Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ...
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At a country fair, young hay-trusser Michael Henchard quarrels with his wife Susan, and in a drunken fit decides to auction off his wife and baby to a sailor for five guineas. The next day,... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Based on a little known 1848 novel by Anne Bronte, Tara Fitzgerald stars as an enigmatic young woman who moves to 19th Century Yorkshire with a young son. Distancing herself from everyone ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.
Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter for her money. But Catherine is determined to follow her heart, even if she loses her inheritance in the process. But just what are Townsend's intentions? Written by
Mike Myers <firstname.lastname@example.org>
I rented WS in order to compare Jennifer Jason Leigh's performance in this with her performance in Kansas City. Both are period pieces, and in both i sensed her willingness to submerge a modern self into the demands of the historic period. This is frightening to behold--Albert Finney is rock-hard, with glimpses of natural paternal sentiment that only make his determined hardness the more monstrous. So, his daughter is his victim--a victim of culture, a victim of circumstance--a victim of miscommunications, a victim of her lover, of her aunt? It's all a little hard to bear, except that, as the motif of endurance emerges, the formation of a protective shell over the passions of the young is, finally, a relief. I don't know if there is enough popcorn and chocolate/caramel/you-name-it to make sitting through this story actually enjoyable. Beautifully dressed and accompanied by exquisite score, it's a tragedy with a conclusion of unillumined defeat. Although Katherine, Leigh's role, keeps for herself, privately, the apparent pleasure of the memory of passion. Is this James's modern leaning? Anyway, I rated it high, because as a window into history it's at least fascinating.
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