The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband ... See full summary »
The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of "good" people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.
USA, summer of 1969. Man is about to walk on the moon, the Vietnam War is breaking out, and there is the great concert in Woodstock. In a holiday camp for Jewish families not far from Woodstock, Alison and her family are on vacation. Pearl, the mother is young and attractive, but defeated by life, having become pregnant on her first loving relationship, forgetting her dreams to devote herself to her children. Marty, the father is absent because he is busily occupied working at a television repair business. One day a charming salesman arrives at the camp, selling clothes and knick-knacks. He lives an intense life of love and passion, culminating in an escape to Woodstock with Pearl, where events have a deep impact. Written by
Much of the licensed music in the movie is by acts who performed at Woodstock, but two famous names associated with it actually were not there. Joni Mitchell felt she had to decline her invitation, but later composed a song ("Woodstock") about the festival. Big Brother and the Holding Company were never invited. Janis Joplin had left them the year before, and she performed there with the Kozmic Blues Band. See more »
When the Kantrowitz's are packing the car in the beginning of the movie they put a dish drying rack with lot's of stuff in the backseat of the car twice. See more »
I never have to listen to you ever again. I saw you. I was there. You should have seen yourself. You looked disgusting! I'm the teenager! Not you! You had your chance.
No. I didn't.
Well then why do the rest of us have to suffer just because you fucked up your life!
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The producers wish to thank ... The Merchants of St-Viateur Street ... See more »
First impression was positive, now I'm not so sure
The first time I watched this movie, I think I was just captivated by the excellent performances. Viggo Mortenson, like William H. Macy and James Caviezel, is one of those whose roles are understated but so well executed and you anticipate their next work. Diane Lane is gorgeous, and I think that somehow is supposed to drive a pitiful feeling from us that a woman of so much beauty is shackled down to a normal existence. Liev Schreiber's role was the most successful of the principles. The real sympathy in this movie DOES go to him for spending the duration of it separated from his family, and his philandering wife, simply keeping his tv-repair job.
Rule #1 about this movie, don't see it with your significant other. The passionate scenes of a cheating spouse copulating with a free-spirited, self-centered vagrant under a waterfall will make both of you uncomfortable. The scene that bothered me most was the actual moon-landing, where while he's quarantined to the shop repairing TVs so everyone can watch the event she's making it with the blouse-man on the bus. As others have said in this forum, the main point at the end of the movie is that she was misunderstood by a caring husband, her needs weren't satisfied (we never mention his), and ulimately he'll have to forsake his matured take on life if he's ever going to have his wife back.
It was the equivalent of watching Dharma and Greg with explicit adultery, where once again the responsible spouse has to pick up the pieces and try to understand their act-before-thinking partner. This isn't a statement of gender specifics, I'm well aware that plenty of men are unfaithful and self-centered as well. I'm just tired of people in this country deciding we can be married and never compromise on anything. It simply won't work that way. Marriage is a give and take, and in order to function right we need movies that emphasize communication. A movie that tries to justify infidelity isn't going to enhance anyone. I love my wife dearly, and I don't need to see a movie like this one as a cautionary tale of what could be if her needs are left ungratified. See it if you like, but I could mention PLENTY more "chick flicks" which will leave you with a warm or sorrowful feeling at the end worth seeing, rather than an akward feeling that neither of you want to discuss.
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