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Alan Furnace is a young man with the perfectly proper, quiet life of a London school teacher. But beneath all of that decency lies a burning desire for excitement and he just found it. She's a woman unlike any other: Unruly Irish eyes, Latin lips... her name is Beatrice, but on the streets they call her B. Monkey. She's about to take him on an outrageous, dangerous and sexy ride through the wild side of London. Written by
There are multiple scenes in the theatrical trailer not found in the finished release:
Beatrice standing with her back against the side of an escalator wearing a golden dress.
During the first date in the restaurant she places Alan's hand on her chest to feel her heart instead of just kissing his hand. She asks "Can you feel it?". He excitedly answers yes before she corrects him with "Not my breast, my heart".
A scene where Beatrice implores Alan to "say you love me, whatever happens" at Alan's boathouse.
After the first sex scene she tells Alan "you have to save me" whilst lying in bed facing away from him and looking into the camera.
A scene with Beatrice and Bruno fist bumping each other outside the café.
After visiting Mrs. Sturge Beatrice stops and screams "B Monkey read my name" in public whilst gesticulating wildly.
When Frank arrives at the cottage his reflection can be seen in his car door while he calls for Beatrice by yelling "B Monkey".
Paul's white car speeding out of control in a field before bursting into flames when it hits a wall. This is interspersed with shots of Beatrice screaming "No" whilst reaching out with one arm, a shot from behind her with the car in flames and finally with a shot of her face and tears flowing down it. This would seem to be an alternate ending.
Watch it for Argento and some good touches but this is mainly bland and uninteresting
Alan Furnace is a school teacher who's only joy in life is his late-night slot on hospital radio where he can play the light jazz he loves so much. Seeking more excitement in his life, he takes an interest in a collection of people in a local pub who the barman describes as "criminals". Despite this Alan approaches the woman of the group the sexy and charming Beatrice, but is surprised when she responds to his advances. As he gets to know her, he uncovers a damaged soul with a murky past and dark present that perhaps he would be keep out of; however, as much as he is put off he is drawn in and soon finds himself involved deeper than he had ever planned.
I'll be honest and say that I was only drawn to this film by the strange title; other than that I had no idea what it was about but decided to give it a stab anyway. However the film seems to be aiming for a mood rather than a narrative and, as a result, this film is more about the tone and feel and thus it fails to really engage because the story isn't there. Well, there is a story but it comes second to the mood and it isn't well developed, is full of illogical holes that just don't convince and feels like a mishmash of other films' ideas. It is interesting at points but ultimately it doesn't work. The film tries to be seedy and introspective, using smoky rooms, jazz and crime as motivators and the "normal guy" as our way in, but even this doesn't totally work and elements of it failing make it feel like it has all been forced from the start certainly the choice of the jazz music is way off.
However, as the title suggests, the film is more about Beatrice than the other characters and, as such, it is interesting enough even if she isn't as well developed a character as a "character driven film" would usually require. The performance from Argento is good and she has a real sexy presence that is more than just her taking her clothes off for the cameras it is an aspect of her character that the film uses well. Harris is every bit as bland as the music he plays and he is the reason why I never bought the main relationship once OK, she's after a "nice guy" but would she go for someone so very bland? The rest of the cast are colourful enough and do OK work with very basic material; Rhys-Meyers is good, Everett does his usual lazy, bi-sexual performance, Hart has a small role and the rest are just basic "East End thug" sorts.
Overall this is a film to watch for the sexy, dark presence of Argento and that alone. Outside of her, the narrative is pretty weak and never really convinced me or involved me; the dramatic fireworks come and go without really doing much and by the end I was pretty bored by the whole affair. Argento and some of the support cast make it worth a go but, like Harris and his type of jazz music, this film is consistently bland and uninteresting.
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