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9 out of 11 people found the following comment useful :-
This kind of movie becomes rare nowadays!, 26 February 2002
Author: dbdumonteil

It takes a lot of nerve to take on a De Havilland's part ,and Jennifer Jason Leigh has succeeded though:she has never taken the easy road ,as "last exit to Brooklyn"(1989)testifies.She is one of these rare contemporary actors (like Sean Penn,Daniel Day-Lewis,Emma Thompson)who shuns narcissistic parts,who does not think twice about making herself look ugly(like De Havilland).Her portrayal of a gauche,clumsy but endearing heiress(!)despised by her father is brilliant.

Matching her every step of the way are Finney's and Smith's sensational renderings of the rich fat bourgeois and the ambiguous spinster. Albert Finney plays a selfish cruel man ,whose wife died when his daughter was born,and he never forgave the girl this death.So he 's always putting her down,humiliating her fiercely.Maggie Smith -who has already played old maid parts:see "the prime of miss Jean Brodie"(1969),"the honey pot" (1967)"A room with a view"(1986)-is equally successful as the heroine's aunt:we never know whether she helps or thwarts her niece's plans.She probably tries to recreate what she misses during her whole life,but isn't she trying to make her niece what she is as well?Whatever you think of remakes,when you deal with such a efficient threesome,you forget all your bias.

Henry James talks about woman's condition during the last century.Money is the center of the heroine's drama;she will never be sure to be loved for herself,that's why her love is doomed from the very beginning.At the time,marriage was the woman's only future,ugly women became either spinsters or nuns.Catherine's dilemma is that,unlike the other socialites for whom marriage is the way to become part of the posh elite,love is second to none for her.Ben Chaplin is rather acceptable,but his character remains one-dimensional.It was probably hard to equal Montgomery Clift.

In a nutshell,a movie who shuns fad;hence a very commendable work.Agnieska Holland -who had already directed a remarkable "Europa Europa"- is a director who promises great things.

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9 out of 12 people found the following comment useful :-
If you like this movie, then you should try...., 22 December 2004

Author: chunkymonkey24 from United States

If you liked this movie, then you should try William Wyler's "The Heiress" (1949) featuring GWTW's Melanie, Olivia de Havilland and Montgomery Clift. Both of these movies contain moving performances from all of the lead actors. Catherine Sloper is skillfully portrayed as an unworldly, naive, young woman who falls for financially-unmatched, well-cultured, dashing Morris Townsend. The overprotective yet unloving Dr. Austin Sloper, Catherine's father, will make your blood boil! Both movies have the making for some intense soap opera-like drama - suspenseful in every regard, keeps you reaching for that bowl of popcorn or that box of Kleenex. To truly understand the plight of the young lovers and especially to get a sense of the tension behind the relationship between daughter and father, one must view "The Heiress" and "Washington Square" for the two films are lovely by themselves, but they certainly complement each other. You'll see what I mean after watching both ;) Enjoy!

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8 out of 11 people found the following comment useful :-
FINE ADAPTATION OF THE HENRY JAMES NOVEL, 4 February 2004

Author: (KoolJool817@aol.com) from New York, NY

It is unfair to compare the 1997 film "Washington Square" to the 1949 film "The Heiress." "Washington Square" is a faithful adaptation of Henry James' eponymous classic novel; "The Heiress" is based on the stage adaptation of the James novel by Augustus and Ruth Goetz.

Hence, the two most dramatic scenes in "The Heiress" do not appear in "Washington Square" -- Morris Townsend's cruel jilting of Catherine right before their planned elopement, and Catherine's revenge in the final scene, where Morris is left pounding on the bolted door.

There were many fine performances in "Washington Square," most notably Jennifer Jason Leigh. Her many expressions of hurt, pain, and anguish are heart-breaking to watch. Ben Chaplin's outstanding portrayal of "the fortune hunter" is surprisingly sympathetic. Maggie Smith's Aunt Lavinia is seen as meddling and trouble-making. The soundtrack is beautiful, and the set designs and costumes provide an accurate portrayal of 19th century New York.

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10 out of 15 people found the following comment useful :-
Flat movie which betrays the spirit of James' novel, 30 October 2000

Author: pzanardo (pzanardo@math.unipd.it) from Padova, Italy

"Washington Square" is a flat, shabby adaptation of the short novel by Henry James. Indeed, the novel is very good, but far from the level of James' masterpieces. Moreover its simple, eventless story seems unsuited to make it into a film (although William Wyler, with his "The Heiress", gave in 1949 a beautiful version of the novel).

Anyway, the movie completely betrays the spirit of this work of the great American writer. In the novel, the heroine Catherine is shy, not very attractive and somewhat clumsy, but nonetheless she is a sound, intelligent young woman, and she's not as naive as it may seem. Her attachment for her father is dignified and respectful, with no morbid sides in it. Along three quarters of the movie, Catherine (Jennifer Jason Leigh) just seems to be mentally retarded, poor thing. In the last quarter, she suddenly (and incredibly) becomes intelligent, aware of her dignity as a woman, and all that.

The director Agnieszka Holland has added two vulgar scenes to the story. The first, when the nervous child Catherine has, well, troubles with her vesica. The second scene, when we see on the background a sort of open-air brothel, with prostitutes taking their customers behind tents, and so on. Nothing could be more contrary to the spirit and artistic ideals of Henry James. It is notorious that the writer was extremely decent and demure even for the standards of the Victorian age. I defy anyone to find any coarseness anywhere in the thousands of pages of James' huge literary production. I really was particularly annoyed by these two scenes.

Yes, I know that a director needs reasonable freedom in the screen adaptation of a novel. But if a director utterly ignores or misunderstands the art of an author (here Henry James), I don't see the point of using his work to make a bad movie.

The acting is adequate to the movie: poor and flat, in spite of the talent of Albert Finney and Maggie Smith. "Washington Square" is definitely a non-recommendable film.

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7 out of 10 people found the following comment useful :-
moving ,a real tear jerker, 2 May 2003

Author: sean-276 from newcastle england

I found this movie by accident while browsing sky channels. I fell in love with it then, managed to watch it several times before i decided to buy. I dont know if it it touches all those who have felt betrayed or if katherine is so believable that the leaking eyes are for her!!I have recommended it to all my friends who enjoy a good weepy.The ending is not sad but gives me a sense of strength and survival,a kind of "good on ya Katherine" having read other reviews it amazes me how differently people experience the same movie. I had not read the book or seen the original, and i'm glad as i saw this with new eyes and loved it. A great night in with the kleenex!

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4 out of 5 people found the following comment useful :-
Openly emotional/no buffers, 27 July 2002

Author: Abby-9 from USA

I rented WS in order to compare Jennifer Jason Leigh's performance in this with her performance in Kansas City. Both are period pieces, and in both i sensed her willingness to submerge a modern self into the demands of the historic period. This is frightening to behold--Albert Finney is rock-hard, with glimpses of natural paternal sentiment that only make his determined hardness the more monstrous. So, his daughter is his victim--a victim of culture, a victim of circumstance--a victim of miscommunications, a victim of her lover, of her aunt? It's all a little hard to bear, except that, as the motif of endurance emerges, the formation of a protective shell over the passions of the young is, finally, a relief. I don't know if there is enough popcorn and chocolate/caramel/you-name-it to make sitting through this story actually enjoyable. Beautifully dressed and accompanied by exquisite score, it's a tragedy with a conclusion of unillumined defeat. Although Katherine, Leigh's role, keeps for herself, privately, the apparent pleasure of the memory of passion. Is this James's modern leaning? Anyway, I rated it high, because as a window into history it's at least fascinating.

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5 out of 7 people found the following comment useful :-
Wonderfully tragic film of romance and liberty., 24 October 1999
Author: Mr12ED from Nashville, TN

Usually I adore movies with no glitches - easy romance that merely comes to fruition. However, this film caught my eye in the video store and I impulsively rented it - I will forever be grateful to my instinct. For this film was amazing - a young woman who is unattractive physically, but beautiful inside. She yearns for the true, unconditional love that her father has never provided it to her. This story documents with grace and intense emotion her journey of discovery - for who really loves her and who she really is. The music is achingly poignant and supports a story that evokes such incredible feelings in its viewers. Washington Square isn't a film that makes you cry, it's one that makes you weep.

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5 out of 8 people found the following comment useful :-
It does not work for me., 27 August 2005

Author: glencominc from United States

I do not know who is to blame, Miss Leigh or her director, but her performance as Catherine is almost impossible to watch. Ben Chaplin on the other hand does a superior job - against all odds as far as I am concerned. His character is entirely too charming and appealing. but certainly not shown as greedy enough, to put up with Leigh's character's silliness. Chaplin appears bemused by what cannot possibly be understood as Leigh's shyness and lack of grace, but rather her orthopedic unsteadiness. There has to be some element of believability to his interest, but as played it is incomprehensible. The performances do not jibe. Maggie Smith and Albert Finney are, of course, wonderful despite any effort to derail them. The supporting cast is also a pleasure to watch. What a pity, too, the leads don't work together because the production is lovely to look at.

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4 out of 7 people found the following comment useful :-
The novel has no plot and the film has no beauty, 17 September 2002

Author: pist_again from Newcastle, Australia

It's interesting that a novel with no plot has become the basis for two films. While The Heiress was a good, if not entirely accurate, adaptation, Washington Square is a heavy-handed and poorly acted, except for the part of Dr Sloper, film that could have been so much better.

The director's attempts at making 'beautiful' scenes were so obvious that I actually cringed. It has none of the understated and simple beauty that a movie with no plot can have, such as Onegin. I agree with other comments about Leigh's portrayal of Catherine as an idiot, instead of naive and shy; she made me despise her not feel for her.

Catherine's transition from childlike trusting to adult cynicism, the whole point of the story, was internalised, just as it was in the novel. But we don't have the benefit of a narrative voice to tell us that in a film! I think someone skipped adaptation class at filmschool.

I appreciate the director's attempts to make a moving and beautiful film out of a difficult text but it just didn't work.

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6 out of 11 people found the following comment useful :-
Over-long, over-acted, and over-directed, 4 February 2001
Author: (Lanwench) from New Yawk City

This was such a ham-handed film that only the invisible force field that surrounds my couch prevented me from getting up and turning the television off. Much of Leigh's performance seemed to consist of channelling Ally Sheedy's quirky "Breakfast Club" shtick. Jeez, Catherine isn't supposed to be the village idiot; she's just naive and sheltered. The scenes involving pants-wetting and prostitution were unfaithful to James' spirit, let alone the actual text, and the music was god-awful and anachronistic, especially the irritating piano duet.

Albert Finney and Maggie Smith did their best, but the direction gets the Golden Toilet award. Oh, look; it's sunny - such felicity abounds! Aw, gee, it's raining, let's all fall down in the street to the sounds of swelling symphonic shmaltz. Peuw.

And I am normally a such a forgiving costume drama fiend. Alas.

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