Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
A young woman in Paris is about to divorce her husband when she discovers... he's dead; and all their money is gone. She meets a mysterious man, who tells her that the money was really his,... See full summary »
I'm Carolyn Parker unfolds as an inspiring portrait of an extraordinary woman. Carolyn Parker was the last to leave her neighborhood when Hurricane Katrina approached New Orleans in the ... See full summary »
An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.
This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Jonathan Demme directs this joyous relentlessly kitschy celebration of 50's America: opportunity, rock'n'roll, and the road. He follows three generations of women and the men they pick up, ... See full summary »
After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen... Written by
Jeremy Cohen <email@example.com>
After having read the novel by Toni Morrison, this film was extremely disappointing. The strength of the novel had to do with its use of interior monologue, and powerful flashback sequences. The interior monologue couldn't be transferred to screen, but the flashbacks could have been more than quarter-second flashes of remembered pain. In TIME magazine, Oprah Winfrey said that she wanted Beloved to be her Schindler's List. The difference between Beloved and Schindler's List is not just a discernible narrative, but also in the power of the imagery. By robbing us of the full slavery sequences and the entire sequence of Paul D's imprisonment in Alfred, Georgia lessen the power of the novel. The portrayal of Beloved was also extremely odd. She spoke in some kind of combination of Linda Blair in The Exorcist and a toad. Overall, Jonathan Demme really let this film slip out of greatness, and into the discount rack at the video store.
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