Beautiful blonde translator Rebecca lives with her boyfriend, ski instructor Marco, in a small mountain villa owned by her friend, nurse Laura. Rene, a cinema projectionist, steals Marco's ... See full summary »
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Young nurse Sissi lives a secluded life, seemingly entirely devoted to her patients at Birkenhof asylum. Her first encounter with ex-soldier and drifter Bodo has a lasting impact. He causes... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Abila (14) lives in one of the most miserable slums in Africa. His girlfriend Shiku belongs to a different tribe, as the result of which he is not really allowed to fraternize with her. And... See full summary »
How I Learned to Love the Numbers is a New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver ... See full summary »
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
This dark psychological thriller draws us slowly but surely into Maria's strange world. Tension mounts as she is buffeted by interactions with her abusive husband, demanding father, and ... See full summary »
Beautiful blonde translator Rebecca lives with her boyfriend, ski instructor Marco, in a small mountain villa owned by her friend, nurse Laura. Rene, a cinema projectionist, steals Marco's car while in a daze and gets into a car crash with local farmer Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter... Written by
An absolutely stylish movie! If style is what counts for you, go watch it and start praising Tom Tykwer for his wonderful way of making movies. Tykwer has a respectable sense of colours and he is a master of conveying moods and a notion of drama to his audience. The reason why I do not like his movies is that there is nothing about them which gives them the right to be stylishly dramatic. The stories are simple and not particularly interesting but Tykwer makes us believe they are something special. The moment you realize this is not true marks a rather big disappointment.
Winterschläfer has some greatly filmed scenes and pictures, particularly when it comes to combining the beautiful white snow with the very full colours of the characters' cars or clothes. But it's a real pity that these scenes and pictures appear in such a third-rate, meaningless film. The background bears no relation to the magnitude of the pictures. It's the same as with Tykwer's next movie, the world-wide blockbuster Run Lola Run.
Admittedly, Tykwer has chosen good actors for this film. Some of them, like Josef Bierbichler, struggle with the terrible screenplay but others, especially Marie-Lou Sellem interprete it in a convincing and fascinating way.
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