A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen... Written by
Jeremy Cohen <firstname.lastname@example.org>
A subplot in the novel, omitted from the film version, suggests that Beloved might actually be a missing woman from a nearby town who was tortured and imprisoned by a white man. The subplot underscored Sethe's need for Beloved to be her reincarnated daughter. See more »
Beloved the movie seeks to rival Beloved the novel in telling the African-American story. While it could not attempt to capture all of the richness of Morrison's great novel, it does do what it can in the constraints of a feature movie. The performances are phenomenal, and any Oscar nominations will be well deserved. The Ohio/Kentucky background takes one's breath away and the movie really does grip its viewer during key scenes
However, Morrison's non-linear style did not translate as well on the big screen and the flashbacks are truly confusing at points. Moreover, the movie has about three natural climaxes which heighten the viewer's awareness of the length of the movie.
All told, it is a good movie, but it is not a must-see movie, nor will it have the cultural impact Oprah intended.
(As for no likeable white characters which some posts have charged, first Mr. Baldwin is a likeable white person. Second, in a post-slavery society of Ohio/Kentucky, why do there have to be any good whites in this narrow world? Oh yeah, don't be mad at Oprah for that--Morrison didn't include any in her book either)
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