In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Selene, a beautiful warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
An English librarian called Evelyn Carnahan becomes interested in starting an archaeological dig at the ancient city of Hamunaptra. She gains the help of Rick O'Connell, after saving him from his death. What Evelyn, her brother Jonathan and Rick are unaware of is that another group of explorers are interested in the same dig. Unfortunately for everyone, this group ends up unleashing a curse which been laid on the dead High Priest Imhotep. Now 'The Mummy' is awake and it's going to take a lot more than guns to send him back to where he came from. Written by
The scene in which the scarabs come from the sands to chase the explorers was done by using an air compressor on the set that went off to simulate the insects' emerging from the sand. See more »
After Rick is thrown by Imhotep he says "no problem" even though his lips are not moving. See more »
Thebes, City of the Living. Crown jewel of Pharaoh Seti the First. Home of Imhotep, Pharaoh's high priest, keeper of the dead. Birthplace of Anck Su Namun, Pharaoh's mistress. No other man was allowed to touch her. But for their love, they were willing to risk life itself.
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At the end credits of the film, the main cast and crews' names are first presented in hieroglyphics, then change into Roman(English) fonts that have a hieroglyphic-like look to them (the rest of the credits are also in this font). After the main cast and crew is named, the rest of the credits, instead of scrolling down in traditional straight lines, are staggered in snake-like patterns, while hieroglyphics are placed in various areas of the credits and on the screen. See more »
Citizen Kane it ain't, but if you're looking for good, silly, H. Rider Haggardesque fun, this is the film for you. While it hasn't replaced the Universal classic in my affections, let's face it, the venerable original creaks a little. I mean, Karloff's Imhotep only moves two feet per hour -- geez, how will I ever escape him? Arnold Vosloo's Mummy is considerably more fleet, and frankly (from the dirty old lady's perspective) is pretty darned buff for a dead guy. A modern affectation, sure, but I like the idea of a mummy with a great butt.
Brendan Fraser looks good, has a fabulous voice, and a whole boatload of goofy charm. Hey! Call me shallow, but that's pretty much all I'm looking for in a screen idol. John Hannah was acceptable, if not inspired, as the wastrel brother. Rachel Weisz is gorgeous, and acquits herself well in the role of "Heroine in an Adventure Film;" i.e., she screams and gets rescued a lot.
OK, I lie. The modern "Heroine in an Adventure Film" is SPUNKY, screams, and gets rescued a lot.
And as to Oded Fehr, who plays the mysterious desert guardian of the mummy's tomb (a role traditionally assayed by Welsh character actors) -- I and the rest of the ladies in my party indicated, through a series of incoherent grunts and some unattractive drooling, a strong desire to see much, much more of him. And we mean that both literally and figuratively. Powers that be, please take note.
A couple of small caveats: the bug quotient in this film is much higher than I usually tolerate. It puts you right off your Milk Duds. And where in the hell did those camels come from?
So if you're in a mood for brainless entertainment, I recommend that you set your intellect on stun, rush to the nearest cineplex, buy the large popcorn (WITH butter), and settle in for a couple of hours of colorful, loud, over-the-top fun.
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