Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Derek Vineyard is paroled after serving 3 years in prison for killing two thugs who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did. Written by
In the midst of the dispute about the time he was taking to edit the film, Director Tony Kaye attended a meeting with Michael De Luca (then New Line's senior product president). Kaye arranged for a Jewish Rabbi, a Catholic priest and a Buddhist monk to be present at the meeting to support his argument and "make the meeting a more spiritual one". See more »
While Sweeney is at the prison infirmary, he is playing with his beard in the close-ups, but not in the wider shots. See more »
What are you doing Derek? This is your family.
Right, my family. My family so you know what? I don't give two shits about you or anybody else or what you think. You're not a part of it and you never will be.
That has nothing to do with it!
Oh it doesn't? You don't think I see what you're trying to do here? You think I'm gonna sit here and smile while some fuckin' kike tries to fuck my mother? It's never gonna happen Murray, fuckin' forget it, not on my watch, not while I'm in this family. I ...
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I was expecting a kind of a moralistic movie with an overly present, almost preaching like message. The movie however turned out to be extremely powerful mainly due to the professionalism it was made with.
The movie its story is told 'beautifuly' in black & white and color. The quite original directing from Tony Kaye gives the movie a nice visual style and certain atmosphere. The story itself isn't that complicated or extremely original on its own and perhaps at most points even predictable but the way the story is told is phenomenal. This is not a movie with an happy ending or a movie that provides a solution to the racial discrimination problems. It shows what is NOT the solution to the problems and that everything that is occurring is like a vicious circle. The movie does not give a hopeful message but instead shows the dangers and pain you're causing to yourself and your close environment when you're thinking as a white supremacist.
As an anti Neo-Nazi movie this movie works really powerful. I think that its a really good and important thing that this movie is often shown in classrooms.
Edward Norton is truly fantastic in his role. He is very well believable as a Neo-Nazi as well as the reformed person he later turns into in the movie. It's almost like he's playing 2 different characters and he does that so extremely well. Also really good was Edward Furlong who we all long had not seen in a big production. Furlong and Norton are both acting well together in their scene's are highly believable as two brothers.
Also surprising good was the musical score by Anne Dudley who had already won an Oscar for "The Full Monty", the year before.
This was a movie that surprisingly impressed me. As a movie its extremely powerful and important.
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