Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
New York City. Forty year old Lee Simon, a critically panned two time novelist who works as a travel writer (a job he hates) to earn a steady living, tells his shocked wife of sixteen years, English teacher Robin Simon, that he wants a divorce. Although he had not been happy with Robin for some time, she who he feels is a bundle of Catholic repressions and neuroses especially when it comes to sex, Lee finally came to the conclusion about wanting a divorce upon attending his high school reunion and seeing a roomful of losers, he believing he turning into one of them if he didn't make a drastic change. He gets a job working as a journalist for an entertainment magazine, while he writes screenplays on the side, he believing the latter a good stepping stone to finishing his third novel if the screenplays works out. The journalist job includes conducting interviews with celebrities, not only to who he can pedal his completed screenplay, but also what he quickly learns to who he has easy ... Written by
Cinematographer Sven Nykvist had lost much of his sight at the time of filming. Allen would describe the scenes to Nykvist so Nykvist could tell Allen how each scene should look. This partially became the basis of Allen's blind director in Hollywood Ending (2002). See more »
When Robin visits the hooker, the crew and equipment are both reflected in a window as the two women go out onto the patio. See more »
One minute you're in the lunchroom at Glenwood High and you f***ing blink and you're 40, you blink again and you can see movies at half price on a senior citizen's pass. Ask not for whom the bell tolls, or to put it more accurately, ask not for whom the toilet flushes.
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One of the most brilliant Woody Allen's 90s' pictures, such a mockery of the "beautiful people" with some traces of a romantic comedy and some reflexions about couple troubles made in Woody. But there's an objection and that's Kenneth Brannagh. He's a great actor (no doubt about it) but in "Celebrity" you can't help thinking that he's imitating the character that Woody should've played. It's quite clear that Woody wrote this for himself, but he was too old to play a man that conquers Winona Ryder or Famke Janssen.
Last but not least, what about Judy Davis?? God, she's magnificent, one of the best actresses ever, and that scene with the prostitute is totally hilarious. Woody should've married her instead of Mia 30 years ago!!
So, if Woody would've played the role that eventually played Brannagh this could've been one of his best works. But Brannagh is not Woody, and that's noticeable.
*My rate: 7/10
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