The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
The well-known little village from the Asterix and Obelix-comic books is in trouble: It is the last place not controlled by Rome. When Tax collector Claudius Incorruptus does not get his ... See full summary »
After Babe's great victory in the shepherding contest, Farmer Arthur Hoggett turns down all offers to make money with his pig's talents. But when he gets hurt severely in the well, his wife has to take up farming. She does her best but cannot meet the bank's requirements, which results in the necessity of getting back to Babe. Soon, Esme Hoggett is sitting in a plane headed for "the" city. There, Babe unwillingly causes deep trouble. He has to stay with Mrs. Hoggett in the only hotel in town that accepts pets. Friendly neighbours send officials who catch all animals from the hotel: Cats, dogs, chimpanzees and many others. Babe, who managed to stay free, decides to help his new friends and gets unexpected help - not only by Ferdinand, who flew all the way to the city. Written by
Julian Reischl <firstname.lastname@example.org>
Babe: Pig in the City commenced production at Fox Studios Australia in May 1997 and completed in August 1998. To say this film was produced at Fox is technically incorrect. When production commenced, ownership of the site had only just been transferred from the NSW Royal Agricultural Society to Fox a mere 1 month beforehand. The site was a complete shambles. Not only did the producers of "Babe, Pig in the City" have to make a film, they had to create a place in which to make it. An ex. Agricultural showground certainly threw up plenty of suitable facilities for which to make a film where animals were the star performers - but the sheer amount of work needed to bring "Babe, Pig in the City" to the screen is not readily apparent when watching the film. As production commenced, construction of the new studios also got underway. "Babe, Pig in the City" occupied the "old and decrepit" sections of the showground. Towards the latter stages of production, the "new side" construction fences encroached ever closer on the spaces being used and a "Cat and mouse" game ensued. Relocation of entire departments was common. More than half of the production was shot at night. "Babe, Pig in the City" still holds the record for the largest and most complex outdoor film back lot ever constructed in Australia. This back lot was constructed atop what was previously a large paved area for "sideshow alley" at the Royal Easter Show and remained in place on display at Fox until 2002. Likewise many locations around Sydney were also used including quite a few buildings within the old show grounds before they were demolished or refurbished into their new Fox roles. See more »
The orang-utan playing the part of Thelonius is a female, though the character is male. Male orang-utans have large, obvious cheek-pads, which are not present on this individual. See more »
Face it, you're just a little pig in the big city. What can you possibly do? What can anyone do? Why even try?
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One of the singing mice thanks the audience for staying through the credits. See more »
A film that seems too odd to be truly made for kids -- seems director Miller put one over on the producers. the resulting film is a vivid fantasy about a talking pig with a bloated ego (presumably because he's a hero from the first film in the series) who makes the trip to the big city and has to make his way in a house full of animals when "their" humans disappear. Interestingly grown-up social satire as Babe rescues a pit-bull who uses his muscle to enforce the pig's utopic vision of animal community. Rooney appears in an excellent bit as a strange circus clown for whose death Babe is apparently responsible. The finale features a crazy group rumble a la Marx Brothers that will please everyone in the audience -- a class A product, too good to be popular, but sure to please anyone not attatched to its more treacly forebear.
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