At college Paige meets Eddie, a fellow student from Denmark, whom she first dislikes but later accepts, likes, and loves; he proves to be Crown Prince Edvard. Paige follows him to Copenhagen, and he follows her back to school with a plan.
A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
With the sudden death of her loving father, Danielle is made a servant by her new stepmother. She also has two new stepsisters, one quite kind but the other one really horrid. Still, Danielle grows up to be a happy and strong-willed young lady, and one day her path crosses that of handsome Prince Henry, who has troubles of his own at home. Luckily the nice Leonardo da Vinci is on hand to help all round. Written by
Jeremy Perkins <firstname.lastname@example.org>
Danielle's portrait (which Leonardo da Vinci paints in the film) is actually modeled after another da Vinci work, "La Scapigliata" (also known as "Testa di fanciulla detta la scapigliata"). See more »
On the day that Danielle spends with Henry - at the monastery, and later with the gypsies, she is wearing Marguerite's blue dress. After the gypsies attack, one of gypsies keeps the blue for his wife. Danielle returns to the manor that night without the dress. With so much attention being paid to "missing" items neither the Baroness nor Marguerite notice or comment that the dress is missing. See more »
Cinderella is a timeless classic, a fairytale for all ages. And "Ever After" is pitch-perfect as an adaptation of the Cinderella story to screen.
As a fairytale, this movie follows a predictable pattern and storyline. It is sweet, light, innocent and beautiful. Stunningly beautiful. The cinematography is one of the stars here and this is a fabulous movie to watch - for the scenery, the costumes and the visual effects.
Anjelica Huston steals the show as the evil stepmother, but Drew Barrymore puts in a fine performance here, and Patrick Godfrey is wonderfully eccentric as Leonardo Da Vinci. Overall, this is not so much a movie about the acting, but it's more about the sometimes sappy, usually saccharine, but wonderfully heartfelt classic story. Instead of the magic of the original fairytale, Ever After replaces it with the "magic" of wit, humour and heart. And there's nothing wrong with that.
Funny and charming, Ever After is one of those great movies that can be watched over and over again.
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