Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter ...
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Sadie is desperately looking up to her older sister Georgia who is a famous C&W artist. Sadie wants to be a famous artist like her sister, but is always doing everything wrong. Her ... See full summary »
Jennifer Jason Leigh,
The film is set in 1905, in a time of feverish revolutionary underground activity in Poland partitioned between three neighbours. All the characters are committed anarchists. The bomb maker... See full summary »
Her son dying of cancer and her marriage falling apart, Julie flees to Poland in search of a man who can heal using his hands. Julie finds not only a magical cure for her son, but also ... See full summary »
The script by Eva Borusevicova describes the true story of Janosik, the XVIII centuries outlaw, who was prowling through Slovak-Polish border. The story of Janosik, a legendary "Central ... See full summary »
When the father of privileged Rosina da Silva violently dies, she decides to pass herself off as a gentile and finds employment with a family in faraway Scotland. Soon she and the family ... See full summary »
The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood. During his investigation, the priest, who is experiencing a crisis of faith, re-discovers his own purpose in life.
At a country fair, young hay-trusser Michael Henchard quarrels with his wife Susan, and in a drunken fit decides to auction off his wife and baby to a sailor for five guineas. The next day,... See full summary »
Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father, who believes Townsend is only interested in his daughter for her money. But Catherine is determined to follow her heart, even if she loses her inheritance in the process. But just what are Townsend's intentions? Written by
Mike Myers <firstname.lastname@example.org>
I rented WS in order to compare Jennifer Jason Leigh's performance in this with her performance in Kansas City. Both are period pieces, and in both i sensed her willingness to submerge a modern self into the demands of the historic period. This is frightening to behold--Albert Finney is rock-hard, with glimpses of natural paternal sentiment that only make his determined hardness the more monstrous. So, his daughter is his victim--a victim of culture, a victim of circumstance--a victim of miscommunications, a victim of her lover, of her aunt? It's all a little hard to bear, except that, as the motif of endurance emerges, the formation of a protective shell over the passions of the young is, finally, a relief. I don't know if there is enough popcorn and chocolate/caramel/you-name-it to make sitting through this story actually enjoyable. Beautifully dressed and accompanied by exquisite score, it's a tragedy with a conclusion of unillumined defeat. Although Katherine, Leigh's role, keeps for herself, privately, the apparent pleasure of the memory of passion. Is this James's modern leaning? Anyway, I rated it high, because as a window into history it's at least fascinating.
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