| Photos (See all 16 | slideshow) |
| Bruce Willis | ... | Dwayne Hoover | |
| Albert Finney | ... | Kilgore Trout | |
| Nick Nolte | ... | Harry Le Sabre | |
| Barbara Hershey | ... | Celia Hoover | |
| Glenne Headly | ... | Francine Pefko | |
| Lukas Haas | ... | George 'Bunny' Hoover | |
| Omar Epps | ... | Wayne Hoobler | |
| Vicki Lewis | ... | Grace Le Sabre | |
| Buck Henry | ... | Fred T. Barry | |
| Ken Hudson Campbell | ... | Eliot Rosewater / Gilbert (as Ken Campbell) | |
| Jake Johannsen | ... | Bill Bailey | |
| Will Patton | ... | Moe the Truck Driver | |
| Chip Zien | ... | Andy Wojeckowzski | |
| Owen Wilson | ... | Monte Rapid | |
| Alison Eastwood | ... | Maria Maritimo | |
| Shawnee Smith | ... | Bonnie MacMahon | |
| Michael Jai White | ... | Howell | |
| Keith Joe Dick | ... | Vernon Garr | |
| Diane Willson Dick | ... | Rosemary Garr (as Diane Dick) | |
| Michael Clarke Duncan | ... | Eli (as Michael Duncan) | |
| Lahmard J. Tate | ... | Elmoro (as Lahmard Tate) | |
| Kurt Vonnegut Jr. | ... | Commercial Director | |
| Dawn Didawick | ... | Lottie | |
| Karl Wiedergott | ... | Homer | |
| Patti Allison | ... | Blossom | |
| Alexa Robbins | ... | Art Hostess Kaye | |
| Debra Dusay | ... | Art Hostess Faye | |
| Tom Robbins | ... | Pesky Weber | |
| Raymond O'Connor | ... | Rabo Karabekian | |
| Tisha Sterling | ... | Beatrice Keedsler | |
| Matt Callahan | ... | Zeke | |
| Tracey Lee Mapstone | ... | Mailwoman | |
| Mary Kennedy | ... | Waitress | |
| Greg Walker | ... | Highway Patrolman | |
| David Blampied | ... | NY Policeman / Prison Guard | |
| Greg Moore | ... | Porn Store Patron | |
| Doug Hamblin | ... | Mugger | |
| Patrice Thomas | ... | NY Policewoman | |
| Nancy Volle | ... | Marlo | |
| Danielle Kennedy | ... | Motel Clerk | |
| Scout LaRue Willis | ... | Young Girl (as Scout Willis) | |
| Nicolas Small | ... | Young Boy | |
| Denise Simone | ... | Blue Monday Housewife | |
| Russ Wilson | ... | Blue Monday Doctor (as Russell Wilson) | |
| Scott Beauchemin | ... | Trypepton Husband | |
| Kassandra Kay | ... | Trypepton Wife | |
| Ken Odom | ... | Prodigal Life Husband | |
| Erica Evans | ... | Prodigal Life Wife | |
| David Kyle | ... | Prodigal Life Child | |
| Richard Sheehan | ... | Voiceover | |
| Roman Lewis | ... | Prisoner | |
| rest of cast listed alphabetically: | |||
| Gina-Raye Carter | ... | Inside of Bruce Willis brain (uncredited) | |
| Maxann Crotts | ... | Serial Killer (uncredited) | |
| William L. Nagle | ... | Horace Durenwurst (uncredited) | |
| Beaux Sedwick | ... | Dream Girl (uncredited) | |
Directed by | |||
| Alan Rudolph | |||
Writing credits(WGA) | ||
| Kurt Vonnegut Jr. | (book) | |
| Alan Rudolph | (screenplay) | |
Produced by | |||
| David Blocker | .... | producer | |
| Stephen J. Eads | .... | associate producer | |
| W. Mark McNair | .... | producer: commercial segment | |
| Sandra Tomita | .... | associate producer | |
| David Willis | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Suzy Elmiger | |||
Casting by | |||
| Pam Dixon | |||
Production Design by | |||
| Nina Ruscio | |||
Art Direction by | |||
| Randy Eriksen | |||
Set Decoration by | |||
| K.C. Fox | |||
Costume Design by | |||
| Rudy Dillon | |||
Makeup Department | |||
| Debra Coleman | .... | makeup artist | |
| Bunny Parker | .... | head hair stylist | |
| Gerald Quist | .... | key makeup artist | |
Production Management | |||
| Jane Bartelme | .... | unit production manager | |
| Charlie Vogel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Cara Giallanza | .... | assistant director | |
| Adam Glickman | .... | assistant director | |
| Eric Fox Hays | .... | second assistant director | |
Art Department | |||
| Matt Callahan | .... | art department coordinator | |
| Steven E. Eyrse | .... | head painter | |
| Steven E. Eyrse | .... | scenic artist | |
| Roman Lewis | .... | art department intern | |
| Eric Rosenberg | .... | graphic designer (uncredited) | |
Sound Department | |||
| Misty Conn | .... | utility sound | |
| Bruce Kitzmeyer | .... | foley editor | |
| Brian Langman | .... | assistant sound editor | |
| Lisa J. Levine | .... | supervising adr editor | |
| Michael W. Mitchell | .... | sound effects editor | |
| Eliza Paley | .... | supervising sound editor | |
| Donna Powell | .... | foley artist | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Paul P. Soucek | .... | supervising sound editor | |
| Becky Sullivan | .... | supervising adr editor | |
| Orest Sushko | .... | sound re-recording mixer | |
| Susumu Tokunow | .... | sound | |
| Daniel Ward | .... | apprentice sound editor | |
| Randy Wilson | .... | control room operator | |
Special Effects by | |||
| Ray Brown | .... | special effects technician | |
| Bob Riggs | .... | special effects coordinator (as Bobby Riggs) | |
| John Yorke | .... | HPE special effects operator (as J.D. Yorke) | |
Visual Effects by | |||
| Rob Blue | .... | digital artist | |
| Mark Breakspear | .... | visual effects supervisor: Digital Muse | |
| Alex Deshazer | .... | production coordinator | |
| Steven Fagerquist | .... | digital effects artist | |
| Mike Goslin | .... | digital systems engineer | |
| Simon Holden | .... | digital effects artist | |
| Heather Ignarro | .... | production assistant: Digital FilmWorks | |
| Suzanne Jack | .... | visual effects coordinator | |
| Richard Ivan Mann | .... | visual effects producer | |
| Roger Mocenigo | .... | lead digital compositor: Click 3x Los Angeles | |
| Sean Murphy | .... | visual effects artist | |
| Janet Muswell | .... | visual effects supervisor | |
| Robert Stromberg | .... | digital matte artist | |
| Chris Wells | .... | visual effects | |
Stunts | |||
| Steve Kelso | .... | stunt driver | |
| Grady Walker | .... | utility stunts | |
| Greg Walker | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kirk Bloom | .... | second assistant camera | |
| Glenn Brown | .... | assistant camera | |
| Walter Byrnes | .... | electrician | |
| Greg Fausak | .... | grip | |
| Richard Mall | .... | key grip | |
| John Seravic | .... | grip | |
| Roger Wall | .... | film loader | |
| Rick A. West | .... | gaffer | |
Animation Department | |||
| Ingin Kim | .... | animator | |
Casting Department | |||
| Maxann Crotts | .... | extras casting | |
| Maxann Crotts | .... | location casting: Idaho | |
Costume and Wardrobe Department | |||
| Carrie Bauer | .... | set costumer | |
| Lori Fuchs | .... | wardrobe intern | |
| Sandy Kenyon | .... | costume supervisor | |
Editorial Department | |||
| Pagan Danielle Harleman | .... | assistant editor (as Pagan Harleman) | |
| John McNulty | .... | post-production assistant | |
| Hilary Schroeder | .... | assistant editor | |
| Susan K. Weiler | .... | assistant film editor | |
Music Department | |||
| Jeffrey Bass | .... | musician: additional keyboards, Bunny Hoover sessions | |
| Stanley Behrens | .... | musician: harmonica | |
| David Blocker | .... | music producer: Bunny Hoover sessions | |
| Mike Clair | .... | musician: drums | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Arni Egilsson | .... | musician: bass | |
| Alan Estes | .... | musician: marimba | |
| Lukas Haas | .... | music producer: Bunny Hoover sessions | |
| Lukas Haas | .... | musician: keyboards, Bunny Hoover sessions | |
| Clayton Haslop | .... | musician: violin | |
| Mark Isham | .... | score producer | |
| Jim Kanter | .... | musician: bass clarinet | |
| Jonathan Karp | .... | music editor | |
| Josh Kelley | .... | musician: drums, Bunny Hoover sessions (as Josh Kelly) | |
| Stephen Krause | .... | scoring mixer | |
| Ken Kugler | .... | conductor | |
| Ken Kugler | .... | orchestrator | |
| Frank Macchia | .... | additional orchestrator | |
| Frank Marocco | .... | musician: accordion | |
| Sid Page | .... | musician: violin | |
| Rich Ruttenberg | .... | musician: piano | |
| Hal Sweazey | .... | musician: keyboards, Bunny Hoover sessions | |
Transportation Department | |||
| Terry R. Owens | .... | transportation coordinator | |
Other crew | |||
| Don Baldwin | .... | assistant location manager | |
| Monica De Armond | .... | production associate | |
| Craig Franson | .... | production assistant | |
| Steve Kirklys | .... | title designer | |
| Jeff Kloss | .... | production accountant | |
| Mike Le | .... | assistant: Owen Wilson | |
| Laurent Marchand | .... | caterer | |
| Janet Muswell | .... | title designer | |
| Heather Plott | .... | production secretary | |
| Patrick Sheedy | .... | post accountant | |
| Alison Sherman | .... | production coordinator | |
| Mike Staheli | .... | set medic | |
| Kurt Vonnegut Jr. | .... | title drawings | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
| James Spear | .... | production assistant (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Kurt Vonnegut's satirical novel of 1973 resonates as deeply now as it did way back then. The themes of suburban paranoia and soulless consumerism have motivated some of the best films of the last twelve months, so an inspired interpretation of Breakfast of Champions would have been warmly endorsed.
It's clearly been a labour of love for director Alan Rudolph, who has tried for twenty years to make this film. Sadly, twenty years of work appears to have produced one bad draft copy. And Rudolph does not have the slightest grasp on what is funny.
Nick Nolte wanders aimlessly around in a dress but it isn't funny. Albert Finney searches out his chaotic literary masterpieces in pornographic magazines but it isn't funny. Barbara Hershey's character is a product of the chaos, but her appearances lack a motive. She isn't required until the film bursts into chaotic life in its last ten minutes.
This means three great actors are left stranded. It results in the unlikely event of Bruce Willis stealing the acting honours. He is good, but one feels it would have been no great stretch to act insane.
Among the problems here is that the film keeps its feet on the ground. While we're expected to believe the world has gone mad, the actual events are as uninspired as they are unfunny. This doesn't mean it is any easier to understand. In fact, without having read the novel, you'd most likely be lost from the beginning.
The chaos of Vonnegut's vision was its real joy. The way characters conspired to come together was inventive. The film though plays like a cliche. The ending is anarchic, but you get the impression it only serves one purpose: to stop you making rational sense of the rest of the film. And as much as you want to like it, or applaud Rudolph's commitment, the truth is that BREAKFAST OF CHAMPIONS is a sad, poor film.