Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ...
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Jennifer Jason Leigh,
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Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter for her money. But Catherine is determined to follow her heart, even if she loses her inheritance in the process. But just what are Townsend's intentions? Written by
Mike Myers <email@example.com>
[referring to Catherine's father's opinion of Morris]
You would hear me abused without opening your lips in my defense?
My father would not abuse you. He does not know you well enough.
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This was such a ham-handed film that only the invisible force field that surrounds my couch prevented me from getting up and turning the television off. Much of Leigh's performance seemed to consist of channelling Ally Sheedy's quirky "Breakfast Club" shtick. Jeez, Catherine isn't supposed to be the village idiot; she's just naive and sheltered. The scenes involving pants-wetting and prostitution were unfaithful to James' spirit, let alone the actual text, and the music was god-awful and anachronistic, especially the irritating piano duet.
Albert Finney and Maggie Smith did their best, but the direction gets the Golden Toilet award. Oh, look; it's sunny - such felicity abounds! Aw, gee, it's raining, let's all fall down in the street to the sounds of swelling symphonic shmaltz. Peuw.
And I am normally a such a forgiving costume drama fiend. Alas.
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