Beloved (1998)

Based on the book by Toni Morrison, in which a slave is visited by the spirit of her deceased daughter.

Director:

Jonathan Demme

Writers:

Toni Morrison (novel), Akosua Busia (screenplay),

Stars:

Oprah Winfrey, Danny Glover, Thandie Newton

Nominated for 1 Oscar. Another 3 wins & 20 nominations.

Cast

Cast overview, first billed only:
Oprah Winfrey	...	Sethe
Danny Glover	...	Paul D Garner
Thandie Newton	...	Beloved
Kimberly Elise	...	Denver
Beah Richards	...	Baby Suggs, aka Grandma Baby
LisaGay Hamilton	...	Younger Sethe
Albert Hall	...	Stamp Paid
Irma P. Hall	...	Ella
Carol Jean Lewis	...	Janey Wagon
Kessia Embry	...	Amy Denver (as Kessia Kordelle)
Jude Ciccolella	...	Schoolteacher
Anthony Chisholm	...	Langhorne
Dorothy Love Coates	...	M. Lucille Williams
Jane White	...	Lady Jones
Yada Beener	...	Denver aged 9

Storyline

After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen...

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Plot Keywords:

spirit | farm | ohio | freedom | slavery | 

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Taglines:

The past has a life of its own.

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Genres:

Drama | Horror | Mystery

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Motion Picture Rating (MPAA)

Rated R for violent images, sexuality and nudity

Details

Country:

USA

Language:

English

Release Date:

16 October 1998 (USA)

Also Known As:

Agapimeni

Filming Locations:

Fair Hill Natural Resources Area - 376 Fair Hill Drive, Fair Hill, Maryland, USA

Box Office

Budget:

$53,000,000 (estimated)

Opening Weekend:

£74,302 (UK) (5 March 1999)

Gross:

£148,377 (UK) (12 March 1999)

Company Credits

Production Co:

Clinica Estetico, Harpo Films, Touchstone Pictures

Technical Specs

Runtime:

172 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When Jonathan Demme presented an honorary Oscar to his mentor Roger Corman, he revealed that the Jason Robards role in Beloved had been originally cast to be played by Corman, but when Corman discovered the role had no lines, "a scheduling conflict ensued and he withdrew from the part with apologies."

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Goofs

When the camera is following Beloved out to the shed, you can the camera man's shoe for a second in the bottom right corner.

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Quotes

Paul D: [as Paul D enters Sethe's home, he is met with a pulsating glow of red light and backs away in fear] Good God, girl. What kind of evil you got in there?
Sethe: It ain't evil. Just sad.

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Connections

Referenced in The 71st Annual Academy Awards (1999)

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Soundtracks

"The Clearing Song"
Written by Dianne McIntyre

User Reviews

An alarming, well-directed motion picture

I found it difficult to understand the movie, and some of the dialogue, but it mattered little. I wish I'd read the book--perhaps I will, but I don't think so. A film must stand by itself, or it is not a film.

"Beloved" has long passages of greatness. First, it contains one of the best and most fascinating performances I've seen in years, given by Thandie Newton. She spent most of "Gridlock'd" in a coma, unfortunately, and that's the most notable role she's had until this one. Her first speaking (if you'll call it that) line is gripping, frightening, and amusing, and she plays a mental defective in a manner which I've never seen before. She has the loudest, rudest character, and many actresses would be put off by some of the things she must do throughout the film. However, our attention is also held by her quiet moments, as well as a few shots where the camera is content to gaze tranquilly into her beautiful eyes.

That camera is conducted with the supreme artistry of one of my favorite photographers, Tak Fujimoto, who was with director Jonathan Demme since the late '70s. Fujimoto is in love with earth and flesh tones here, but he also shoots his actors' eyes as if they were a part of the human body we'd never really noticed before, and wanted to give them the attention they deserved. It's a great approach to cinematography that pays off an infinite number of times, from the first major shot, of Sethe and Paul D reuniting (as Winfrey and Glover look at each other, they look not just into the camera, but directly into OUR eyes), to the last major shot, Jason Robards (God love him) staring in horror at a most unusual scene in front of Sethe's home.

This film is no "The Color Purple", with Welles-influenced camera angles and sacchirine-induced uplift. "Beloved" is a long, difficult, often off-putting film which doesn't really provide the big payoff at the end. This isn't necessarily good, but it isn't necessarily bad, either. Highlighted sequences include two truly remarkable sermons in the woods by Baby Suggs (Beah Richards--Oscar-nominated in '68 for "Guess Who's Coming to Dinner?"), a horrifying opening which features the most gruesome use of animatronics to date, and the notorious flashback which explain what has haunted Sethe all these years, and who Beloved really is.

I compare this film with "The Thin Red Line". Both come from notable directors, are based on famous novels, used huge budgets, and were very long. Both films disappointed many, many people. Most importantly, however, they both had parts which were greater than the whole, occasional strokes of genius, and were made by men who took the art of filmmaking seriously.