Reece McHenry is a used-clothing store owner and Carol Fitzsimmons is a seamstress working in that store. The film follows the story of their relationships from 1960s till present time (as ... See full summary »
The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of "good" people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.
The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband ... See full summary »
Reluctantly Bill agrees to spend a weekend on his brother-in-law's boat in the Bahamas. But he and his wife are not the only invited passengers, and instead of a few relaxing days at sea ... See full summary »
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Julia runs a trendy bar in Barcelona. She treats men with caution, believing one can love too much and invite pain. She's been dating Pablo, one of her waiters. After his grisly murder (his... See full summary »
USA, summer of 1969. Man is about to walk on the moon, the Vietnam War is breaking out, and there is the great concert in Woodstock. In a holiday camp for Jewish families not far from Woodstock, Alison and her family are on vacation. Pearl, the mother is young and attractive, but defeated by life, having become pregnant on her first loving relationship, forgetting her dreams to devote herself to her children. Marty, the father is absent because he is busily occupied by the television company broadcasting the moon landing. One day a charming salesman arrives at the camp, selling clothes and knick-knacks. He lives an intense life of love and passion, culminating in an escape to Woodstock with Alison, where events have a deep impact. Written by
In the bedroom, when Walker drops the needle on the record, we have already heard the opening bars to "White Bird". See more »
[Dad Marty is driving his family on vacation, mom beside him in front, granny & kids in back; they're singing the Name Game: "Shirley Shirley bo-Birly, Bonana Fana fo-Firley" etc]
Let's do "Chuck"
No "Chuck". We don't do "Chuck"
You never let me do "Chuck".
When you're married you can do "chuck".
[mom raps dad in the arm, smiling]
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The producers wish to thank ... The Merchants of St-Viateur Street ... See more »
A WALK ON THE MOON as written by Pamela Gray ("Music of the Heart") and directed by actor Tony Goldman conjures up more atmosphere for the year 1969 than any film to date. Remember Woodstock, the Jewish summer retreats in the Catskills, hippies, face and body painting, threats from the Vietnam era and promises of space habitation by the famous first walk on the moon? It is all faithfully created here as the background for a lovely little sentimental tale about family and fidelity.
The Kantrowitz family - Pearl (Diane Lane), Marty (Liev Schreiber), Alison (Anna Paquin), Daniel (Bobby Boriello) and Marty's mother Lilian (Tovah Feldshuh) - are spending their usual summer away form New York in a Catskill settlement bungalow along with other Jewish families of the same ilk. All seems swell, except that Marty must spend the weekdays returning to his job as a TV repairman, leaving the family under Pearl's and Lilian's care until his weekend visits. A hippie blouse salesman Walker Jerome (Viggo Mortensen) peddles his wares to the settlement and casually but inevitably Pearl feels an attraction to Walker, the man of adventure who represents all the lost dreams of becoming a mother and wife at the too early age of 17. Life has slipped her by but feels salvageable in Walker's advances.
Woodstock is close by and Pearl and Walker spend a day of hippie love-in in the crowd, not knowing that teenage Alison is also there observing their free love antics. This crisis event affects the family's unity and the way Pearl faces her moment of indiscretion with Marty and her children builds to a terrific climax.
Diane Lane, Viggo Mortenson, Liev Schreiber and Tovah Feldshuh completely inhabit these simple characters and pull us into accepting all aspects of the predicament of this family crisis. The confrontation among Lane, Schreiber and Mortenson is a trio of acting not to be forgotten. Tony Goldwyn has paced his film beautifully and proves that he has as great skill as a director as well as an actor. The cinematography by Anthony B. Richmond is as recreative of a special time on our history as has been captured. This little film will stay with you long after the credits are over. Grady Harp
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