A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
Puppeteer Craig Schwartz and animal lover and pet store clerk Lotte Schwartz are just going through the motions of their marriage. Despite not being able to earn a living solely through puppeteering, Craig loves his profession as it allows him to inhabit the skin of others. He begins to take the ability to inhabit the skin of others to the next level when he is forced to take a job as a file clerk for the off-kilter LesterCorp, located on the five-foot tall 7½ floor of a Manhattan office building. Behind one of the filing cabinets in his work area, Craig finds a hidden door which he learns is a portal into the mind of John Malkovich, the visit through the portal which lasts fifteen minutes after which the person is spit into a ditch next to the New Jersey Turnpike. Craig is fascinated by the meaning of life associated with this finding. Lotte's trips through the portal make her evaluate her own self. And the confident Maxine Lund, one of Craig's co-workers who he tells about the ... Written by
Catherine Keener disliked her own character. "I wasn't who I saw for the part of Maxine," she told The New York Times. "She was sexy and bold, and I didn't really like her." See more »
WALK/DON'T WALK signs in New York City at the time of the film used words. The camera zooms in on a sign where there is a upheld hand for stop and a walking figure for go. These pictograph signs were typical at the time in California, not NYC, where the movie is set. See more »
Craig, honey, it's time for bed.
[fade out and in]
Orrin Hatch the bird:
Craig, honey, time to get up, Craig, honey, time to get up, Craig, honey, time to get up, Craig, honey, time to get up,
I'm sorry. I didn't know Orrin Hatch was out of his cage.
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at the end of the cast listing is noted ...and John Malkovich See more »
Being John Malkovich leaves you astounded. What happened in that dark theater? Twist and turn, one thing more fantastical than the next, this movie is 100 % UNIQUE. Even the introduction and the setting of the film are outlandish to say the least. The movie develops quickly, plummetting viewers into the warped world it creates; while the surroundings are strange, they are presented without leaving the audience convinced and I found that my questions about Malkovich's mysterious portal, such as "What happens if John Malkovich goes into his own portal?", were answered.
The directoral work in John Malkovich is quite interested at times as well. Seeing the world through John Malkovich's eyes is not an easy feat to accomplish, but is done tactfully.
However, it is the interactions between the characters that fortifies this film. Cuscack, completely smitten by Catherine Keener's character, finds that his love is unrequited. There are more twists in this story, but that's for you to find out, now isn't it? So be John Malkovich!
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