A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Lee Simon, unsuccessful journalist and wanna-be novelist, tries to get a foot into the door with celebrities. After divorcing his wife Robin, Lee gets to meet a lot folks of the rich and / or beautiful, partly through journalism, partly because he has a script to offer. But life among those from out-of-this-world is hard, and his putative success always results in defeat. Meanwhile Robin meets a very desirable TV-producer and takes the first steps in the world of celebrities herself. Written by
Julian Reischl <firstname.lastname@example.org>
According to Allison Janney, neither she nor Allen knew the proper pronunciation of the word "triplex". After she did two takes pronouncing it as "try-plex", Allen told her to find the right pronunciation. She decided to ask real estate magnate Donald Trump who was on the set preparing for his cameo. Trump told her it was "trip-lex" and that is how she pronounces it in the film. See more »
When Robin visits the hooker, the crew and equipment are both reflected in a window as the two women go out onto the patio. See more »
I'm polymorphously perverse. It's not a flaw, it's just a weakness.
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Decent Allen film not his best, but still worth a look
Judged against other movies, Celebrity rates higher than it does when judged against Woody Allen movies. In other words, the director's consistent pace and huge body of work virtually begs for critics to keep ranking each of Allen's films against past efforts and so on. Celebrity is not as good as Deconstructing Harry or Everyone Says I Love You (to cite just two of Allen's recent pictures), but it still bears the hallmarks of Allen's success: great ensemble work, witty and intelligent writing, amusing set-pieces, and excellent photography. Kenneth Branagh fills in as the Woody character, and channels Allen's vocal tics and mannerisms to the point of perfection or distraction, depending on one's point of view. Judy Davis, a welcome sight in any movie, captures Branagh's ex-wife perfectly. The remainder of the cast aids in Allen's dissection of modern media celebrity, and does what it can with this good, but not great, material.
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