Micky is a tough, loudmouth but lovable 12 year old who lives with his younger brother and sister at his grandmother's house. One day, a meteorite lands in his backyard and the kids believe... See full summary »
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is ... See full summary »
Erik Van Der Wilden,
Living It Up tells the story of a bus driver who is on the verge of committing suicide when a man offers him some friendly advice - borrow 100 million pesetas from the Mafia and do ... See full summary »
From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. ... See full summary »
Hardened criminal Lester is in prison for armed robbery and murder. When his request for parole is refused, he escapes and hatches a plan for revenge and make him rich. He leads two gang ... See full summary »
Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on ... See full summary »
An anthology film retelling the story of the famous Studio 54, a hot disco hangout for the social elite of New York. The movie follows several characters at once, some of whom are in desperate straits and on the verge of crashing. Written by
In 2008, about a decade after its original theatrical debut, writer-director Mark Christopher assembled a bootleg Director's Cut of the film with 45 minutes of never before seen footage and unofficially screened it at New York's Outfest around July-August 2008. This version reinstated the blatant promiscuity and bisexuality of Ryan Phillippe's character, as well as the film's core love triangle between Phillippe, Salma Hayek and Breckin Meyer which the Miramax studio forced him to cut from the original release. See more »
In the first scene, when Shane looks across to the Manhattan skyline, the MetLife building is visible, with "MetLife" in lights across the top of it. In the 1970s, this building was the Pan Am building with "Pan Am" in lights across the top. See more »
One does not usually expect a popular movie to be much good, namely because it caters to the tastes of a crowd, which are notoriously un-demanding. Rarely, however, one finds a film which delivers on its promises. This, fortunately, was one of these films. The acting was the high point of the film. Mike Myers wore his role like a skin, naturally and easily. Ryan Phillippe proved that despite occasional bursts of negative popular opinion he is more than a simple dime-a-dozen pretty boy, and possesses both skill and talent, both of which are put to good use. (And he is good looking, which despite all else, never hurts. But, let's not belabor the obvious). The filming was excellently done, with a good eye towards shock and an occasional shot of strangely unexpected beauty. The only real objection one could put to this film is that it was far too short. Several sub-plots came up which were either abandoned or underdeveloped, and the ending, while highly effective, had a slight air of "deus ex machina" about it. On the whole, though, a talented, unusually intelligent film with excellent actors and direction. Well worth watching.
27 of 32 people found this review helpful.
Was this review helpful to you?