Rural Louisiana, summer of 1957, Elvis is King. At 14, Dani is coming of age. Her older sister is beautiful, smart, and off to Duke in the fall; her mom's pregnant with number four (Dad ... See full summary »
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
USA, estate del 1969. L'uomo sta per passeggiare sulla Luna, la guerra in Vietnam è scoppiata, arrivano i figli dei fiori, c'è il grande concerto di Woodstock. E proprio in un campo di villeggiatura per famiglie ebree non distante da Woodstock si trovano Alison e la famiglia in vacanza. Pearl, la madre è giovane ed attraente, ma sconfitta dalla vita (è rimasta incinta al primo rapporto amoroso ed ha dato addio ai sogni per dedicarsi ai figli). Marty, il padre è assente perché occupato nella ditta di televisori in cui lavora (tutti vogliono vedere lo sbarco sulla Luna). Un giorno arriva al campo un affascinante venditore di vestitini e cianfrusaglie : per Pearl è il colpo di fulmine. Vive un'intensa storia d'amore e di passione, culminata nella fuga a Woodstock, dove è corsa anche Alison con il suo primo ragazzo. Durante il concerto la ragazzina scorge la madre con l'amante e fugge. E' una esperienza difficile da capire. Il padre torna al campo e, venuto a conoscenza di tutto, cerca di... Written by
When The Grateful Dead were invited, their manager wanted the promoters to add another act he managed; he offered them two. They tossed a coin, chose Santana, and the rest is history. There is no Santana music in this movie, but perhaps they are subtly represented by the act the promoters did NOT choose, It's a Beautiful Day, with their hit "White Bird" See more »
When Pearl goes to say goodbye to Walker in his garden, there's a shot of him, and his jacket is on the fence. But in the next shot, she's carrying the jacket, and she's the one who puts it on the fence. See more »
A touching look at life, human weaknesses, missed dreams, and opportunities.
Having read all of the posted reviews, what I find most interesting is the overall male consensus that the film portrays the husband as the guilty party for his wife's dissatisfaction. Being male, I find it hard to believe that so many of my gender feel so weak and betrayed.
Pearl, doesn't blame her husband and only learns to value and understand him better as also having missed out on some of life's potential. Also, I find it hard to accept the moralizing in the reviews. The film is not condoning the illicit relationship, the idyllic couplings and temporary `escape', are photographed as what we dream we've missed. Are acted out fantasies, to be moralized? Pearl knows, the fantasy can't last and a price will be paid.
Haven't we all missed out from time to time? How many men have fantasized (and acted out) Pearl's actions and expected to be forgiven. Why because they're men??? A well acted, beautifully filmed, and nicely scored remembrance, of the period of self exploration and human frailty.
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