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After Paul D. finds his old slave friend Sethe in Ohio and moves in with her and her daughter Denver, a strange girl comes along by the name of "Beloved". Sethe and Denver take her in and then strange things start to happen... Written by
Jeremy Cohen <firstname.lastname@example.org>
The farmhouse scenes were filmed in Fair Hill, Maryland, on parkland along the Big Elk Creek (seen in the creek wading scene). The park manager, Ed Walls even had a bit part as the ferris wheel operator. The house was entirely built for the movie, though it was convincing enough to fool park goers into thinking it was a real old farmhouse after the movie crew departed. There was no snow that year, so the winter scenes were fabricated with fake snow, plastic icicles and shaved ice, all of which had to be vacuumed up from the fields once shooting was completed. During filming, the park office got a call from another Maryland park asking for advice on dealing with a another film crew. They claimed some kids wanted to film a movie, but they said they didn't seem to know what they were doing, and seemed to just be running around the woods with cameras. The Beloved ended up not being nearly as big of a box office draw as The Blair Witch Project. See more »
Your boys run off, don't know where. One girl's dead, the other one can't get further than the yard. So how did it "work?"
They ain't at Sweet Home. Schoolteacher ain't got them.
Maybe there's worse.
It ain't my job to know what's worse, Paul D. It's to know what's out there and to keep my children from it! Because I would rather know they're at peace in Heaven than living a hell here on Earth! So help me, Jesus!
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I read Beloved in an intro English course and it took me a long while to get used to Toni Morrison's writing style. She once said in an interview that she wrote the book to be disorienting, in some ways to re-enact the feeling of the slave diaspora.
I thought the book heart-wrenching, at times gut-wrenching, and vivid. The character of Paul D never made much sense, seeming like a man waiting for something to happen, but Sethe burned off the page. What I remember most is Baby Suggs' speech at the rock, which the film has divided into three segments.
I projected Beloved for the college theater and I have to say it was long and arduous, especially if you haven't read the novel. There is no SENSE to the PAIN that goes on with these characters; in Braveheart and Titanic, we have a certain tragic pleasure in mass death or torture that we can't receive from Beloved. I read a lot of comments talking about the ghost in Beloved, but the ghost is more of a catalyst for looking into the characters than the star of the film.
I admired the time put in most. It just seemed like Demme and Tak Fujimoto, and the lighting designer as well, gave the actors the time they needed to act and sink into things: unlike traditional MTV-editing, some scenes were comprised of only one shot, usually tracking, as Paul D and Sethe in the cornfield. The score was brilliant; Portman really found a grace in stillness and the trembling African voice and the flute. It was bare but riveting at the same time.
People have said that the film went for too much shock value. That's possible- did we need the close-up of the dead child at the breast? No. But then again when we read it in the book, don't we think of it? Don't we for a split second see that image in our heads? I for one thought of much more graphic things when Morrison discussed Paul D and Beloved's night in the shed. The camera and the actors treat the world of Beloved and the audience with respect. Winfrey does seem more like someone who loves Sethe's character, than Sethe herself, but she did it for me. The sadness, the strength, emptiness, she did it, and Lisa Gay Hamilton as the young Sethe was riveting with her time in the film. The look in her eyes when Schoolteacher says "Animal" is amazing.
Danny Glover always does a good job, but he didn't really amaze me. For me, you know what you're getting with Glover, nice guy, troubled soul, easy-going with fits of rage every now and then. It's what he likes to play, and he does it well here but no surprises. The surprises are Winfrey, and Kimberly Elise especially in those crucial minutes when she decides to leave home, the fear and determination on her face. (She somehow becomes more sexual by the end of the film when she sees Paul D.) Thandie Newton is incredibly freaky and disgusting as Beloved with the exception of that ONE long gaze she gives Danny Glover that night, seduction, perfect symmetry. And Beah Richards as Baby Suggs: I wanted her to be my mother. She broke my heart with her religion: "This is the prize. This is the prize." The preaching scenes are INCREDIBLE in this film, especially since Tak Fujimoto chooses a circular tracking shot that allows them to do it all at once.
There isn't much redemption at the end. Sethe is drained and miserable. Paul D is on his own but still not totally free. I think Roger Ebert's comment put it best: the happy ending of Beloved is that the ordeal is OVER. There is no sense to the pain, but one hopes at the end that there can be healing.
I loved this film. I loved the fact that it's not hammering any one message home, but you can take things about motherhood, race, brutality, the dangers of love and commitment, freedom, and chains out with you: it's all there. And it is as beautiful as it is wrenching.
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