The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
The well-known little village from the Asterix and Obelix-comic books is in trouble: It is the last place not controlled by Rome. When Tax collector Claudius Incorruptus does not get his ... See full summary »
After Babe's great victory in the shepherding contest, Farmer Arthur Hoggett turns down all offers to make money with his pig's talents. But when he gets hurt severely in the well, his wife has to take up farming. She does her best but cannot meet the bank's requirements, which results in the necessity of getting back to Babe. Soon, Esme Hoggett is sitting in a plane headed for "the" city. There, Babe unwillingly causes deep trouble. He has to stay with Mrs. Hoggett in the only hotel in town that accepts pets. Friendly neighbours send officials who catch all animals from the hotel: Cats, dogs, chimpanzees and many others. Babe, who managed to stay free, decides to help his new friends and gets unexpected help - not only by Ferdinand, who flew all the way to the city. Written by
Julian Reischl <email@example.com>
Babe: Pig in the City commenced production at Fox Studios Australia in May 1997 and completed in August 1998. To say this film was produced at Fox is technically incorrect. When production commenced, ownership of the site had only just been transferred from the NSW Royal Agricultural Society to Fox a mere 1 month beforehand. The site was a complete shambles. Not only did the producers of "Babe, Pig in the City" have to make a film, they had to create a place in which to make it. An ex. Agricultural showground certainly threw up plenty of suitable facilities for which to make a film where animals were the star performers - but the sheer amount of work needed to bring "Babe, Pig in the City" to the screen is not readily apparent when watching the film. As production commenced, construction of the new studios also got underway. "Babe, Pig in the City" occupied the "old and decrepit" sections of the showground. Towards the latter stages of production, the "new side" construction fences encroached ever closer on the spaces being used and a "Cat and mouse" game ensued. Relocation of entire departments was common. More than half of the production was shot at night. "Babe, Pig in the City" still holds the record for the largest and most complex outdoor film back lot ever constructed in Australia. This back lot was constructed atop what was previously a large paved area for "sideshow alley" at the Royal Easter Show and remained in place on display at Fox until 2002. Likewise many locations around Sydney were also used including quite a few buildings within the old show grounds before they were demolished or refurbished into their new Fox roles. See more »
When Esme's clown suit is inflating and tearing her pants, you can clearly see she has rubber feet, an effect of having to put the inflatable suit on. Before, she had her normal, bare feet. See more »
We're going outside? Without a human? Could be kind of dangerous, you know, in a lethally sort of way.
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One of the singing mice thanks the audience for staying through the credits. See more »
Although it might initially seem like a strange comparison, I must rate "Babe: Pig in the City" alongside "Alien 3" as two of the most grotesquely misunderstood and underappreciated films of the last 10 years. Both films are brilliantly crafted, with complex elements of plot, theme, and symbolism that stunned and confused moviegoers expecting to see films that resembled their respective predecessors. The challenges that Babe faces in his second adventure are much more demanding-- both of Babe himself and of his viewers-- than any mere sheep-herding competition.
Gene Siskel's assessment of "P.i.t.C." as the best film of 1998 is completely accurate-- it even exceeds the standards of such award-winners as "Shakespeare in Love" and "The Truman Show," which says quite a bit about a certain little pig.
The dark tone-- one that makes this movie unsuitable for kids under 10-- is established very early, with an accident that gives Babe (and us) a horrible scare and that sets up the necessity for Babe and Mrs. Hoggett (a delightfully comic character who brings needed levity to the movie) to venture into the forboding city. The city itself is a visual masterpiece, incorporating well-known landmarks from around the world, adding to the universality of the movie's message.
The direction is flawless-- which is quite an achievement considering the myriad animatronic animals that were used; the climactic scene in which Mrs. Hoggett "bungees" around a ballroom, trying to rescue "her pig," is one of the most memorably hysterical scenes in recent memory.
Each of the "P.i.t.C's" many characters is carefully developed to an extent that is rarely seen today-- from Thelonius to Flealick, each dog, cat, goldfish, bird, or monkey adds something uniquely *human* to Babe's experience in the city. Together, the animals create a subtle lesson about the importance of self-acceptance and of maintaining one's integrity of identity. Most importantly, the film conveys this message without ever becoming trite or hyperglycemic in its presentation of the plot events-- even the more unpleasant ones (the goldfish...)-- or of the characters.
Rating: 10/10. There is NOTHING about which to nit-pick with "Babe: Pig in the City" when it is NOT interpreted as a children's movie.
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