Derek Vineyard is paroled after serving 3 years in prison for brutally killing two black men who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did. Written by
This film uses the word "fuck" 214 times. See more »
In the beginning of the film, when Derek runs out of the house and finishes shooting at the thief stealing his truck, in slow motion he turns around facing the camera, with the gun still in the same hand he was using to fire it. Later on in the movie, when this scene is replayed from a different shot, he turns around and puts the gun in his other hand. See more »
[Narrating his essay]
So I guess this is where I tell you what I learned - my conclusion, right? Well, my conclusion is: Hate is baggage. Life's too short to be pissed off all the time. It's just not worth it. Derek says it's always good to end a paper with a quote. He says someone else has already said it best. So if you can't top it, steal from them and go out strong. So I picked a guy I thought you'd like. 'We are not enemies, but friends. We must not be enemies. Though passion may have ...
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Years have past since Danny saw his neo-nazi brother, kill several black males who were robbing his car. Since he has been in prison, Derek's legacy has grown among the white gangs of the area and Danny has followed in his brother's footsteps. When he writes a racist paper for school, his teacher makes his write a new paper, focusing on recent history that of his brother and how he influenced him. Meanwhile Derek leaves prison a reformed man with only the desire to repair the damage he once did to his family with his beliefs and his hate.
I was looking forward to see this film as I missed it at the cinema and am a firm believer that Edward Norton is one of the most talented actors of his generation and is always worth seeing (even if some of his films have given less than he deserves). It was maybe better that I only saw it recently as I was able to enjoy it without all the hype and fighting over who did what to who, or all the comments from director Kaye as to his opinions of the film. Having seen the pompous fool interviewed several times, I find it quite self assuring that I don't agree with his opinions of it!
The plot is a mix of flashback into Derek's hate filled past (told in b&w) and the present (colour) where he is desperate to save his brother and family from suffering anymore from his `sins'. As a basic narrative the film struggles at times to make a solid story and seems to be trying too hard to create confrontations to up the drama within the film. It still works mind you but this is not it's best asset.
The main thing the film does well is to be a very true representation of white male disillusionment. The film avoids painting these people as monsters straightaway (although makes no bones that they are confused, misled and wrong). The arguments and discussions they have in the film are not so far from reality that the characters seem fiction the characters and the film's world seem very real. The film's message that hate is no way to live no matter who it is directed at may be a little simplistic but it is a valid point. One particular weakness which I felt was a little hamfisted was Derek's `road to Damascus' experience in prison it was OK but was far too easy given the character we had just seen brutally kill several black men.
The other main selling point the film has is a performance by Norton that simply ensures he steals nearly every scene he is in. In b&w flashback he is at his best a larger than life character who is never allowed to just be seen as a thug. Norton acts out the various stages of his life well and makeup ensures that he looks younger when required. In the present he is less dominant but still is very good giving a different performance. Furlong is also very strong, although he only has a few scenes where he is able to be outside of Norton's shadow. Support from Balk, Gould, D'Angelo and Brooks is mixed Gould's Jewish character is only in the film to allow for one scene to occur, while Brooks' righteous teacher is simply a `morally upright teacher' with no meat on his character.
Overall this is a good film, which occasionally struggles when it forces the issue in the `present' scenes. However for the most part it is a powerful film which owes a lot to well captured themes and an excellent performance from Norton.
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