A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the ...
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The hairdresser, wife and mother Cynthia Kellogg is in police department being interrogated by the experienced detective John Woods and his partner, Detective Linda Nealon. Through ... See full summary »
When the overworked and stressed-out White House presidential shrink runs away, the CEA and the FBR scramble to retrieve him before he could be abducted by various competing foreign intelligence services.
Theodore J. Flicker
Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around... See full summary »
A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced... See full summary »
A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the brink of suicide and is losing touch with reality. Written by
In the score listings - "Borrowed Borodin" by K.Trout (The main tune of this movie is "Stranger in Paradise", which is a "remake" of A.P.Borodin's Polovtsian Dances from "The Prince Igor". K.Trout is one of the principal characters of the movie) See more »
I'm afraid that in the era of pop-no-where-ism, where the reality show sets the rules; films like this one will get worse and worse reviews as time moves on. I didn't read Vonnegut until my early thirties and I grew up with Vonnegut's as a kid-no kidding. When I started reading, I just read and read in one extensive gulp. First, there's no good way to try to adapt a Vonnegut book to film. To the reviewers -if you can call them that-who say I've read the book and this movie is a miserable adaptation-go figure?! This is a very good vetting of the themes Vonnegut loves, and using the rambling urban neuroses approach, mastered by Altman, Rudolph revvs us up for the big psychic upchuck that this is all about. This is not a great movie but given the importance of self reflection to American society and the rarity of it, in contemporary society-this movie is a landmark and a watermark, both.
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