Woo

I should have known that this film wasn't going to be any good; the director made another film by the name of 'The Guru' which has the 'honour' of being the only film that I've ever rated lower than 4/10(!) The thing is with this film is that most of the time, you're laughing at it, instead of with it. Some typical examples of this are occurrences when the main character's friends, or indeed, any characters for that matter, talk in the way that they do. You'll instantly recognise the style; the typical 'gangster' accent which is actually more amusing than a lot of the jokes. Given the fact this film is made up of an entirely black cast, this method of delivering the dialogue is constant throughout and is, in my opinion, very annoying after a while. It's not 'Chris Tucker' annoying but it grates in its own way.

This film's setting takes a bit of a 'road movie' approach as it never lingers for too long in a certain place or setting, or at least that's how these single route journey's in film SHOULD take place. In 'Woo', the place of no return they set off from (the guy's apartment) right the way through to the final scene is crammed with ridiculous scenes in pretty generic settings and the frustrating thing is, is that they last for far too long and are far too unfunny to be appearing in a film which is listed under the comedy genre.

Incidences here include the farce that happens in an Italian restaurant, a rather pointless and unfunny scene in the next setting: a secret underground club which has the ability to hide its loud music RIGHT until you get up close and open the final door and also in a police station during which I can't even remember one joke. Other frustrating things include the use of slapstick early on and a rather irrelevant scene involving LL Cool J, whom the protagonist goes to visit for advice on: wait for it…..music(!) I think LL Cool J appears rather early/high up in the pre film credits yet lasts for about four minutes. Yes, it's ridiculous.

Romance? Yes. Drama? Probably. Comedy? Erm: No Chance. One moment in this film made me laugh and that was when a character went to switch off his car alarm, only to find the car gone and the alarm lying there, still in perfect working order. That's not enough, I'm afraid.

Obviously a starring vehicle for Jada Pinkett Smith who had already co-starred quite effectively in Set It Off and The Nutty Professor.

But where I knew her first and most fondly from at that time, was Tales From The Crypt: Demon Knight.

She was sensational in that movie. And sexy as all get out too.

I just loved her there.

Now, we know more about her once seemingly perfect all star marriage than her actual work.

Which brings me to the set of this film.

Or off it.

We learned this year from Shannon Sharpe's podcast, that Will Smith tried to bully and intimidate her costar, the immensely talented and legendary Tommy Davidson, who himself, had already starred in the much funnier and superior, iconic In Living Color and Booty Call by the time this movie was released.

The cast here is incredible: Dave Chapelle, LL Cool J, and Paula Jai Parker among others.

The soundtrack is awesome too.

It's just that the movie is not.

It's not funny and not believable.

Jada Pickett Smith again looks completely amazing.

Wow.

But her character is just too obnoxious.

There's no way anybody puts up with that.

I don't care how fine she is.

And she is fine.

But this movie is not.

Watch any of those three previous films I mentioned if you're looking for your prime JPS fix, because this ain't it.

The premise of WOO centers around a mismatched couple who meet via a blind date . The eponymous Woo turns up at the flat of Tim who is a bit of nerd and a complete contrast to Woo . Right away you realise that this isn't a groundbreaking sex comedy and perhaps needed something to set it apart from other movies in the sub genre and there's nothing here that does

But what really ruins the film is the ethnic stereotypes and I don't think I've seen so many unlikely characters since watching black exploitation movies like SHAFT and Hit-man . The audience are really smacked over the head as to just how funky these black people are which will probably cause offence to black people and white liberals and will certainly irritate everyone else , so from having a movie that from the outset would merely have been very run of the mill we have a movie that is embarrassing . If you're going to populate a film with black people at least give them non stereotypical quirks

Well. Whoever the *beep* you are, you don't know what you're talking about. "Woo" may not be the best movie in the world, but it was not "awful" as you so rudely stated it to be. It has comedy, it's fun, it's feel good. Let me ask you a question...are you African American? If you are not that would explain why you didn't enjoy the movie. I'm not being racist hopefully, I'm just saying that black people are not huge critics on films. They just lay back, and enjoy. Tommy Lee Davidson's role was kind of boring...but Jada was funny, and sexy, and very entertaining, including the random people (lady ordering the drinks, and Pookee!) Point....Be quiet if you don't know what you're talking about.

NOW WHAT!?!?!?

Tim is a shy man who hasn't been with a woman in quite a while. Woo is a woman who is looking for her perfect man but has been played once too often. When a friend hooks them both up on a date things go wrong from the start when Woo feels that Tim is only after one thing. After that she drags him through a series of misadventures as he gradually loses patience.

I must admit to have taped this because of the presence of the lovely Jada Pinkett Smith. Ironically I watched this on the day that The Matrix Reloaded opened in the UK – I wonder will she be boasting about her presence in this film now that she has real hits under her belt. The plot here is almost an `urban' rehash of Blind Date, with Woo leading the mild mannered Tim to despair. However the majority of the film is poor and not very funny. The plot is very thin, so thin that it needs separate little subplots for the other characters just to sustain the running time. Sadly neither of the two `friends' subplots are any good at all and are either stupid or obvious.

The main `romance' between Woo and Tim is badly translated. At no time did you wish for these two to be a couple, even the `slow music during a thoughtful taxi ride' moment seemed to come out of nowhere and indicate that the film would be ended soon. To be honest other than Woo's body I could see no reason any man would want to be with her – certainly Tim could do a lot better, which kinda goes against the point of the film. Their episodic adventures raised a few small laughs for me but not enough to justify the time.

Pinkett-Smith is OK. Her looks are spoilt by a lipstick colour that doesn't suit her face and a general attitude that alienated her from an audience that she needed to keep. Davidson is better despite playing the same sort of character as he did in Booty Call, he has more of a knack for comedy and his character was easier to emphasis with than Woo. The support cast are all pretty poor whether it is Chappelle demanding his wife dress as a `chicken ho' or Martin, Heath etc being `dogs'. Cameos from LL Cool J and Foxy Brown do nothing to liven it up.

Overall I am not against urban comedies although many of them do tend to fall into lazy cliché that would border on the racist were they not produced for the very groups they stereotype. Here I had low expectations but was still let down., Very few laughs, very basic plotting and such poor characterisation that it was hard to like anyone in the film. Best avoided and very probably being tippexed off Pinkett-Smith's CV as I type this.