Famous 70s NYC nightclub seen and told through the eyes of a young employee.

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4,855 ( 2,005)

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9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Greg Randazzo
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Viv
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Disco Dottie
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Jay Goede ...
Patrick Taylor ...
Tarzan
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Aemilia Robinson ...
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Storyline

An anthology film retelling the story of the famous Studio 54, a hot disco hangout for the social elite of New York. The movie follows several characters at once, some of whom are in desperate straits and on the verge of crashing. Written by Laurence Mixson

Plot Summary | Add Synopsis

Taglines:

You've never been anywhere until you've been here. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong sexuality, drug use and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Release Date:

28 August 1998 (USA)  »

Also Known As:

Studio 54  »

Box Office

Budget:

$13,000,000 (estimated)

Opening Weekend:

$6,611,532 (USA) (28 August 1998)

Gross:

$16,574,731 (USA) (25 September 1998)
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Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

| (extended cut) | (director's cut) | (workprint)

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mark Christopher turned in his original cut in early 1998. Studio reaction to this rough cut was very positive, but two preview screenings in Long Island, New York proved disastrous. Audiences complained that none of the characters were likable, and found much of the gay content uncomfortable. In particular, the kiss between Ryan Phillippe and Breckin Meyer yielded a negative reaction, with viewers complaining that neither actor seemed comfortable in the scene. Miramax head Harvey Weinstein ordered extensive reshoots to alter the plot, removing most references to Phillipe's character's bisexuality, expanding Neve Campbell's role as a love interest, and adding a new ending. Ultimately, the film didn't fare better with critics or audiences, and Christopher's original cut became something of a legend among film enthusiasts. Bootleg copies of the director's cut circulated for years before an official announcement in 2015 of an official release. See more »

Goofs

In the first scene, when Shane looks across to the Manhattan skyline, the MetLife building is visible, with "MetLife" in lights across the top of it. In the 1970s, this building was the Pan Am building with "Pan Am" in lights across the top. See more »

Quotes

Steve Rubell: Is he gorgeous?
Viv: He's gorgeous. Look for yourself.
Shane O'Shea: [voiceover] I was warned that Steven didn't hire any dummies and I should be on my toes because he could ask some really tricky questions.
Steve Rubell: What's two plus two?
Shane O'Shea: Huh?
Steve Rubell: You'll be fine.
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Crazy Credits

There is an additional take of Neve Campbell after the credits. See more »

Connections

Referenced in Gingerdead Man 3: Saturday Night Cleaver (2011) See more »

Soundtracks

Minuet in G major (BWV Anh. 114)
Written by Christian Petzold/Johann Sebastian Bach
Performed by Janos Sebastyen Orchestra
Courtesy of Naxos of America
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User Reviews

Surprisingly well done.
26 January 2001 | by (San Mateo, CA) – See all my reviews

One does not usually expect a popular movie to be much good, namely because it caters to the tastes of a crowd, which are notoriously un-demanding. Rarely, however, one finds a film which delivers on its promises. This, fortunately, was one of these films. The acting was the high point of the film. Mike Myers wore his role like a skin, naturally and easily. Ryan Phillippe proved that despite occasional bursts of negative popular opinion he is more than a simple dime-a-dozen pretty boy, and possesses both skill and talent, both of which are put to good use. (And he is good looking, which despite all else, never hurts. But, let's not belabor the obvious). The filming was excellently done, with a good eye towards shock and an occasional shot of strangely unexpected beauty. The only real objection one could put to this film is that it was far too short. Several sub-plots came up which were either abandoned or underdeveloped, and the ending, while highly effective, had a slight air of "deus ex machina" about it. On the whole, though, a talented, unusually intelligent film with excellent actors and direction. Well worth watching.


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