The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and ...
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The story of Oscar Wilde, genius, poet, playwright and the First Modern Man. The self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhood and responsibility with his obsessive love for Lord Alfred Douglas, nicknamed Bosie. After legal action instigated by Bosie's father, the enraged Marquise of Queensberry, Wilde refused to flee the country and was sentenced to two years at hard labor by the courts of an intolerant Victorian society. Written by
Peter Samuelson <firstname.lastname@example.org>
When Bosie enters Oscar's room in the country house, a picture to the left of the door reflects a studio light and later, when Bosie sits down, the boom. See more »
I'm not good enough for him anymore. I'm just the son of a carpenter, while Bosie...
Oscar's only ever been smitten before. He was smitten with me. He was smitten with you...
I wasn't smitten.
I loved him.
Well, now he's fallen in love.
I'm halfway to hellfire and I'm not joking.
Someone else was a carpenter's son.
[John looks at Robbie, confused]
I've given in and become a Catholic. I find Confession wonderfully consoling.
[...] See more »
The credits are in the style of the black-ink drawings of Aubrey Beardsley (1872-1898), leading artist of the Aesthetic movement and colleague of Wilde for whom he illustrated the text of "Salome" in 1894. In the opening credits the pictures reflect the character being played or suggest the role in the production team. See more »
Not really knowing alot about the life of Oscar Wilde, I looked forward to viewing this film, hoping that it would fill in one of the many gaps in my education. I was not disappointed.
This is a film of exceptional human warmth and I can highly recommend it. It deals matter-of-factly with the "issue" of homosexuality, it doesn't condemn or condone what happened in Wilde's private life, the viewer just gets a look at the man underneath the legend.
Stephen Fry does a great job as the title role, making Wilde a sympathetic character with whom the audience empathises. How he contrasts with the Marquess of Queensbury! I will long remember the confrontation between the two men, with Wilde giving as good as he gets against the Marquess' pathological hatred.
Jude Law gives an expert performance as Bosie (or Lord Alfred Douglas), with his deeply contrasting nature shown to full effect, sometimes being tender and loving, at other times changing into a screaming "madman".
Overall, I thoroughly enjoyed this film and can heartily recommend it to anyone who likes good films.
25 of 29 people found this review helpful.
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