The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
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A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
USA, summer of 1969. Man is about to walk on the moon, the Vietnam War is breaking out, and there is the great concert in Woodstock. In a holiday camp for Jewish families not far from Woodstock, Alison and her family are on vacation. Pearl, the mother is young and attractive, but defeated by life, having become pregnant on her first loving relationship, forgetting her dreams to devote herself to her children. Marty, the father is absent because he is busily occupied by the television company broadcasting the moon landing. One day a charming salesman arrives at the camp, selling clothes and knick-knacks. He lives an intense life of love and passion, culminating in an escape to Woodstock with Alison, where events have a deep impact. Written by
In the Woodstock scene where we see Pearl and Walker standing together there's the announcement, "Good morning! What we had in mind is breakfast in bed for 400,000" and Richie Havens is singing his "on the spot" improvised song, "Freedom" which was actually the last song after his very long (almost three hours playing) musical set as he opened the festival on Friday at 5PM. The breakfast announcement was made by 'comic' Wavy Gravy on Sunday morning describing the "granola" gruel that was created/invented to feed (as many as possible) the 400K attendees at the festival. See more »
A touching look at life, human weaknesses, missed dreams, and opportunities.
Having read all of the posted reviews, what I find most interesting is the overall male consensus that the film portrays the husband as the guilty party for his wife's dissatisfaction. Being male, I find it hard to believe that so many of my gender feel so weak and betrayed.
Pearl, doesn't blame her husband and only learns to value and understand him better as also having missed out on some of life's potential. Also, I find it hard to accept the moralizing in the reviews. The film is not condoning the illicit relationship, the idyllic couplings and temporary `escape', are photographed as what we dream we've missed. Are acted out fantasies, to be moralized? Pearl knows, the fantasy can't last and a price will be paid.
Haven't we all missed out from time to time? How many men have fantasized (and acted out) Pearl's actions and expected to be forgiven. Why because they're men??? A well acted, beautifully filmed, and nicely scored remembrance, of the period of self exploration and human frailty.
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