MOVIEmeter
SEE RANK
Down 62,193 this week

Wild Life (1997)

 -  Comedy | Thriller  -  5 April 1997 (Japan)
6.5
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.5/10 from 93 users  
Reviews: 3 user | 14 critic

An ex-boxer working for a game parlor owner gets caught up in a complex blackmail operation he doesn't understand. Before long he's caught between two yakuza bosses and a mysterious thief ... See full summary »

Director:

0Check in
0Share...

On Disc

at Amazon

User Lists

Related lists from IMDb users

a list of 1282 titles
created 25 Nov 2011
 
a list of 74 titles
created 02 Dec 2011
 
a list of 1167 titles
created 11 Nov 2013
 
a list of 14 titles
created 4 months ago
 
a list of 237 titles
created 4 months ago
 

Related Items

Search for "Wild Life" on Amazon.com

Connect with IMDb


Share this Rating

Title: Wild Life (1997)

Wild Life (1997) on IMDb 6.5/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Wild Life.
Learn more

People who liked this also liked... 

Xi you (2014)
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Tsai Ming-liang returns with this latest entry in his Walker series, in which his monk acquires an unexpected acolyte in the form of Denis Lavant as he makes his way through the streets of a sun-dappled Marseille.

Director: Ming-liang Tsai
Stars: Kang-sheng Lee, Denis Lavant
Mystery | Action | Thriller
    1 2 3 4 5 6 7 8 9 10 7/10 X  

In dreamlike mountain scenery, Toshiko makes a daring escape from her sexually warped Uncle Sonezaki. Fortunately, she met Samehada as she runs for her life, which is also escaping from ... See full summary »

Director: Katsuhito Ishii
Stars: Tadanobu Asano, Ittoku Kishibe, Sie Kohinata
Maborosi (1995)
Drama
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant. Yumiko remarries and moves from Osaka to a small fishing village, yet ... See full summary »

Director: Hirokazu Koreeda
Stars: Makiko Esumi, Takashi Naitô, Tadanobu Asano
Tokyo Sonata (2008)
Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

An ordinary Japanese family slowly disintegrates after its patriarch loses his job at a prominent company.

Director: Kiyoshi Kurosawa
Stars: Teruyuki Kagawa, Kyôko Koizumi, Yû Koyanagi
Charisma (1999)
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A seasoned detective is called in to rescue a politician held hostage by a lunatic. In a brief moment of uncertainty, he misses the chance for action. Leaving his job and family without ... See full summary »

Director: Kiyoshi Kurosawa
Stars: Kôji Yakusho, Hiroyuki Ikeuchi, Ren Ôsugi
Smuggler (2011)
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

This live-action film adaptation of Shohei Manabe's Smuggler manga is not to be missed! Ryosuke Kinuta is a failed actor with big time debts. His loan shark scores him a gig smuggling dead ... See full summary »

Director: Katsuhito Ishii
Stars: Satoshi Tsumabuki, Masatoshi Nagase, Yasuko Matsuyuki
The Backwater (2013)
Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  
Director: Shinji Aoyama
Stars: Yûko Tanaka, Ken Mitsuishi, Masaki Suda
Mystery
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Three couples are staying at a lakeside cottage with their children. They want them to prepare intensely for a prestigious high school's entrance exam with the help of a private tutor. One ... See full summary »

Director: Shinji Aoyama
Stars: Kôji Yakusho, Hiroko Yakushimaru, Akira Emoto
Crickets (2006)
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  
Director: Shinji Aoyama
Stars: Kyôka Suzuki, Tsutomu Yamazaki, Masanobu Andô
Drama | Music | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which ... See full summary »

Director: Shinji Aoyama
Stars: Tadanobu Asano, Aoi Miyazaki, Mariko Okada
Tôkyô kôen (2011)
Drama
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  
Director: Shinji Aoyama
Stars: Haruma Miura, Nana Eikura, Manami Konishi
Partage de midi (TV Movie 2011)
Drama
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: Claude Mouriéras
Stars: Eric Ruf, Christian Gonon, Hervé Pierre
Edit

Cast

Credited cast:
Mickey Curtis ...
Kenzo Tsumura
Akiko Izumi
Jun Kunimura ...
Ijima
Eiko Nagashima
Yûna Natsuo ...
Rie
Yôichirô Saitô
Kosuke Toyohara ...
Hiroki Sakai
Edit

Storyline

An ex-boxer working for a game parlor owner gets caught up in a complex blackmail operation he doesn't understand. Before long he's caught between two yakuza bosses and a mysterious thief who motivation is unknown. Add in the boss' daughter who has a crush on him and watch him struggle to make sense of it all and come out alive. Written by Fred Cabral <ftcabral@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

detective | gangster | See All (2) »

Genres:

Comedy | Thriller

Edit

Details

Country:

Language:

Release Date:

5 April 1997 (Japan)  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Color:

See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Wild Life, tame results
5 February 2006 | by (London) – See all my reviews

Wild Life is a relatively early film from director Shinji Aoyama, whose best-known work in the west has hitherto been Eureka (2000), together with the grisly horror Embalming (aka: Enbamingu, 1999). Response to Aoyama's characteristic style varies considerably, from those who consider it deep, profound even, whilst noting the issues he 'imports' into genre pieces, and those who lose patience with his deliberate pacing (Eureka runs for almost four hours) pointing to his willingness to play journeyman director, casually taking on projects from various sources. This is not necessarily a criticism, as Japan's most prolific contemporary director, as well as the one attracting positive critical interest, Takashi Miike, has also shown a lack of inhibition. Aoyoma's ethos however is rather different to that of his controversial colleague. His softly spoken, often eccentric characters and personal attitude to cinema is more reminiscent of Jim Jarmusch, although the Japanese director himself cites Godard and Ford as being among his influencers. Those familiar with his native contemporaries will also cite Kiyoshi Kurosawa, a friend of the director, and whose distinctive films can display a similar deliberate, enigmatic quality.

The present film is ostensibly a yakuza drama. Washed up boxer Hiroki makes his living as a 'master nailer' - servicing pachinko machines - who leads a solitary and regimented private life. His main loyalty is to his boss Tsuruma, now under threat from yakuza gangs who threaten his market. Also involved in events are a former co-worker of Hiroki called Mizuguchi, now turned small scale crook, and Rei, his boss' daughter with whom he conducts an awkward wooing. When both Mizuguchi and Tsuruma go missing, Hiroki is pressured by the gangsters, and also targeted by the police on the whereabouts of a certain envelope, believed left in his care and which he initially thinks contains drugs. Obliged to emerge from his emotional shell and re-engage with the world, Hiroki's loyalty to his boss and responses to the daughter drives matters to an inevitable showdown...

Such a description of the plot barely does as it justice, as what really distinguishes Wild Life is the treatment such commonplace genre concerns receive. Ultimately, it is the viewer's response to such unorthodox storytelling that decides just how well the narrative works. The fragmented experience offered by Aoyama's film resembles one of the jigsaws laying uncompleted in Hiroki's apartment than a regular narrative, as his co-written screenplay, in the words of one critic, "plays out like a memory, in short pieces, linked by a peculiar dream-like logic." Dream-like is right, as a lot of Wild Life would be confusing without some determined concentration and imagination on the part of the viewers - a requirement rarely demanded from Hollywood these days, the adventurousness of which must be applauded. Headed up into named chapters, within them the expected linear train of events is disrupted so that the viewer receives regular detours into the past, as well as multiple story threads and interrelationships to contend with.

Some have suggested that Wild Life's structural playfulness intends to parody the crime genre in which the director is working. In classic film noir, fractured, nightmarish narratives work to suggest moral confusion. Aoyama's strategy appears to be, by breaking down and drawing out aspects of his plot, creating a plot where the genre elements can practically be discarded in favour of his sour-sweet contemplation of other realities - those perhaps of loneliness, loyalty and dislocation.

Unfortunately of lot of this is made hard going by a story the elements of which, chopping and shunting notwithstanding, remain resolutely conventional. Aoyama (who co-adapted the script from an original novel) lightens things up with some welcome, if slight, whimsical humour, but its really not enough. One is reminded of the films by Sabu, another of his contemporaries, who has brought to his own series of genre works a mischievous irony, transforming standard material. Aoyama makes much heavier work of it. Horoki for instance, is an interesting and enigmatic enough character, but alas one who never really comes alive, until he called upon to utilise his boxing skills in self-defence. It's a defining moment, but one which occurs too far in the storyline to sustain the interest of all but the most devoted viewer. At the centre of another interesting scene there's also a gay cop, sweet on the hero, who could have been, with profit, been dragged further out of the closet. These moments are in relatively short supply in what is rather a glum affair and, at worst, seem like distractions rather than any genuine enlivening of the plot. In short, Wild Life's lead is not eccentric enough, and his infatuation not passionate enough; the complicated plot is not noir-ish enough and the yakuza thugs just not menacing enough to make much impact. There's a sense that too many of the supporting characters are just ciphers to the director's wish to suggest something profound (witness Hiroki's "Am I falling or rising?" speech in the last part of the film) out of relatively mundane, if unduly complicated, circumstances.

The result is that the viewers' attention begins to wander. Fortunately Wild Life's fluid cinematography is excellent; for instance Aoyama's camera a couple of times circles his principals in a way suggesting those shifting elements laying at the centre of his story, while elsewhere the director also masks character entries and exits through camera movement a technique that, economically, sets the viewer subtly on edge. Such fine work makes one wish that the Artsmagic release did the visual presentation better justice, as the anamorphic transfer is a little disappointing, with some undue darkness and softness of the image.


2 of 4 people found this review helpful.  Was this review helpful to you?

Message Boards

Discuss Wild Life (1997) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?