, a tenacious lawyer, is addressed by a group of families. When investigating the seemingly non-profiting case, he finds it to be a major environmental issue that has a lot of impact potential. A leather production company could be responsible for several deadly cases of leukemia, but also is the main employer for the area. Schlichtmann and his three colleagues set out to have the company forced to decontaminate the affected areas, and of course to sue for a major sum of compensation. But the lawyers of the leather company's mother company are not easy to get to, and soon Schlichtmann and his friends find themselves in a battle of mere survival. Written by
Julian Reischl <email@example.com>
A number of scenes described in the book are reproduced in the film, such as Facher's asking for the hotel pen at the settlement conference, Schlictmann's meeting with Eustis at the Harvard Club in New York, Gordon's attempts to keep the firm solvent (even purchasing lottery tickets and giving money to televangelists) and Riley's behavior at his deposition. See more »
Near the end of the movie, the envelope from the EPA appears on Facher's desk before the employee places it there. See more »
It's like this. A dead plaintiff is rarely worth as much as a living, severely-maimed plaintiff. However, if it's a long slow agonizing death, as opposed to a quick drowning or car wreck, the value can rise considerably. A dead adult in his 20s is generally worth less than one who is middle aged. A dead woman less than a dead man. A single adult less than one who's married. Black less than white. Poor less than rich. The perfect victim is a white male professional, 40 ...
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The producers wish to thank the people of Boston, Waltham, Northbridge, Charlestown, Dedham, Brimfield and Palmer, MA. See more »
"A Civil Action" was a fine book, and the film does it justice. No, it's not perfect, but it is emotionally moving, and faithful to the non-fiction account of the case.
Some of the heart-rending short scenes featuring parents of the child-victims (the father at the deposition; the parents trying to revive the dying child in the car) were absolute masterpieces. There should be special Academy Awards available for brief scenes of this kind that are too "small" for Best Supporting Actor awards, but are, in themselves, worthy of acclaim.
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