Mumble's son, Erik, is struggling to realize his talents in the Emperor Penguin world. Meanwhile, Mumble and his family and friends discover a new threat their home -- one that will take everyone working together to save them.
Wilbur the pig is scared of the end of the season, because he knows that come that time, he will end up on the dinner table. He hatches a plan with Charlotte, a spider that lives in his pen, to ensure that this will never happen.
After Babe's great victory in the shepherding contest, Farmer Arthur Hoggett turns down all offers to make money with his pig's talents. But when he gets hurt severely in the well, his wife has to take up farming. She does her best but cannot meet the bank's requirements, which results in the necessity of getting back to Babe. Soon, Esme Hoggett is sitting in a plane headed for "the" city. There, Babe unwillingly causes deep trouble. He has to stay with Mrs. Hoggett in the only hotel in town that accepts pets. Friendly neighbours send officials who catch all animals from the hotel: Cats, dogs, chimpanzees and many others. Babe, who managed to stay free, decides to help his new friends and gets unexpected help - not only by Ferdinand, who flew all the way to the city. Written by
Julian Reischl <email@example.com>
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The Pink Poodle:
Please. Please. I know you're different from the others. Those that have had their way with me make their empty promises, but they are all lies - lies. And I'm afraid and terribly, terribly tired.
Where's your human?
The Pink Poodle:
My humans belong to someone else now. Someone younger and prettier.
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A film that seems too odd to be truly made for kids -- seems director Miller put one over on the producers. the resulting film is a vivid fantasy about a talking pig with a bloated ego (presumably because he's a hero from the first film in the series) who makes the trip to the big city and has to make his way in a house full of animals when "their" humans disappear. Interestingly grown-up social satire as Babe rescues a pit-bull who uses his muscle to enforce the pig's utopic vision of animal community. Rooney appears in an excellent bit as a strange circus clown for whose death Babe is apparently responsible. The finale features a crazy group rumble a la Marx Brothers that will please everyone in the audience -- a class A product, too good to be popular, but sure to please anyone not attatched to its more treacly forebear.
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