Micky is a tough, loudmouth but lovable 12 year old who lives with his younger brother and sister at his grandmother's house. One day, a meteorite lands in his backyard and the kids believe... See full summary »
It's the 1990s. Toby, just out of college in Wisconsin, comes to Manhattan to spend the summer with his older cousin, Packard, a gay man whose lover John R. has just died of AIDS. Toby is ... See full summary »
Erik Van Der Wilden,
Living It Up tells the story of a bus driver who is on the verge of committing suicide when a man offers him some friendly advice - borrow 100 million pesetas from the Mafia and do ... See full summary »
Hardened criminal Lester is in prison for armed robbery and murder. When his request for parole is refused, he escapes and hatches a plan for revenge and make him rich. He leads two gang ... See full summary »
Based on the Nobel Prize Winner's novel, the Egyptian Naguib Mahfouz. The story, translated from El Cairo to Mexico City's downtown, narrates the life of the members of the neighbourhood ... See full summary »
Ernesto Gómez Cruz,
From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. ... See full summary »
Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on ... See full summary »
An anthology film retelling the story of the famous Studio 54, a hot disco hangout for the social elite of New York. The movie follows several characters at once, some of whom are in desperate straits and on the verge of crashing. Written by
This film was released in the same year as another disco movie, The Last Days of Disco (1998). Production of that film was accelerated in order to get it released before 54 (1998) which it beat to theaters by about three months. See more »
On the invitation for the New Year's Eve party, the date is
incorrectly typed as "the thirty first of December Nineteen seventy-eight..." The date should be Nineteen seventy-nine. See more »
Why the poor box office performance? Why the bad reviews? Why the bad word of mouth? I really didn't see anything horrible about this movie! First of all, it's a character-driven story. There's little subplots involving jealousy and philandering, but it's not handled in a soapy fashion. I didn't feel any of the characters were one-dimensional.
Of course, Mike Myers steals the show as the homosexual club owner Steve Rubell. I don't know the real Steve Rubell, so you be the judge whether or not his performance was accurate, but I have to say that Myers did an incredible job! And I'm not overstating the least bit! You watch him in this movie and you totally forget that this is the same guy who played Austin Powers. Not to say I didn't realize Myers had talent prior to watching this film. He has definitely proven that he has talent as a comic actor, but I didn't know he had the chops to pull off a straight, dramatic role. Even his accent sounds real, not the least bit phony. I'm surprised Myers didn't even get an Oscar nod. He should've at least gotten the nomination for Best Supporting Actor. Trust me--you will be blown away by his performance in this movie!
The music is great. It's always great to reminisce to the great songs from the seventies. Mark Christopher nicely captured the whole rebellious atmosphere of 54. We're given a taste of the drug addiction and even the sexual promiscuity that made the place famous--there's a scene where a couple shamelessly pounds away on the balcony. I read one person's review, saying that this movie should've been an hour longer. I find it ironic that people watch movies that are two and a half to three hours long and complain, "Oh, this movie dragged! Oh, this movie needed more editing!" Yet they watch a succintly timed film like this and complain it's too short. This may not have been the most thorough examination of the famous nightclub, but I think it got to the point. No reason why we have to go into every tiny detail.
This is a serious, dramatic film but it's also very entertaining. I actually had a smile on my face when the movie ended. It ended on a happy note without having that forced, schmaltzy Hollywood feel. Plus, I really like that song "Knock on Wood" that they played over the credits.
My score: 7 (out of 10)
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