Critic Reviews



Based on 23 critic reviews provided by Metacritic.com
Chicago Sun-Times
Wesley Snipes understands the material from the inside out and makes an effective Blade because he knows that the key ingredient in any interesting superhero is not omnipotence, but vulnerability.
Big as it is, Blade' is meticulous and subtle, not just in its camera technique but in the way it works its themes and creates a mood.
By the time the film is well into its second hour, we begin to wonder whether there's ever going to be a variation on the carnage and mayhem. As it turns out, there isn't.
The Globe and Mail (Toronto)
Blade doesn't manage to work up a whole lot of suspense.
USA Today
Director Stephen Norrington is more keen on finding new ways to explode the fiends... than developing a credible story. So the movie flits from one gore-laden assault to another with little suspense.
Christian Science Monitor
For most of its two-hour running time it simply flings a barrage of horrors at the audience, enhanced with the most imaginative science-fiction atmospherics this side of "Dark City," which incidentally was a far more original picture.
Chicago Tribune
Often ridiculous, mostly poorly written and, surprisingly poorly acted too. No matter how many flashy scenes the filmmakers shoot, the bad lines just keep dripping down. [21 Aug 1998]
If only it wasn't such bloody nonsense.
The few good lines go to Kristofferson and the ever-amusing Kier, but Snipes's considerable energy is buried under an affectless, Terminator-style demeanor.
New York Daily News
Pure hackwork.
Entertainment Weekly
The action involves lots of second-rate martial-arts choreography (made even less thrilling by the video's pan-and-scan job), while the psychological conflicts are filled with unconvincing angst.

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