| Vanessa Redgrave | ... | Graziella Luciano | |
| Dennis Farina | ... | Don Roberto Luciano | |
| Nastassja Kinski | ... | Sophia Luciano | |
| Jennifer Tilly | ... | Moyra Luciano | |
| Illeana Douglas | ... | Teresa Scorpio Luciano | |
| James Marsden | ... | Luka | |
| Gina Philips | ... | Rosa Luciano | |
| Richard Portnow | ... | Anthony Moreno | |
| Franco Nero | ... | Mario Domino | |
| Peter Bogdanovich | ... | Vito Giancamo | |
| Carmen Argenziano | |||
| Michael Hayden | ... | Michael Luciano | |
| Richard Joseph Paul | ... | Constantino Luciano | |
| W. Earl Brown | ... | Fredrico Luciano | |
| Tony Maggio | ... | Alfredo | |
| Tomas Arana | |||
| Christopher Shaw | ... | Giorgio Corolla | |
| Michael Raynor | |||
| Dimitra Arliss | ... | Mrs. Scorpio, Teresa's mother | |
| Paul Eckstein | |||
| Tony Lo Bianco | ... | Pietro Carolla | |
| Todd Tesen | ... | Lennie Jackson | |
| Michael Kagen | ... | Victor Muzetti | |
| Michael Gregory | ... | Michael Barzini | |
| David O'Donnell | ... | Michael Giancamo | |
| Dominick Morra | ... | Father Antonio | |
| Sam Adamo | ... | Elderly Father | |
| Rita Zohar | ... | Sister Giuliana | |
| Michael Clark Elias | ... | Casino Cashier | |
| Nick Vallelonga | ... | Gate Guard | |
| Alec Plummer | ... | Luka - Age 10 | |
| Scott Layne | ... | Casino Security | |
| rest of cast listed alphabetically: | |||
| Mark Fourte | ... | Casino Security | |
| Steve Silverie | ... | Prison Guard | |
| Greg Cannone | ... | Monk (uncredited) | |
| Mike Doyle | ... | (uncredited) | |
| Larissa Laskin | ... | Francesca (uncredited) | |
| Rocco Salata | ... | Thug / Bodyguard (uncredited) | |
| Brian Sampson | ... | Waiter (uncredited) | |
| Nick Santoro | ... | Church Mourner (uncredited) | |
Directed by | |||
| David Greene | |||
Writing credits(WGA) | ||
| Lynda La Plante | (novel) | |
| Lynda La Plante | (teleplay) | |
Produced by | |||
| Jack Clements | .... | producer | |
| Michael T. Elias | .... | associate producer | |
| Alfred Haber | .... | co-producer | |
| Ande Hecht-Endewardt | .... | associate producer | |
| Frank Konigsberg | .... | executive producer | |
Original Music by | |||
| Joseph Vitarelli | |||
Cinematography by | |||
| Gordon Lonsdale | |||
Film Editing by | |||
| Michael Brown | |||
Casting by | |||
| Gary M. Zuckerbrod | |||
Production Design by | |||
| Charles C. Bennett | |||
Set Decoration by | |||
| Kurt Meisenbach | |||
Costume Design by | |||
| Enid Harris | |||
Makeup Department | |||
| Darlene Brumfield | .... | key hair stylist | |
| Linda De Andrea | .... | key hair stylist | |
| Heather Koontz | .... | makeup artist | |
| Angela Levin | .... | key makeup artist | |
| Ani Plotkin-Maloney | .... | key makeup artist (as Ani Plotkin) | |
Production Management | |||
| Jack Clements | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Matthew J. Clark | .... | first assistant director | |
| W. Thomas Snyder | .... | second assistant director (as Tom Snyder) | |
Art Department | |||
| Chuck Courrieu | .... | set dresser | |
| Doug Devine | .... | set dresser | |
| Robert Scott Kyker | .... | property master (as Rob Kyker) | |
| Philip Stone | .... | construction coordinator | |
| Darrin Sullivan | .... | gang boss | |
| Cole Young | .... | construction foreman | |
Sound Department | |||
| Patrick Bietz | .... | supervising adr editor | |
| Fred Clemons | .... | sound re-recordist | |
| Pete Elia | .... | sound recording mixer | |
| Stephen Fitzmaurice | .... | adr recordist | |
| David Hankins | .... | supervising sound editor (as Dave Hankins) | |
| Rick Hromadka | .... | sound effects editor | |
| Stacey Michaels | .... | adr mixer | |
| Michael C. Moore | .... | sound | |
| Kurt Peterson | .... | boom operator | |
| Brian Robinson | .... | boom operator | |
| Steven M. Sax | .... | sound editor | |
| Larry Stensvold | .... | sound re-recording mixer | |
Special Effects by | |||
| John E. Gray | .... | special effects coordinator (as John Gray) | |
Visual Effects by | |||
| Lenny Fohrer | .... | colorist | |
Stunts | |||
| Richard Bucher | .... | stunt double | |
| George B. Colucci Jr. | .... | stunt performer | |
| Cory Fleming | .... | stunts | |
| Leslie Hoffman | .... | stunts | |
| Ben Jensen | .... | stunts | |
Camera and Electrical Department | |||
| Marc Christie | .... | dolly grip | |
| Gregory Paul Collier | .... | camera operator (as Greg Collier) | |
| David W. Donoho | .... | key grip (as David Donoho) | |
| Greg Mayer | .... | set electrician | |
| Jacqueline J. Nivens | .... | second assistant camera: "b" camera | |
| David Richert | .... | first assistant camera | |
| J.B. Richner | .... | best boy electric | |
| Randy Stone | .... | second assistant: a camera | |
| Jack Todd | .... | gaffer | |
| Gary Katsuya Ushino | .... | first assistant camera: "b" camera | |
Casting Department | |||
| Eric Hughes | .... | casting assistant | |
Costume and Wardrobe Department | |||
| David W. King | .... | costumes (as David King) | |
| Nadine Reimers | .... | costumes | |
| Rob Saduski | .... | costume supervisor | |
Editorial Department | |||
| Tony Ciccone | .... | assistant editor | |
Music Department | |||
| Allan K. Rosen | .... | music editor | |
| Dan Wallin | .... | score mixer | |
Other crew | |||
| Maxine Bergen | .... | script supervisor | |
| Giampaolo Debole | .... | production coordinator | |
| John Grant | .... | assistant location manager | |
| Steven Krul | .... | production assistant | |
| Nicole Luther | .... | second assistant accountant | |
| R. Scott Poole | .... | assistant location manager | |
| Stacia Sekuler Miehe | .... | production accountant | |
| Steven Shkolnik | .... | location manager | |
| Lisa Marie Stetler | .... | assistant to producer | |
| Tony Whitmore | .... | set medic coordinator | |
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| The Cotton Club | Death Wish | Hamlet | Heaven | So Sweet, So Dead |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section |
One of the challenges with any film concerning the Mafia is that they're usually compared (intentionally or subconsciously) with "The Godfather" trilogy. Tough company, right? Some films still manage to retain respectability, such as "The Last Don", "Casino", or "Goodfellas". Then there are films like "Bella Mafia".
"Bella Mafia" is well-acted. How can it not be with capable actors like Redgrave, Kinski, Tilly, Farina, etc.? Yet even they're abilities can't overcome some of the lines they're forced to deliver. Let me be clear - I'm not a professional writer nor actor. I can, however, detect "cheese" when I see or hear it. At one point about half-way through the film I looked at my wife and said, "They should re-name this "Those Wacky Lucianos". Some of the situations, dialogue, and mannerisms of the performers seemed like it was almost poking fun at the mob-movie genre. I won't go into details of the plot, just suffice it to say the twists turns were more than implausable. Even my wife, who LOVES mob movies, admitted it was more than a bit weak.
Here's the bottom line. If you REALLY like movies about the Cosa Nostra, then check it out. Just keep your expectations low. That way, the talented actors may just do enough to keep your interest. They really do nice work, especially considering what they had to work with. Otherwise, skip this one and watch something else.