Washington Square (1997)

User Rating:

6.5/10   

Director:

Agnieszka Holland

Writers (WGA):

Henry James (novel)
Carol Doyle (screenplay)

Release Date:

10 October 1997 (USA)

Genre:

Drama | Romance

Tagline:

She must choose between her father's fortune... Or the man she loves.

Plot:

Catherine Sloper has found the man of her dreams in Morris Townsend, but her plans to marry him are strongly opposed by her father...

Plot Keywords:

Money | Self Destructiveness | Betrayal | Party | Surrogate Mother

Awards:

1 nomination

Cast

Jennifer Jason Leigh	...	Catherine Sloper
Albert Finney	...	Dr. Austin Sloper
Maggie Smith	...	Aunt Lavinia Penniman
Ben Chaplin	...	Morris Townsend
Judith Ivey	...	Aunt Elizabeth Almond
Arthur Laupus	...	Mr. Almond
Jennifer Garner	...	Marian Almond
Robert Stanton	...	Arthur Townsend
Betsy Brantley	...	Mrs. Montgomery
Nancy Daly	...	Maureen (Maid)
Sara Ruzicka	...	Catherine Sloper (age 11)
Rachel Layne Sacrey	...	Sarah Almond
Rachel Osborne	...	Alice Almond
Scott Jaeck	...	John Ludlow
Peter Maloney	...	Jacob Webber (Notary)

MPAA:

Rated PG for thematic elements including some sensuality, a childbirth scene and brief mild language.

Runtime:

115 min

Country:

USA

Language:

English | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

Iceland:16 (including commercials) | Iceland:L | Argentina:13 | Chile:14 | France:U | Peru:14 | Portugal:M/12 | Singapore:PG | Spain:T | UK:PG | USA:PG | Australia:PG

Filming Locations:

Baltimore, Maryland, USA

Company:

Alchemy Filmworks

Trivia:

At one point, Brooke Shields was cast as Catherine Sloper, but dropped out due to her commitment to the TV series "Suddenly Susan" (1996).

Quotes:

Dr. Austin Sloper: It would give me great satisfaction if you were to promise that upon my death you will not marry Townsend.
Catherine Sloper: I very seldom think of Mr. Townsend.
Dr. Austin Sloper: All the easier to keep your promise.
Catherine Sloper: I can't promise.
Dr. Austin Sloper: You are very obstinate.
Catherine Sloper: I don't think you understand.
Dr. Austin Sloper: Please explain, then.
Catherine Sloper: I can't explain. And I can't promise.

Movie Connections:

Version of The Heiress (1949)

Soundtrack:

Tu chiami una vita

This kind of movie becomes rare nowadays!

It takes a lot of nerve to take on a De Havilland's part ,and Jennifer Jason Leigh has succeeded though:she has never taken the easy road ,as "last exit to Brooklyn"(1989)testifies.She is one of these rare contemporary actors (like Sean Penn,Daniel Day-Lewis,Emma Thompson)who shuns narcissistic parts,who does not think twice about making herself look ugly(like De Havilland).Her portrayal of a gauche,clumsy but endearing heiress(!)despised by her father is brilliant.

Matching her every step of the way are Finney's and Smith's sensational renderings of the rich fat bourgeois and the ambiguous spinster. Albert Finney plays a selfish cruel man ,whose wife died when his daughter was born,and he never forgave the girl this death.So he 's always putting her down,humiliating her fiercely.Maggie Smith -who has already played old maid parts:see "the prime of miss Jean Brodie"(1969),"the honey pot" (1967)"A room with a view"(1986)-is equally successful as the heroine's aunt:we never know whether she helps or thwarts her niece's plans.She probably tries to recreate what she misses during her whole life,but isn't she trying to make her niece what she is as well?Whatever you think of remakes,when you deal with such a efficient threesome,you forget all your bias.

Henry James talks about woman's condition during the last century.Money is the center of the heroine's drama;she will never be sure to be loved for herself,that's why her love is doomed from the very beginning.At the time,marriage was the woman's only future,ugly women became either spinsters or nuns.Catherine's dilemma is that,unlike the other socialites for whom marriage is the way to become part of the posh elite,love is second to none for her.Ben Chaplin is rather acceptable,but his character remains one-dimensional.It was probably hard to equal Montgomery Clift.

In a nutshell,a movie who shuns fad;hence a very commendable work.Agnieska Holland -who had already directed a remarkable "Europa Europa"- is a director who promises great things.