Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
An English librarian called Evelyn Carnahan becomes interested in starting an archaeological dig at the ancient city of Hamunaptra. She gains the help of Rick O'Connell, after saving him from his death. What Evelyn, her brother Jonathan and Rick are unaware of is that another group of explorers are interested in the same dig. Unfortunately for everyone, this group ends up unleashing a curse which been laid on the dead High Priest Imhotep. Now 'The Mummy' is awake and it's going to take a lot more than guns to send him back to where he came from. Written by
The scenes showing the Cairo streets were shots of a souk in Marrakesh that was so expansive that the actors and crew were warned not to wander too far from the set or risk getting lost. See more »
Near the end of the film, in the final fight scene between Imhotep and Rick, Imhotep grabs Rick and opens his huge mouth, but on the shot after Evvie starts reading the spell to make Imhotep mortal, his mouth is open regularly. See more »
Thebes, City of the Living. Crown jewel of Pharaoh Seti the First. Home of Imhotep, Pharaoh's high priest, keeper of the dead. Birthplace of Anck Su Namun, Pharaoh's mistress. No other man was allowed to touch her. But for their love, they were willing to risk life itself.
See more »
The Earth in the opening Universal logo flashes and dissolves into the sun. See more »
Citizen Kane it ain't, but if you're looking for good, silly, H. Rider Haggardesque fun, this is the film for you. While it hasn't replaced the Universal classic in my affections, let's face it, the venerable original creaks a little. I mean, Karloff's Imhotep only moves two feet per hour -- geez, how will I ever escape him? Arnold Vosloo's Mummy is considerably more fleet, and frankly (from the dirty old lady's perspective) is pretty darned buff for a dead guy. A modern affectation, sure, but I like the idea of a mummy with a great butt.
Brendan Fraser looks good, has a fabulous voice, and a whole boatload of goofy charm. Hey! Call me shallow, but that's pretty much all I'm looking for in a screen idol. John Hannah was acceptable, if not inspired, as the wastrel brother. Rachel Weisz is gorgeous, and acquits herself well in the role of "Heroine in an Adventure Film;" i.e., she screams and gets rescued a lot.
OK, I lie. The modern "Heroine in an Adventure Film" is SPUNKY, screams, and gets rescued a lot.
And as to Oded Fehr, who plays the mysterious desert guardian of the mummy's tomb (a role traditionally assayed by Welsh character actors) -- I and the rest of the ladies in my party indicated, through a series of incoherent grunts and some unattractive drooling, a strong desire to see much, much more of him. And we mean that both literally and figuratively. Powers that be, please take note.
A couple of small caveats: the bug quotient in this film is much higher than I usually tolerate. It puts you right off your Milk Duds. And where in the hell did those camels come from?
So if you're in a mood for brainless entertainment, I recommend that you set your intellect on stun, rush to the nearest cineplex, buy the large popcorn (WITH butter), and settle in for a couple of hours of colorful, loud, over-the-top fun.
111 of 143 people found this review helpful.
Was this review helpful to you?