Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boyfriend, Stuart, lives above her apartment. Stuart finds a space near the Brooklyn Bridge where there is a gap in time.... See full summary »
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method.
Seth is an angel who accompanies the spirits of the recently dead to the ever after. Seth has never been human and so has has never experienced touch or taste. When in the hospital however he comes across Dr. Maggie Rice, a brilliant young heart surgeon who is devoted to her profession and her patients. Seth has the power to let himself be seen but Maggie finds him far too mysterious. Seth also meets a patient, Nathaniel Messinger, who has news for him - he too was once an angel like Seth but chose to fall to Earth and become human. Seth makes a decision on his future, which does not turn out as he had expected. Written by
When Maggie asks Seth what he does for a living, he says he is a messenger. In Greek, the word for messenger is "angelos" and is where we get the word angel. See more »
Maggie wakes up in bed wearing a ribbed tank top. She rolls over to check the time on the clock and suddenly she's wearing a satin spaghetti-strap camisole. See more »
Why do people cry?
What do you mean?
I mean, what happens physically?
Well... umm... tear ducts operate on a normal basis to lubricate and protect the eye and when you have an emotion they overact and create tears.
Why? Why do they overact?
I don't know.
Maybe... maybe emotion becomes so intense your body just can't contain it. Your mind and your feelings become too powerful, and your body weeps.
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American Pop Translation of Wenders' Classic Turns Lush Film into Romantic Whimsy
This 1998 romantic drama is as fanciful as fantasy movies come, and John Seale's beautiful cinematography goes a long way toward creating the dream-like quality essential to pull this type of movie off. Director Brad Silberling and screenwriter Dana Stevens have decided to amplify the romantic elements of Win Wenders' wondrous 1987 classic, "Wings of Desire", but stick to the basic plot elements. The transatlantic adaptation is not altogether successful because the greater themes of immortality and human fallibility in the original film have been submerged in favor of more individualized needs like sensuality and love. The thematic change trivializes the film into little more than a piece of romantic whimsy.
Now set in Los Angeles, the plot focuses on an angel named Seth who walks freely among the living and remains unseen unless he so desires. He gets drawn to Maggie Rice, an exacting surgeon who loses her first patient on the operating table. In the middle of her personal crisis, Seth comes into her life filling an emotional void, setting the stage for the pivotal decision he needs to make - remaining immortal as an angel or becoming human to experience the passion he feels for Maggie. Luckily, in probably her best dramatic performance, Meg Ryan is especially resonant as Maggie as she mutes her natural sprite-like manner into a palpable sadness that fits the character.
With a part that risks skirting parody during the first half, a steadily unblinking Nicolas Cage plays Seth in a plaintive, child-like manner until the story moves toward its inevitable climax. I still find it difficult to believe that Seth's discomforting, Norman Bates-like manner would provide such a powerful attraction to Maggie at the outset. I also think the ending plot manipulations are a botch, a contemptible attempt to twist the viewer into thinking a greater point has been made when in fact, the viewer has been sucker-punched. Andre Braugher's becalming manner is used to good effect as fellow angel Cassiel, and Dennis Franz is appropriately ostentatious as a junk-food-addicted hospital patient who is not what he appears to be. By the way, the interiors of the San Francisco Main Library (opened two years before) never looked better than under the guise of LA's in this movie.
There are a surprising number of extras for such an early release DVD (1998) with three separate commentary tracks, the first by Silberling, the second by Stevens and co-producer Charles Roven, and the third by composer Gabriel Yared. Seale and production designer Lilly Kilvert contribute select-scene commentaries on the other side of the disc. There are two featurettes - a half-hour making-of documentary called "Making Angels" and a ten-minute short focused strictly on the visual effects. Seven deleted scenes, two music videos (including the Goo Goo Dolls' then-omnipresent MTV hit, "Iris"), and the theatrical trailer round out the major DVD extras.
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